As Hershel's condition worsens, Rick, Daryl and T-Dog deal with a group of prisoners.As Hershel's condition worsens, Rick, Daryl and T-Dog deal with a group of prisoners.As Hershel's condition worsens, Rick, Daryl and T-Dog deal with a group of prisoners.
Laurie Holden
- Andrea Harrison
- (credit only)
Danai Gurira
- Michonne
- (credit only)
Vincent M. Ward
- Oscar
- (as Vincent Ward)
Juan Bautista
- Prison Walker
- (uncredited)
Featured reviews
This was yet another great episode and solid way to continue off from the opener!
We are are right back where we left off, as disaster has descended upon the prisen and a group of characters! No punches ate pulled and every scene is great in its own way, whether it being shocking or emotional!
At this point we really start to see hiw far Rick has come and what he is willing to do! Hiw much all the previous events shaped him! He is no longer the guy he was back in season one!
Adding surviving humans into the mix was great as it shows how much our characters has changed since the beginning! ..
We are are right back where we left off, as disaster has descended upon the prisen and a group of characters! No punches ate pulled and every scene is great in its own way, whether it being shocking or emotional!
At this point we really start to see hiw far Rick has come and what he is willing to do! Hiw much all the previous events shaped him! He is no longer the guy he was back in season one!
Adding surviving humans into the mix was great as it shows how much our characters has changed since the beginning! ..
"Sick" delves into the immediate repercussions of the group's discovery of other survivors within the prison, setting the stage for a tense exploration of trust, territory, and leadership. The episode adeptly navigates the moral and ethical dilemmas faced by Rick and the group as they encounter the prison's remaining inmates. This situation presents a complex web of challenges, highlighting the precarious balance between survival and humanity that defines the series.
The negotiation and eventual conflict with the inmates serve as a microcosm for the broader themes of governance, justice, and the social contracts that underpin human society. Rick's leadership is put to the test, showcasing a darker, more pragmatic approach to decision-making. This evolution is a poignant reflection of the toll the apocalypse has taken on him, blurring the lines between hero and anti-hero in the pursuit of safety for his group.
"Sick" also continues to build on the internal dynamics of the group, particularly focusing on the strains and bonds that have formed. The episode does not forget the personal stakes involved, especially with Lori's pregnancy advancing and the group's realization that safety is an illusion, even within the walls of the prison. These personal narratives enrich the larger survival story, offering a multifaceted look at the characters' struggles to maintain their humanity.
The resolution of the conflict with the inmates, while offering a temporary sense of security, also raises unsettling questions about the future. The episode's conclusion, marked by a sense of unease and moral ambiguity, sets a compelling precedent for the season. "Sick" is a testament to the series' ability to intertwine action-packed sequences with deep, character-driven storytelling, further solidifying its place as a nuanced exploration of the human condition in extremis.
The negotiation and eventual conflict with the inmates serve as a microcosm for the broader themes of governance, justice, and the social contracts that underpin human society. Rick's leadership is put to the test, showcasing a darker, more pragmatic approach to decision-making. This evolution is a poignant reflection of the toll the apocalypse has taken on him, blurring the lines between hero and anti-hero in the pursuit of safety for his group.
"Sick" also continues to build on the internal dynamics of the group, particularly focusing on the strains and bonds that have formed. The episode does not forget the personal stakes involved, especially with Lori's pregnancy advancing and the group's realization that safety is an illusion, even within the walls of the prison. These personal narratives enrich the larger survival story, offering a multifaceted look at the characters' struggles to maintain their humanity.
The resolution of the conflict with the inmates, while offering a temporary sense of security, also raises unsettling questions about the future. The episode's conclusion, marked by a sense of unease and moral ambiguity, sets a compelling precedent for the season. "Sick" is a testament to the series' ability to intertwine action-packed sequences with deep, character-driven storytelling, further solidifying its place as a nuanced exploration of the human condition in extremis.
10g-bodyl
This is the second episode of the third season of the Walking Dead and it continues the brilliance that episode one set the stage for. It relies just a tad less on the action, but more on the excellent characterization. There are some genuinely surprising and emotional moments as well. Things began to slow down, but now we get to see the beginnings of Rick and his new civilization within the walls of the prison.
In this episode, "Sick," Rick proposes an idea what to do with the prisoners they met at the end of last episode. Rick, Darryl, and T-Dog decide to help the prisoners get their own cell block while they split the food 50/50. But Rick makes clear he will have to do what is necessary to ensure the survival of his group. Meanwhile, Herschel remains in critical condition after the amputation of his leg. Carol comes to the conclusion that she will have to deal with Lori's pregnancy, now that Herschel is unable to do so.
Overall, this is another fantastic episode that continues the success of the first episode. This makes for a promising season and I'm eager to see what lays in store for us. I'm also eager to see what will happen between Lori and Rick as their relationship is crumbling beneath our eyes. A fantastic character-building episode with a little gore mixed in. I rate this episode 10/10.
In this episode, "Sick," Rick proposes an idea what to do with the prisoners they met at the end of last episode. Rick, Darryl, and T-Dog decide to help the prisoners get their own cell block while they split the food 50/50. But Rick makes clear he will have to do what is necessary to ensure the survival of his group. Meanwhile, Herschel remains in critical condition after the amputation of his leg. Carol comes to the conclusion that she will have to deal with Lori's pregnancy, now that Herschel is unable to do so.
Overall, this is another fantastic episode that continues the success of the first episode. This makes for a promising season and I'm eager to see what lays in store for us. I'm also eager to see what will happen between Lori and Rick as their relationship is crumbling beneath our eyes. A fantastic character-building episode with a little gore mixed in. I rate this episode 10/10.
Rick, Daryl, and Theodore help some prison inmates clear the walkers out of a cell block.
In the same vain as the previous episode this is an action packed, bloody episode that also has some touching character moments.
The plot follows two threads. One is full of gory action and zombie thrills, whilst the other has some suspense of its own, but also some quite touching scenes. It all unfolds well with a good balance of spectacle and character moments.
There are some interesting moments of human behaviour in its primal state that 'The Walking Dead' always portrays well. We have two groups of people unknown to each other who potentially need to share resources and one leader in Rick who has much to protect. How Rick handles this not only shows a brutally realist response, but also how much he has changed since the first two series. Andrew Lincoln gives another strong lead performance.
All other performances are strong yet again, particularly Lauren Cohan who is brilliant in one very emotional scene between Maggie and her father.
Similar to the previous episodes the horror scenes are incredibly well made, full of great art design, sickening effects, creepy lighting, great cinematography, and strong editing.
In the same vain as the previous episode this is an action packed, bloody episode that also has some touching character moments.
The plot follows two threads. One is full of gory action and zombie thrills, whilst the other has some suspense of its own, but also some quite touching scenes. It all unfolds well with a good balance of spectacle and character moments.
There are some interesting moments of human behaviour in its primal state that 'The Walking Dead' always portrays well. We have two groups of people unknown to each other who potentially need to share resources and one leader in Rick who has much to protect. How Rick handles this not only shows a brutally realist response, but also how much he has changed since the first two series. Andrew Lincoln gives another strong lead performance.
All other performances are strong yet again, particularly Lauren Cohan who is brilliant in one very emotional scene between Maggie and her father.
Similar to the previous episodes the horror scenes are incredibly well made, full of great art design, sickening effects, creepy lighting, great cinematography, and strong editing.
After last week's shocking ending, the second episode of season 3, 'Sick,' starts right off where the other episode ended. Rick manages to sort out the ignorant and potentially dangerous prisoners that were holed up in the cafeteria, and they take Hershal back to the rest of the group in a hope of saving him. But things aren't as smooth as they would have hoped, as the prisoners, especially the lead one, seems to not agree with Rick's decisions, and prove to be a threat to keep around.
This was a great episode of The Walking Dead for a number of reasons, first and foremost the character development of Rick, who is becoming more and more of a morally grey character then before. He makes decisions that we may or may not agree with, but in the end he's always looking out for the well-being of the group. Secondly, the pacing of this episode was as good as the season 3 premier, with intense action and moments to breathe being balanced well. Andrea and Michonne weren't in this episode at all, but the promo for next week's episode seems to feature only them, which is a good sign.
A well paced and exciting episode of The Walking Dead. 8 out of 10.
This was a great episode of The Walking Dead for a number of reasons, first and foremost the character development of Rick, who is becoming more and more of a morally grey character then before. He makes decisions that we may or may not agree with, but in the end he's always looking out for the well-being of the group. Secondly, the pacing of this episode was as good as the season 3 premier, with intense action and moments to breathe being balanced well. Andrea and Michonne weren't in this episode at all, but the promo for next week's episode seems to feature only them, which is a good sign.
A well paced and exciting episode of The Walking Dead. 8 out of 10.
Did you know
- TriviaScott Wilson (Hershel) often fell asleep while shooting the scenes where Hershel is unconscious.
- GoofsAt 30:30 when Daryl is helping Rick to his feet after Tomas threw a walker at him, you can clearly see that there is no blade affixed to Rick's blade handle.
- Quotes
[Rick tells Tomas that shit happens]
Tomas: [about the Walker that Tomas intentionally threw at him] He was coming at me, bro.
Rick Grimes: Yeah, yeah, I get it. I get it. Shit happens.
[as both Rick and Tomas stare down each other, when Rick raises his machete and swings it into Tomas' skull]
- ConnectionsReferences He-Man and the Masters of the Universe (1983)
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Douglasville, Georgia, USA(on location)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 43m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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