A woman pregnant with quadruplets comes to the hospital and Dr. Haas lobbies for the case. A female gynecologist joins the staff. Both Dr. Masters and his wife learn a secret and both get wh... Read allA woman pregnant with quadruplets comes to the hospital and Dr. Haas lobbies for the case. A female gynecologist joins the staff. Both Dr. Masters and his wife learn a secret and both get what they want.A woman pregnant with quadruplets comes to the hospital and Dr. Haas lobbies for the case. A female gynecologist joins the staff. Both Dr. Masters and his wife learn a secret and both get what they want.
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The third episode of Masters of Sex, titled "Standard Deviation," delves deeper into the complexities of the characters while expanding the scope of the show's central study on human sexuality. Written by Sam Shaw and directed by Lawrence Trilling, the episode intricately balances scientific exploration, interpersonal conflict, and societal commentary, maintaining the show's ambitious narrative depth.
The episode opens with flashbacks revealing Dr. William Masters' early ambitions, emphasizing his transition from animal studies to human sexuality. These moments underline Masters' relentless pursuit of knowledge, juxtaposed against his emotionally detached demeanor. Meanwhile, in the present, Virginia Johnson faces challenges as both a professional and a single mother, highlighting her resilience in navigating a male-dominated environment. Her interactions with Dr. Lillian DePaul, another groundbreaking female figure in obstetrics, showcase the nuanced dynamics of women supporting or challenging one another within patriarchal systems.
Visually, the episode is a study in contrasts. The sterile clinical settings of the hospital and the brothel's vibrant, intimate environment reflect the duality of Masters' research. The cinematography emphasizes isolation, often framing characters alone within these spaces, which mirrors their internal struggles. For instance, Betty's confrontation with Masters over her inability to conceive is a standout moment, marked by emotionally charged performances by Annaleigh Ashford and Michael Sheen. The tension in this scene underscores the ethical and personal dilemmas inherent in reproductive science.
The script effectively interweaves thematic layers, from societal perceptions of sexuality to the gender dynamics of the 1950s. One of the most compelling threads is Masters' moral hypocrisy, as he wrestles with using prostitutes and homosexual men in his study while maintaining an outwardly conservative facade. Simultaneously, Virginia's advocacy for professional respect provides a counterpoint, pushing back against the systemic misogyny she faces. The dialogue is sharp and reflective, capturing the era's cultural attitudes while resonating with contemporary audiences.
Despite its strengths, the episode occasionally falters in pacing, with some subplots, such as Ethan Haas's involvement with a high-risk pregnancy, feeling underdeveloped compared to the main narrative. While the quadruplets' delivery scene showcases the medical drama element effectively, it feels slightly disconnected from the broader themes of the episode. However, the ensemble cast, particularly Sheen and Lizzy Caplan, ensures that even weaker moments are elevated through their compelling portrayals.
In conclusion, "Standard Deviation" reinforces Masters of Sex as a sophisticated exploration of human behavior, set against the backdrop of groundbreaking scientific research. The episode's ability to intertwine personal and professional struggles with societal critique is commendable, though it occasionally stretches itself too thin. By continuing to challenge its characters and its audience, the show proves its relevance, both as a historical drama and as a mirror to ongoing conversations about gender, sexuality, and power dynamics. For viewers, this episode serves as a reminder of the human complexities behind scientific discovery, encouraging both reflection and engagement.
The episode opens with flashbacks revealing Dr. William Masters' early ambitions, emphasizing his transition from animal studies to human sexuality. These moments underline Masters' relentless pursuit of knowledge, juxtaposed against his emotionally detached demeanor. Meanwhile, in the present, Virginia Johnson faces challenges as both a professional and a single mother, highlighting her resilience in navigating a male-dominated environment. Her interactions with Dr. Lillian DePaul, another groundbreaking female figure in obstetrics, showcase the nuanced dynamics of women supporting or challenging one another within patriarchal systems.
Visually, the episode is a study in contrasts. The sterile clinical settings of the hospital and the brothel's vibrant, intimate environment reflect the duality of Masters' research. The cinematography emphasizes isolation, often framing characters alone within these spaces, which mirrors their internal struggles. For instance, Betty's confrontation with Masters over her inability to conceive is a standout moment, marked by emotionally charged performances by Annaleigh Ashford and Michael Sheen. The tension in this scene underscores the ethical and personal dilemmas inherent in reproductive science.
The script effectively interweaves thematic layers, from societal perceptions of sexuality to the gender dynamics of the 1950s. One of the most compelling threads is Masters' moral hypocrisy, as he wrestles with using prostitutes and homosexual men in his study while maintaining an outwardly conservative facade. Simultaneously, Virginia's advocacy for professional respect provides a counterpoint, pushing back against the systemic misogyny she faces. The dialogue is sharp and reflective, capturing the era's cultural attitudes while resonating with contemporary audiences.
Despite its strengths, the episode occasionally falters in pacing, with some subplots, such as Ethan Haas's involvement with a high-risk pregnancy, feeling underdeveloped compared to the main narrative. While the quadruplets' delivery scene showcases the medical drama element effectively, it feels slightly disconnected from the broader themes of the episode. However, the ensemble cast, particularly Sheen and Lizzy Caplan, ensures that even weaker moments are elevated through their compelling portrayals.
In conclusion, "Standard Deviation" reinforces Masters of Sex as a sophisticated exploration of human behavior, set against the backdrop of groundbreaking scientific research. The episode's ability to intertwine personal and professional struggles with societal critique is commendable, though it occasionally stretches itself too thin. By continuing to challenge its characters and its audience, the show proves its relevance, both as a historical drama and as a mirror to ongoing conversations about gender, sexuality, and power dynamics. For viewers, this episode serves as a reminder of the human complexities behind scientific discovery, encouraging both reflection and engagement.
All kinds of small bombshells are going off in 'Standard Deviation'; Libby finally knows it's not her fault she's not pregnant; Betty's hopes for child-bearing are crushed by occupational hazard; and Masters, infuriated by unacceptable lab conditions resorts to blackmail at its nastiest to get the experiment moved back into the hospital. Describing these events makes them sounds soap opera-ish, but that isn't the case; this is simmering drama with the occasional surprise that's never really telegraphed.
It's Masters who takes charge of this episode, giving Sheen free reign to really play up the massive ego. The real surprise is how calculating this character is when he needs to be.
Solid episode all around.
7/10
It's Masters who takes charge of this episode, giving Sheen free reign to really play up the massive ego. The real surprise is how calculating this character is when he needs to be.
Solid episode all around.
7/10
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- 52m
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- 16:9 HD
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