IMDb RATING
5.3/10
4.8K
YOUR RATING
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.
- Awards
- 8 wins & 10 nominations total
Featured reviews
The film discusses the idea of death and how we deal with it as humans
How pain largely lies in the loss and absence of the feelings we need
Death is likened in the film to the absence of feelings
How the absence of feelings in humans is extremely terrifying and sometimes even harmful
How this makes a person feel dead and unwanted
What distinguishes life are feelings and the ability to express them, such as love, joy, fear and pain...and losing them is like death
What connects us as humans are mutual feelings
How a person is willing to abandon the people closest to him if he lacks certain feelings towards him and we reviewed this concept in the film on three different levels childhood, maturity, and old age, and I think that this gave greater depth to the message that the film wanted to convey
The pace of the film is slow but very poetic and the soundtrack is beautiful.
Disappointed by many of the reviews that don't give enough credit for the inventive twist in the zombie genre, and the subsequent emotional heft of Handing the Undead. Granted, the film does move at a glacial pace, and the entire screenplay was probably under 3 pages. A very quiet and somber drama, and other than a couple of forays into common zombie territory towards the end, this is a study in grief, loss, loneliness and hope. The story - as the rest of the film - unfolds slowly, but it reveals emotional depth I wasn't expecting. Expectations are tricky and in this case, I think the movie will be enjoyed by those approaching with an open mind and patience.
I basically cheer for European film. This movie got a lot of attention when it was released in Norway. Mostly because Renate Reinsve plays one of the lead roles, but also for the theme; What happens when the dead come back? In the many positive reviews of the film, the main characters' feelings of loss and grief were highlighted as the film's strengths.
The film is based on an interesting perspective; How would we react and listed if our dear deceased came back to us?
Since the film's focus is primarily about the main characters' behavior and reactions, this is to a small extent a "zombie movie". Fair enough.
But for me, the movie doesn't quite work. The film's lack of dialogue and storytelling deprives us of viewers the mility to get to know those involved in the film. It all gets too stagnant for me. And I lost interest in the movie while I saw it. When the movie towards the end finally takes some dramatic twists, it's too late.
But one case has the director succeeded; The creepy mood of the film persists from beginning to end.
The film is based on an interesting perspective; How would we react and listed if our dear deceased came back to us?
Since the film's focus is primarily about the main characters' behavior and reactions, this is to a small extent a "zombie movie". Fair enough.
But for me, the movie doesn't quite work. The film's lack of dialogue and storytelling deprives us of viewers the mility to get to know those involved in the film. It all gets too stagnant for me. And I lost interest in the movie while I saw it. When the movie towards the end finally takes some dramatic twists, it's too late.
But one case has the director succeeded; The creepy mood of the film persists from beginning to end.
Your potential movie-watcher is likely to arrive at this expecting something different than it is; billed as a 'zombie horror' and written by John Ajvide Lindquist (it was his follow up novel to Let The Right One In). This is something quite different however.
A bit more light is shed by being aware that this is Norway's entry to the Oscar for the Best International Film. Rather, it is a fairly slow-moving and tragic drama, though it does involve the dead reawakening. The measured pace is symbolic of the mood of the characters as they grieve. The film is, in effect, a triptych, concerning three families who have just lost loved ones. The cinematography is the highlight, and it is a fine achievement and a first break through feature for its director, Thea Hvistendahl.
Its IMDb score is understandable as so many will stumble on this expecting something quite different; zombie films have jump scares and often dark humour, this is meditative and thought provoking, though it would have benefitted from a few lighter moments.
A bit more light is shed by being aware that this is Norway's entry to the Oscar for the Best International Film. Rather, it is a fairly slow-moving and tragic drama, though it does involve the dead reawakening. The measured pace is symbolic of the mood of the characters as they grieve. The film is, in effect, a triptych, concerning three families who have just lost loved ones. The cinematography is the highlight, and it is a fine achievement and a first break through feature for its director, Thea Hvistendahl.
Its IMDb score is understandable as so many will stumble on this expecting something quite different; zombie films have jump scares and often dark humour, this is meditative and thought provoking, though it would have benefitted from a few lighter moments.
Slow. So sloooooow. And not a slow burn. I hate to say this, but I found it boring. I love bleak, atmospheric movies, but this one just made me sleepy. I really wanted to like it, so much so that I will probably give it another chance once it's released.
However, I had to close my eyes/ears/heart to the unnecessary, severe animal cruelty. It served little purpose and should have been handled differently.
I was excited to watch this film because I loved "Let the Right One In" and liked "The Worst Person in the World" but this film was a letdown.
Some of the atmospheric cinematography was nice but it was also slow and sleepy. I appreciated that it wasn't your typical jump-scare mainstream nonsense, but this movie really lacked heart. It lacked character development. I wanted to care more about the lives of the characters, but didn't.
The acting was good. The cinematography good, as mentioned. But the whole film was really lacking overall.
And the animal cruelty was disgusting/a cheap shock value gimmick. Does Norway have the same standards for animal welfare as the U. S./Hollywood? I sure hope so. Otherwise, I hope they are eventually slapped with hundreds of fines. That rabbit was clearly under severe genuine distress, in the very least.
An unfortunate waste of our $25 Sundance screening cost.
However, I had to close my eyes/ears/heart to the unnecessary, severe animal cruelty. It served little purpose and should have been handled differently.
I was excited to watch this film because I loved "Let the Right One In" and liked "The Worst Person in the World" but this film was a letdown.
Some of the atmospheric cinematography was nice but it was also slow and sleepy. I appreciated that it wasn't your typical jump-scare mainstream nonsense, but this movie really lacked heart. It lacked character development. I wanted to care more about the lives of the characters, but didn't.
The acting was good. The cinematography good, as mentioned. But the whole film was really lacking overall.
And the animal cruelty was disgusting/a cheap shock value gimmick. Does Norway have the same standards for animal welfare as the U. S./Hollywood? I sure hope so. Otherwise, I hope they are eventually slapped with hundreds of fines. That rabbit was clearly under severe genuine distress, in the very least.
An unfortunate waste of our $25 Sundance screening cost.
Did you know
- TriviaFor years Kristian Petri was attached to direct the film, being John Ajvide Lindqvist's preferred director. Ajvide Lindqvist wrote on his now defunct old official forum that the film was in development hell due to the production company he signed the rights to wanting to sell them to an American company rather than making the film themselves. Petri eventually gave up on the project and when the rights reverted to Ajvide Lindqvist he sold them to Einar Film.
- SoundtracksThe Moon is Awake
- "Mah Bidareh"
Written by Matin Peymani and Patricio Fraile
Performed by Soho Rezanejad
Courtesy of Orange Blue Publishing
- How long is Handling the Undead?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Справи із нежиттю
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,500,000 (estimated)
- Gross US & Canada
- $26,208
- Opening weekend US & Canada
- $7,470
- Jun 2, 2024
- Gross worldwide
- $260,627
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 2.35 : 1
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