After awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madn... Read allAfter awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madness forever.After awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madness forever.
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I decided to watch this because it stars Tim Thomerson and the late Richard Hatch, both sci-fi stars of yesteryear (Trancers and Battlestar Galactica respectively). The six reviews as of this writing were also above average, praising the twisty, innovative, and unpredictable plot. Well, apparently I watched a different film. This thing is a boring unfocused mess. It jumps from scene to scene with no discernible pattern or purpose, let alone character development. People are slashed, tentacled monsters crawl into orifices, and all to absolutely zero purpose. The excuse (as stated in the IMDb summary) is that the main character is committed to an asylum and therefore insane. But this proves nothing and is no reason to abandon screenplay logic. It is also childishly easy to predict which episodes aren't real. If the six critics listed call this stew "unpredictable", then I recommend viewing 1990's "Brain Dead", starring Bill Pullman and Bill Paxton. Now THAT is a disorienting and effective asylum chiller. Or if it's inspired gore you're after, try the blood-spattered "Insanitarium" from 2008 instead. Either one is preferable to "AOD".
Now for the acting. As I said above, it was Thomerson and Hatch that initially drew me in. Somehow I think both of them knew exactly what they were signing up for, and totally mailed it in. I've seen boards that are less wooden. As for the main star (Nick Baldasare), the less said about his sleepy zombie-like acting, the better.
Were I forced to praise something (anything?) about this film, it would be the gore and monster effects, which are fine. Blood is blood, and a gouged eyeball is a gouged eyeball. But there are far better asylum films to choose from. I strongly suggest you do so.
Now for the acting. As I said above, it was Thomerson and Hatch that initially drew me in. Somehow I think both of them knew exactly what they were signing up for, and totally mailed it in. I've seen boards that are less wooden. As for the main star (Nick Baldasare), the less said about his sleepy zombie-like acting, the better.
Were I forced to praise something (anything?) about this film, it would be the gore and monster effects, which are fine. Blood is blood, and a gouged eyeball is a gouged eyeball. But there are far better asylum films to choose from. I strongly suggest you do so.
A funny & evil low budget film with a biblical message.It would be scary if it was in the 70's- now in 2020 its very funny. I was laughing the whole time instead of being freaked out!
Oh wait for the credits that roll upwards going down..
Oh wait for the credits that roll upwards going down..
Dwight Stroud (Nick Baldasare) is a dangerous psychiatric prisoner who breaks out of the asylum and assumes another man's life, but he's tortured and haunted by crazy visions that may or may not be delusions.
Writer/director Jay Woelfel has never gotten the budget or recognition of Croenenberg or Lynch, but like those filmmakers, he's got a unique style all his own. Most of his films are slowly paced, hallucinogenic, psychological mindforks with very low budgets, some amateur Ohio actors, and a Lovecraftian creature. If you're down with that, Asylum of Darkness is an enjoyable ride, but if you want a more "Hollywood" movie, look elsewhere for your entertainment.
Up front, I gotta say, the film's title and poster are misleading. Only a tiny fraction of the film takes place in an asylum, and the poster makes it look like some fast-paced monster movie. That's bad marketing, hence the low IMDb rating from folks who expected something very different.
The story and tone zigzag in a way that's engaging if you can roll with it. Every time it seems like the plot's settling into normality, something really weird happens -- but it feels a little long and could stand to be tightened by 15 minutes. The practical FX are generally very good, and the ones that aren't are serviceable.
Nick Baldasare has grown as an actor since "Beyond Dream's Door" and "Heartland of Darkness" (both shot in 1989), and he does a fine job in the lead. Amanda Howell is genuinely charming as his love interest, Richard Hatch camps it up as a crazed doctor, Tim Thomerson is Tim Thomerson, and likewise, you get what you'd expect from Tiffany Shepis.
All in all, I enjoyed it and don't feel like it was a waste of 2 hours, but I knew what I was getting into with this director.
Writer/director Jay Woelfel has never gotten the budget or recognition of Croenenberg or Lynch, but like those filmmakers, he's got a unique style all his own. Most of his films are slowly paced, hallucinogenic, psychological mindforks with very low budgets, some amateur Ohio actors, and a Lovecraftian creature. If you're down with that, Asylum of Darkness is an enjoyable ride, but if you want a more "Hollywood" movie, look elsewhere for your entertainment.
Up front, I gotta say, the film's title and poster are misleading. Only a tiny fraction of the film takes place in an asylum, and the poster makes it look like some fast-paced monster movie. That's bad marketing, hence the low IMDb rating from folks who expected something very different.
The story and tone zigzag in a way that's engaging if you can roll with it. Every time it seems like the plot's settling into normality, something really weird happens -- but it feels a little long and could stand to be tightened by 15 minutes. The practical FX are generally very good, and the ones that aren't are serviceable.
Nick Baldasare has grown as an actor since "Beyond Dream's Door" and "Heartland of Darkness" (both shot in 1989), and he does a fine job in the lead. Amanda Howell is genuinely charming as his love interest, Richard Hatch camps it up as a crazed doctor, Tim Thomerson is Tim Thomerson, and likewise, you get what you'd expect from Tiffany Shepis.
All in all, I enjoyed it and don't feel like it was a waste of 2 hours, but I knew what I was getting into with this director.
Watching Asylum of Darkness... it's a weird, but intriguing movie... its weirdness is actually what keeps me interested... it reminds me of the feel of Necronomicon (1993) or other Lovecraft-influenced stories, tales from the crypt, creepshow... it's pretty insane, with a lot of gory alien-ness and old B movie sci fi actors from the '70s and '80s... I have to say it's a lot better than I thought it would be... totally crazy movie...
Richard Hatch (Battlestar Galactica) is great, and apparently this is the second film in a trilogy... Season of Darkness (2012) is part 1, this is part 2, and Heartland of Darkness which I'm not sure if it ever came out...
This is considered the "lost" film of Scream Queen Linnea Quigley (Silent Night, Deadly Night, The Return of the Living Dead, A Nightmare on Elm Street 4: The Dream Master). Director Eric Swelstad abandoned the project before finding a distributor and the title has yet to be released to a mass market audience. Over the years various producers including Jim Wynorski, Rob Spera and Jody Savin have expressed an interest in putting the finishing touches on the film, with the intention of finally releasing it.
Showing a poor 3.3/10 rating on IMDb, to me is so undeserved and likely from people who aren't embracing of low budget weird horror... but I think they're treating it unfairly... my rating: 7/10
Richard Hatch (Battlestar Galactica) is great, and apparently this is the second film in a trilogy... Season of Darkness (2012) is part 1, this is part 2, and Heartland of Darkness which I'm not sure if it ever came out...
This is considered the "lost" film of Scream Queen Linnea Quigley (Silent Night, Deadly Night, The Return of the Living Dead, A Nightmare on Elm Street 4: The Dream Master). Director Eric Swelstad abandoned the project before finding a distributor and the title has yet to be released to a mass market audience. Over the years various producers including Jim Wynorski, Rob Spera and Jody Savin have expressed an interest in putting the finishing touches on the film, with the intention of finally releasing it.
Showing a poor 3.3/10 rating on IMDb, to me is so undeserved and likely from people who aren't embracing of low budget weird horror... but I think they're treating it unfairly... my rating: 7/10
Production quality is not great, but give it a chance. It's very odd, a bit twisted, but worth the watch.
Did you know
- TriviaThe last film Richard Hatch completed before his death. Hatch started other films, some of which were completed, but his part in those films was less than intended due to his dying before those films were completed.
- Crazy creditsThe end credits roll the opposite of the standard way, scrolling from the top of the screen to the bottom.
- Alternate versionsOriginally screened under the title "Season of Darkness" (which is the title of Artemis Finch's autobiography), but the distributor changed the name to "Asylum of Darkness."
- ConnectionsReferenced in Garch the Great: Beyond Dream's Door (2025)
Details
- Runtime
- 1h 57m(117 min)
- Color
- Aspect ratio
- 1.85 : 1
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