After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.
- Awards
- 2 wins & 1 nomination total
Ella Wahlestedt
- Emma
- (as Ella Linnea Wahlestedt)
Algee Smith
- Marcus Simms
- (as Alga Smith)
Cassius M. Willis
- Calvin Simms
- (as Cassius Willis)
Marilyn Giacomazzi
- Bar Patron #2
- (as Marilyn Giacommazzi)
Featured reviews
We got in for an early screening of this movie, not knowing quite what it would be, just that it had kids and a cute little alien. Even not being kids ourselves, we were extra happy throughout it. It really goes from the children's perspective, as they record what they see with small cameras attached to their bikes and their glasses and their hands. The plot was nice, and we had a few good laughs throughout.
It's a great one to bring the kids to, or just a nice movie to check out. The first person and sci-fi elements made you feel like you were a part of it, and you had to help the little alien out.
Granted, it's not perfect. Sometimes there are things that the kids do which really feel like it's something kids shouldn't be doing, and the plot it fairly predictable. But still, if you want just an easy going time, it'll work out well.
It's a great one to bring the kids to, or just a nice movie to check out. The first person and sci-fi elements made you feel like you were a part of it, and you had to help the little alien out.
Granted, it's not perfect. Sometimes there are things that the kids do which really feel like it's something kids shouldn't be doing, and the plot it fairly predictable. But still, if you want just an easy going time, it'll work out well.
Because of the posters, every little child who can talk wants to see this movie. However, most of the dialogue and jokes go right over the head of anyone under the age of 8-10. It is a beautiful movie that reminds me of Batteries not Included and Goonies (with that first person camera work directors love now-days), but (as with both of those movies) the target audience seems to be older families, not little children.
That being said, there is nothing overt that you want to hide your little ones from, they will just probably fall asleep as my 4 year old did. If you have a 12 year old and you want to see a movie with them, then this is the perfect movie for you.
That being said, there is nothing overt that you want to hide your little ones from, they will just probably fall asleep as my 4 year old did. If you have a 12 year old and you want to see a movie with them, then this is the perfect movie for you.
This film is something like ET meets Wall-E, in a modern style. Solid entertainment for kids and people who don't care about realism that much. I do enjoyed the film and it definitely deserves a better rating than 5.8 (the actual IMDb-rating) Don't get bothered by the people complaining this movie is just a bad copy of ET. It is done for people who are young right now wanting to enjoy a solid movie and not the old ones living in the past. Sure ET, the old Indiana Jones movies and the other stuff was great, but that doesn't mean new movies are bad by definition.
Whatever, if you want to enjoy some light entertainment made for kids you can definitely be happy with this one - but don't expect a mindblowing classic ;)
Whatever, if you want to enjoy some light entertainment made for kids you can definitely be happy with this one - but don't expect a mindblowing classic ;)
I really liked this film. It's a fun Kids adventure in the vein of Goonies, Big, No Batteries Required or The Last Star Fighter. I guess similarities could be drawn with ET but only in as far as it's a Sci Fi film with kids in it. It's funny, well acted by the kids and I found it heart warming and exciting. Its not so much "found footage" as shot and narrated by the kids themselves but in a far more watchable way. I guess if you're not a fan of that then his isn't the film for you. It's not big budget but in now way is it "low budget". It relies on the actors to tell the story and on the story itself, not on millions of pounds worth of special effects. What special effects it uses are very well done and integrated seamlessly. Definitely worth watching!!!
In a lot of ways, you've seen it all before. Earth To Echo lifts the plot from E.T. (an extraterrestrial being enlists the help of ordinary kids to find his way home), scrounges up its characters from any number of coming-of-age films, and shoots it all in the found-footage format that has become all the rage in recent years. The story is simple and predictable, the outcome hardly ever in doubt. And yet, Earth To Echo conjures up a unique charm of its own, finding plenty of heart and humour in the friendships between a trio of small boys teetering on the brink of growing up.
The film opens in a perfectly ordinary suburban neighbourhood in America, one that's about to be levelled for the construction of a brand new highway. This does not sit well, of course, with a trio of best buddies who must move away from one another: cocky, camera-crazy Tuck (Brian 'Astro' Bradley); sensitive foster child Alex (Teo Halm); and nervous, earnest Munch (Reese Hartwig). The day before the moving trucks arrive, the boys decide to investigate a mystery: their phones have been scrambled with what looks like a map. Their discovery brings them a new friend - the pining Echo of the film's title - but also a host of stern, unwavering adults determined to keep Echo grounded.
It's not much of a plot, and Earth To Echo marches forward with near-resolute predictability. There's a scared kid who wants to turn back (Munch), an argument threatens to break up a friendship (Tuck leaves Alex behind at a crucial point, which touches a sore nerve), they pick up a fourth wheel in the form of feisty Emma (Ella Wahlestedt). Some of the messages suggested in the havoc and chaos of the film, especially when Echo's enemies on Earth draw closer, are a little murky. Not one of the adults comes across as a fully-rounded character: they're played either as outright villains or peripheral comic relief.
That being said, there's an undeniable spark of life to the film, one shaded with the electric charge and colour of childhood: a time when friends made are friends made for life, and moral choices come in far fewer shades of grey. Viewed through the eyes of its young protagonists - and their counterparts in the audience - the film is a rollicking joy-ride, bursting with energy and packed with thrilling action beats. Echo, too, is wonderfully designed, a tiny, adorable bundle of metallic beeps and chirps. The found-footage approach gets a little belaboured by the end, switching perspectives from spy-cam to security footage, but it also allows intimate, cheeky access to this little band of brothers.
The film rests quite squarely upon the shoulders of its young actors, and they are very good indeed. In fact, they seem almost perfectly at home in front of the various cameras, their banter so natural that it feels improvised rather than scripted. Halm shines as brooding heartthrob-in-the-making Alex, his personal history bonding him almost instantly with poor, lonely Echo. Bradley is all swagger, his bossiness barely concealing the almost casual neglect he suffers at home. The real standout, however, is Hartwig, who invests Munch with a big, quaking heart: he brings to vivid life a little boy who would ordinarily be the butt of many a playground joke, but who, alongside his best buddies, gets to be something of a hero here.
There's no denying that Earth To Echo will feel terribly familiar in parts, and painfully predictable in others. But it's a film that manages to charm and surprise in spite of itself: the characters are lively, the story engaging, and the special effects far better than some earlier scenes would suggest. It operates with plenty of modern trappings - each kid has a smartphone, cameras are everywhere - but is really a sweet, old-fashioned story about the deep, magical friendships forged in the heart and fire of childhood.
The film opens in a perfectly ordinary suburban neighbourhood in America, one that's about to be levelled for the construction of a brand new highway. This does not sit well, of course, with a trio of best buddies who must move away from one another: cocky, camera-crazy Tuck (Brian 'Astro' Bradley); sensitive foster child Alex (Teo Halm); and nervous, earnest Munch (Reese Hartwig). The day before the moving trucks arrive, the boys decide to investigate a mystery: their phones have been scrambled with what looks like a map. Their discovery brings them a new friend - the pining Echo of the film's title - but also a host of stern, unwavering adults determined to keep Echo grounded.
It's not much of a plot, and Earth To Echo marches forward with near-resolute predictability. There's a scared kid who wants to turn back (Munch), an argument threatens to break up a friendship (Tuck leaves Alex behind at a crucial point, which touches a sore nerve), they pick up a fourth wheel in the form of feisty Emma (Ella Wahlestedt). Some of the messages suggested in the havoc and chaos of the film, especially when Echo's enemies on Earth draw closer, are a little murky. Not one of the adults comes across as a fully-rounded character: they're played either as outright villains or peripheral comic relief.
That being said, there's an undeniable spark of life to the film, one shaded with the electric charge and colour of childhood: a time when friends made are friends made for life, and moral choices come in far fewer shades of grey. Viewed through the eyes of its young protagonists - and their counterparts in the audience - the film is a rollicking joy-ride, bursting with energy and packed with thrilling action beats. Echo, too, is wonderfully designed, a tiny, adorable bundle of metallic beeps and chirps. The found-footage approach gets a little belaboured by the end, switching perspectives from spy-cam to security footage, but it also allows intimate, cheeky access to this little band of brothers.
The film rests quite squarely upon the shoulders of its young actors, and they are very good indeed. In fact, they seem almost perfectly at home in front of the various cameras, their banter so natural that it feels improvised rather than scripted. Halm shines as brooding heartthrob-in-the-making Alex, his personal history bonding him almost instantly with poor, lonely Echo. Bradley is all swagger, his bossiness barely concealing the almost casual neglect he suffers at home. The real standout, however, is Hartwig, who invests Munch with a big, quaking heart: he brings to vivid life a little boy who would ordinarily be the butt of many a playground joke, but who, alongside his best buddies, gets to be something of a hero here.
There's no denying that Earth To Echo will feel terribly familiar in parts, and painfully predictable in others. But it's a film that manages to charm and surprise in spite of itself: the characters are lively, the story engaging, and the special effects far better than some earlier scenes would suggest. It operates with plenty of modern trappings - each kid has a smartphone, cameras are everywhere - but is really a sweet, old-fashioned story about the deep, magical friendships forged in the heart and fire of childhood.
Did you know
- Trivia"Earth to Echo" was produced and financed by Walt Disney Pictures. After chairman Alan F. Horn saw a final cut, it was put in turnaround and was purchased by Relativity Media.
- GoofsWhen the kids are driving the car, it is in park the whole time.
- Quotes
[last lines]
Tuck: When you're a kid you think you're invisible. You think you can't make a difference. We're not kids anymore. We know now that we can do anything. Having a friend light-years away taught us that distance is just a state of mind. If you're best friends, then you always will be... No matter where you are in the universe.
- Crazy creditsAfter the credits, we see Alex pointing out his phone is acting all weird again.
- ConnectionsFeatured in Troldspejlet: Episode #52.7 (2015)
- SoundtracksThe Mighty Rio Grande
Written by Jeremy Galindo, Christopher Royal King, Raymond Brown, and Andrew Miller
Performed by This Will Destroy You
Courtesy of Magic Bullet Records
By arrangement with Dark Operative Publishing
- How long is Earth to Echo?Powered by Alexa
Details
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $38,934,842
- Opening weekend US & Canada
- $8,364,658
- Jul 6, 2014
- Gross worldwide
- $45,681,062
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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