The Longest Daycare

I enjoyed the fact that the daycare Maggie is left in is named after Ayn Rand. She experiences the whole "virtue of selfishness" thing, being pushed around. I've been through the whole Rand thing, suffering through pretentiousness. Look at our world today! Anyway, Maggie doesn't succumb to the slings and arrows and manages to think her way through the long day

'THE SIMPSONS: THE LONGEST DAYCARE': Three Stars (Out of Five)

A 'SIMPSONS' animated short that was actually nominated for a 2013 Oscar! It's 5 minutes long and focuses on Maggie Simpson's adventures at an Ayn Rand Daycare center. As she's placed with the normal kids, she longs to join the gifted children but then makes it her mission to save a butterfly cocoon from an evil Baby Gerald instead. The movie is somewhat humorous if you get a kick out of Maggie but nothing really special. It's just like a 5 minute segment of a 'SIMPSONS' TV episode. It was directed by David Silverman, who also directed 2007's 'THE SIMPSONS MOVIE' (and written by many of the same writers). It also played in theaters before 'ICE AGE: CONTINENTAL DRIFT'. Why this is up for an Oscar is beyond me but if you like the 'Simpsons' you're almost sure to enjoy.

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I generally don't indulge to Top Ten lists, but it won't take much time to see the film, so there's no need to make a thesis about it. The short is brilliant and here's why you should give it a try. Lesser said, the better. Ten Reasons to Watch "The Longest Daycare":

1/ It's about Maggie Simpson. I think we can count the Maggie Simpson-related episodes with two hands, she's the least represented and developed character, which also makes her the freshest and most original to some extent. We just can't get enough of Maggie, anything that puts her under the spotlight is welcome.

2/ Short cartoon is the right format. While she's a member of the most iconic TV family, she can't carry over her frail little shoulders the weight of a long narrative, but four minutes are perfect to tell a poignant and whimsical story with a proper beginning, middle act and ending. As they say, brevity is the soul of wit.

3/ It is silent, which is also fitting for her character, who only speak in non-canon episodes of for the sake of some inspired gags. Here, we speak her non-existent language, made of raises shoulders, jump scares, running, toddling and frowned eyebrows. We see the world through the perspective of a little baby with all the joys, fears and thrills induced by her small size. The silent format also allows the film to exude some Golden Age vibes (the opening screen shot is similar to Donald Duck's cardboard) and work like something Chaplin would have endorsed, I mean it.

4/ There's a heart in the story from its positive attitude toward animals and a brain through its sharp comment on human methods (especially to detect intelligence in children), both mix perfectly with comedy, the drama works on an emotional level, the comedy on an intellectual one. As they always do.

5/ The film has a bad-ass villain and consecrates Baby Gerald's finest hour, needless to say that the final word belongs to Maggie and she's as heroic as Gerald was naughty.

6/ There's a clever Checkov Gun's in the film and without spoiling it, I'll say the story makes good use of one of Maggie Simpson's trademarks and it's not the one you think, and it's one you don't see coming, say no more and don't try to anticipate, let the story unfold.

7/ The animation is top notch without being too sophisticated, but it also shows that the Simpsons universe is so rich and multi-layered it can work on every format, feature film, TV episode, an episode of a TV episode. If the series ever stopped, I can't see what would prevent them to get back to their roots.

8/ The ending. A short is generally as good as its ending and this one doesn't disappoint.

9/ The run-time again, at four minutes, it's pretty short even for a short but at least it doesn't try to add new material or stuff up the story for the sake of it, we get right to the point, the middle-act leads to a great culmination, and with an emotionally rewarding ending, and a wonderful "A-ha" moment one's not ready to forget.

10/ It was nominated for an Oscar, that should tell you how at least worthy of your attention it should be.

That's all, folks, enjoy your short. Unlike Maggie with her pacifier, it doesn't suck! More seriously, I know this review is preaching a choir, but I wish someone who's not a fan of the series will read this, because the merit of this little gem is that it doesn't depend on any appreciation of the show, it's a standalone little masterpiece.

Just watched this Simpsons short in 3-D before the latest Ice Age movie with my movie theatre-working friend just now. In this one, Maggie is dropped in daycare with the "nothing special" toddlers especially one baby boy who likes to stomp on things. It's there that Maggie bonds with a caterpillar who she tries to protect from that same boy...This was quite funny with many clever sight gags including one involving Ayn Rand. Since only mom Marge is the only other one from the family that appears here, this was dialogue-free. Liked the use of some classical music in the scoring and seeing some of the other kids from the series in some scenes. So on that note, The Simpsons: The Longest Daycare was worth it watching before the main feature.

I heard of this short film because it was screened about 6 times in one day in the UK when it was released and the weekend paper informed me that it was one of the animated shorts up for the Oscar this year, so I figured I should give it a look. The plot sees Maggie enrolled in daycare only to find another baby in the "meh" class is smashing butterflies. Maggie saves a caterpillar from a similar fate and tries to keep it safe until it can become a butterfly. The plot is simple but it is played out wordlessly and with a sense of operatic melodrama that is clever despite not totally working.

It is clever, but not as clever as it should have been; it is funny, but never as funny as it should have been and it is sweet, but never as heartfelt as expected. The biggest problem it has is the stable that it comes from, because the legacy of The Simpsons is a massive shadow to escape, either generally or specifically. I say specifically because this short film is in the shadow of not only the golden era of the show but it isn't even the best "Maggie in the nursery" that the show has produced, since the Great Escape sequence in the Streetcar episode was stronger and funnier than this.

It is still good though and it is worth a look even if it isn't up to Simpsons at its best but then, in fairness, what is?