Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more ta... Read allDriven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy.Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy.
Andy Dick
- The Slasher
- (voice)
Timothy E. Burke
- The Producer
- (as Tim Burke)
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Good horror, comedy: reminds me of some of my favorite firsts like Toxic Avenger and They Live... If you are 30+ years old you may appreciate this more, it's about a killer who go after reality TV stars (Remember when that crap was the buzz?). Haha, go in drunk, not expecting much and this movie is fun. Lots of fun with good, big name actors. Watch it now!
When the original slasher movies came along the victims were usually students because with their sex, drugs and rock & roll they were easy to vilify, but there was always at least one you actually liked. This movie's 'victims' are influencers and social media 'stars' and none of them are likeable, this wouldn't be an issue if the main characters was better but between the mask and his voice, he's also generally unlikeable too. So, there's nobody in the movie to root for, or care about. About the only thing that could have saved it is if the scares were any good, but sadly not, at every turn the movie pulls it's punches and ends up very tame making the ending more 'laughable' than 'shocking'.
Basically the only good thing in the whole movie is the titles and credits.
Basically the only good thing in the whole movie is the titles and credits.
I believe the only way this movie got a rating that low is because of it hitting a nerve. In fact, everything about this movie is beautiful, especially the 80 - early 90-s stylized score. Well. of course, it's not a cinema Hall of Fame masterpiece, but it certainly doesn't deserve a score that low. The acting is bad - so bad to show how actually bad is the acting in modern shows and movies. Misha Barton fits perfectly, since she doesn't even know how to act. The rest of the characters - you want them to die from the moment they appear on the screen, that's the general thing about slashers. You might deny it, but you all know you want it - you would love to watch a whole Kardashian family slaughtered. Because that's the only thing they're good for.
Death to Reality TV.
I think it is safe to say that humanity is over reality television. Everyone wants to be famous for nothing, but the LA Slasher has something different in mind.
Dressed in garb that imitates the oddity of Michael Jackson, a self appointed crusader against the insipidity of Hollyweird decides he's had enough. Bubbling over with uncontrollable anger, he turns his violent urges to those responsible for today's preoccupation with trash television.
With character names such as "The Actress" or "The Teen Mom" or "The Drug Dealers" you really get a sense that the characters of this film are nobodies, just like their reality show counterparts. This detail is just one of the many subtle ways in which LA Slasher acts as commentator on modern day pop culture. In case you are a little dense, from watching so much junk-TV, the dialogue spells out the film's sentiment:
"Everybody hates reality TV. But they watch it just so they can tell you 'bout how much they hate it. Whatever problems you have, change the channel until you find somebody who's worse off and then suddenly your life doesn't seem so bad, does it? Well let me tell you something: it is that bad."
And who better to voice these disdainful monologues than the pseudo King of Reality Rubbish, Mr. Andy Dick, the voice and man behind the LA Slasher. Unfortunately these meta nods to garbage television end there, as no other humorous cameos make an appearance with the exception of Brooke Hogan. Some C-list actors like Drake Bell, Mischa Barton and Eric Roberts get to make fun of their personas by representing the loathsome reality-TV archetypes.
Based on the context of the film, I imagined LA Slasher to be a comedy-horror hybrid and it is not, nor does it try to be. The cinematography is deliberately saturated to mimic the grotesqueries of reality television and perversities of LA. LA Slasher also gets the soundtrack right with an 80s dance vibe. Midway through the film however, LA Slasher starts to lose its edge as it veers too far into the absorption of entertainment news with reality-TV and borders on monotonous when a change of pace was desperately needed.
Perhaps it would have been more successful if it tried to blur the line more into horror, but then again, perhaps that added burden would have doomed the film to certain failure. Regardless, I'm a sucker for this type of film and LA Slasher has humor, smarts, a cohesive plot, interesting dialogue and a unique point of view.
Please check out Archon Cinema Review's website for full reviews of all the recent indie releases.
I think it is safe to say that humanity is over reality television. Everyone wants to be famous for nothing, but the LA Slasher has something different in mind.
Dressed in garb that imitates the oddity of Michael Jackson, a self appointed crusader against the insipidity of Hollyweird decides he's had enough. Bubbling over with uncontrollable anger, he turns his violent urges to those responsible for today's preoccupation with trash television.
With character names such as "The Actress" or "The Teen Mom" or "The Drug Dealers" you really get a sense that the characters of this film are nobodies, just like their reality show counterparts. This detail is just one of the many subtle ways in which LA Slasher acts as commentator on modern day pop culture. In case you are a little dense, from watching so much junk-TV, the dialogue spells out the film's sentiment:
"Everybody hates reality TV. But they watch it just so they can tell you 'bout how much they hate it. Whatever problems you have, change the channel until you find somebody who's worse off and then suddenly your life doesn't seem so bad, does it? Well let me tell you something: it is that bad."
And who better to voice these disdainful monologues than the pseudo King of Reality Rubbish, Mr. Andy Dick, the voice and man behind the LA Slasher. Unfortunately these meta nods to garbage television end there, as no other humorous cameos make an appearance with the exception of Brooke Hogan. Some C-list actors like Drake Bell, Mischa Barton and Eric Roberts get to make fun of their personas by representing the loathsome reality-TV archetypes.
Based on the context of the film, I imagined LA Slasher to be a comedy-horror hybrid and it is not, nor does it try to be. The cinematography is deliberately saturated to mimic the grotesqueries of reality television and perversities of LA. LA Slasher also gets the soundtrack right with an 80s dance vibe. Midway through the film however, LA Slasher starts to lose its edge as it veers too far into the absorption of entertainment news with reality-TV and borders on monotonous when a change of pace was desperately needed.
Perhaps it would have been more successful if it tried to blur the line more into horror, but then again, perhaps that added burden would have doomed the film to certain failure. Regardless, I'm a sucker for this type of film and LA Slasher has humor, smarts, a cohesive plot, interesting dialogue and a unique point of view.
Please check out Archon Cinema Review's website for full reviews of all the recent indie releases.
Released in 2015 to straight to video for obvious reasons, as we shouldn't have much expectations for this "social media" type thriller. Featuring several well known name actors/ actresses in which this is more of an ensemble as opposed to one central lead (however the L. A Slasher is the lead antagonist).
The problem with the film is its style over substance and it's entirely illogical and senseless. We have this Slasher character taking hostages of several influencers and social media stars, Hollywood people (mainly young women with a few men) and he is broadcasting everything as a reality to tv deal. We see brief footage of random viewers watching on their tv screens what is occurring.
Also several scenes of a reporter interviewing people on the street regarding this L. A Slasher and his doings. And each person is in favor of the slasher and his violent ways as they think it's all fake and simply a show (which is in part of a show but he is actually torturing and killing several people).
What is most bizarre is how we don't see police officers trying to find this slasher and we don't see anything regarding friends or family of the victims. It comes off as if there are no officers. We do see some cops in the very end but this was well after many people have been tortured and killed.
The film certainly tries being stylish and clever with its name prints in bright pink text of each character (ex: The Actress, The Socialite, The Stripper, The Drug Dealers) so in that part we don't necessarily care for any character. The Drug Dealers of Dave Bautista and Danny Trejo felt out of place with a brief twist in the end.
Another major criticism is the voice acting of the Slasher. Voiced by Andy Dick was a terrible choice as he simply does not come off as menacing or threatening in any way, and makes the character seem more like a bizarre weirdo.
In the end there is a slight twist which was rather caught off guard but overall this film is terrible, tries too hard in being daring and stylish where the substance simply isn't there.
The problem with the film is its style over substance and it's entirely illogical and senseless. We have this Slasher character taking hostages of several influencers and social media stars, Hollywood people (mainly young women with a few men) and he is broadcasting everything as a reality to tv deal. We see brief footage of random viewers watching on their tv screens what is occurring.
Also several scenes of a reporter interviewing people on the street regarding this L. A Slasher and his doings. And each person is in favor of the slasher and his violent ways as they think it's all fake and simply a show (which is in part of a show but he is actually torturing and killing several people).
What is most bizarre is how we don't see police officers trying to find this slasher and we don't see anything regarding friends or family of the victims. It comes off as if there are no officers. We do see some cops in the very end but this was well after many people have been tortured and killed.
The film certainly tries being stylish and clever with its name prints in bright pink text of each character (ex: The Actress, The Socialite, The Stripper, The Drug Dealers) so in that part we don't necessarily care for any character. The Drug Dealers of Dave Bautista and Danny Trejo felt out of place with a brief twist in the end.
Another major criticism is the voice acting of the Slasher. Voiced by Andy Dick was a terrible choice as he simply does not come off as menacing or threatening in any way, and makes the character seem more like a bizarre weirdo.
In the end there is a slight twist which was rather caught off guard but overall this film is terrible, tries too hard in being daring and stylish where the substance simply isn't there.
Did you know
- TriviaShot at the same Location as nightmare on elms street 1984 - Linda Vista Hospital.
- Quotes
The Slasher: Famous for being famous? I think its time that these people learn the true price of fame.
- ConnectionsReferenced in The Worst Movies of All Time: Sand Sharks (2024)
- How long is L.A. Slasher?Powered by Alexa
Details
Box office
- Budget
- $10,000 (estimated)
- Gross US & Canada
- $2,421
- Opening weekend US & Canada
- $2,421
- Jun 28, 2015
- Gross worldwide
- $2,421
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 2.35 : 1
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