Silent Retreat

Silent Retreat (2013) is a Canadian movie that I recently watched on Prime. The storyline follows a troubled young lady who is sent to a unique rehabilitation retreat where she isn't allowed to talk. It is rumored there's a dark past at the rehab center and a creature that eats people in the surrounding woods. When other young ladies turn up missing at the center, the students don't know if they've been released, eaten by the creature in the woods or worse... The new girl is itching to find out what's what and try to free the other girls.

This movie is directed by Tricia Lee (Blood Hunters) and stars Sofia Banzhaf (Splinters), Robert Nolan (Sixty Minutes to Midnight), Jen Pogue (The Masked Saint) and Katie Buitendyk (Total Frat Movie).

I found the first hour of this movie frustrating. The storyline was fairly straightforward with some unique elements. There is some good subplots and character development baked in. The acting, writing and dialogue were uneven and disappointing at times. Even the first few horror scenes, which were limited, were shot too dark and missed the mark. But an hour into the movie the horror elements kick up a notch and you get your first great kill with gore and solid flesh eating. The creature in the woods reveal is outstanding and I was left wondering where that was the entire movie. The conclusion is actually pretty good if you can be patient enough to get to it.

Overall, this has some well executed scenes at the end that make it worth a watch but missed an opportunity to be great. I would score this a 5/10 and recommend seeing it once.

The fact that so many reviews point out the inconsistency in tone of the film is a hint. I mean, I get it, I get that they wanted to do all of this, but it just doesn't work. The first half of the film is fine, it's just that it seems to turn direction in such a jarring way that it really kills all the momentum it had been building up. The performances are fine, even if the characters are nothing to write home about, and the production values for an indie film are also pretty impressive. It really comes down to the screenplay and the fact that the directing needed to be toned down a bit. Even for a good time, this doesn't all work, although it could've.

I've heard some good thing about this movie, so I give it a chance (even tho AfterDark movies are usually hit or miss).

While it started out OK, then turned weird since it had no dialog for the first 20 minutes or so (which I actually liked), it sacrificed it's premise for more of a standard movie, because message has to be heard, right?

and the feminist(ic) overtone in this movie are so obvious that it really start to hear your ears. While I have no problems with some feminist tones in movies like Stepford Wifes (original): it had feminist ideas within the story, but it still treated itself like sf horror movie, but in Silent Run? Hell no!

Most of the dialogues consist of usual feminist tropes like "We are so oppressed, no one wants to hear us, man want to change us" to the point that movie become too annoying. Every man in this movie is complete psycho who want women to bi silent, obedient and "perfect" wives for themselves who must be at kitchen (they also want girls for their wives purely based on their looks!). They even showed the "woman in kitchen" mame image treating it like serious thing for brainwashing young girls. I am not even kidding. Creature itself that happens to be in the woods for some reason is also a female (also in sign of feminism).

Robert Nolan is only saving grace, he is really good in most of his scenes. Other two lead actresses are also rather descent, it's not their fault that movie is so absurd.

There are some FX scenes which are well made, descent amount of gore for this type of movie (maybe even too much), some blood. Creature design was descent, but not too original, you'll swear you've seen it in some other movie.

Ending was ridiculous with needless fight scene at the end, because hey, you must satisfy the casual audience (who will probably be bored by then anyway). If movie ended with strong emotional scene that happen before it (also, applause for two lead actresses, it was carried purely on their acting, because script didn't do anything to root for any of their characters), it would end on high note, but nope, let's do the generic fight scene and end the movie.

Honestly, if this movies wasn't "So-obviously-feministic" movie, I would probably like it more, but I really couldn't stand annoyance of majority of lines being "we are so oppressed by those evil man"... or at least keep your feminist views at minimum and don't use your movie as way to express your own socio-political ideas.

Look how Stepford Wives turned out (which I actually liked). It managed to poke at feminist ideas, but it was still enjoyable, creepy and "legit" horror movie. It was never used as a way to spew ideas right into audiences faces.

Janey (Chelsea Jenish) is a trouble child. And for her efforts, or lack thereof, is sent off to a remote retreat for nonconformist girls under the guidance of a doctor (Robert Nolan) whose methods are ….a bit radical. The Doctor, and his staff of male accomplices, uses hypnosis and other extreme techniques to get their subjects to comply with their rules that command their patients to be completely obedient through deafening silence. Failure to obey the directions beyond their imposed 'two-strike rule' will result in the subject being fed to a lurking creature that inhabits the surrounding woods.

Janey is hardly the conformist. And her rebellious attitude towards the retreat's rules and regulators eventually lead to unavoidable confrontation. But with other girls simply disappearing, Janey must weigh her defiance against the risks of being overpowered by either the male administrators or the evil yet to be revealed from the outside.

Director Tricia Lee makes her feature film debut with Silent Retreat and shows a high degree of talent in transitioning genres. The film's opening scene is unquestionably horror, but the film switches gears and takes more of a dramatic path for the middle act focusing on Janey's relationship with fellow prisoner Alexis (Sofia Banzhaf) and the regimented retreat rules. We got lost ourselves for a while forgetting for a few moments that there was something mysteriously lurking within the forest. A mysterious something that reveals itself in the film's final chapters reminding us that Silent Retreat is horror plain and simple.

Characters as portrayed by Chelsea Jenish, Sofia Banzhaf and Robert Nolan are perfectly cast as they lend their combined talents to a tale that all three seem committed to pulling together. Lee does not seem to be in rush to allow blood splatter consistently through the film's full 95-minute running time and instead uses her DVD chapters wisely to form a setting and atmosphere that the film will heavily rely upon.

Silent Retreat won Best Canadian Film at the 2013 Toronto After Dark Film Festival, but you can remove the "Canadian" from the award plaque and you would still be left with a viable and enjoyable film worthy of our attention.

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Janey Andrews lost her family in a crash. She's alone in the world. A judge sends her to a meditation retreat for assault despite her plea of self-defense. The all-female retreat is in the middle of the woods run a doctor and his two sons. The women are forbidden to speak or even make eye contact. Janey tries to escape but she's captured by one of the sons although he seems to be afraid of something in the woods.

It's a watchable Canadian indie horror. It starts off with a creepy notion of these women being controlled by this weird doctor. It could have gone down many different paths. It tries to do something with sound. At least, it's unusual. It does need to decide whether the creature is attracted by sound or is hurt by it. It may make more sense for everybody to be quiet including the men. It may be even better if the doctor's introduction is done in a sound-proof room. The sound idea has issues that needs to be addressed. As for the creature itself, it is not the best although I'm sure the low budget restricted the movie. The main problem is the way the creature moves and the way it is filmed. It isn't scary. The blood looks too red especially in the dark. This horror has an intriguing premise and it needs more work to hash it out.