The Guest

The only thing surprising in The Guest is just how straight forward it is in its simple plotting. Everything unfolds in predictable fashion, but this B material is a fantastic showcase of wicked humor and misanthropic violence. Dan Stevens is in excellent form here, as a mysterious soldier who shows up unannounced at a family's home of a fallen soldier he served with. He's all smiles and very polite, but people with a usually negative connection with this family start meeting grisly ends. Like in his previous film You're Next, Adam Wingard approaches plotting you've seen a million times and wittily turns it on its ear without ever being too self aware. It's a shame Picturehouse who acquired the US rights dumped the film in a handful of theaters without trying to capitalize on the strong reviews and never bothered to expand it theatrically. The Guest is a quick fun time that knows exactly what it is and delivers without overstaying its welcome.

I've never watched Downton Abbey, but I'm guessing that Dan Stevens deliberately sought out very different roles after leaving the show. The Guest is the perfect advert for his abilities. He's convincing as the mysterious but charming visitor and equally capable in moments of action, suspense or humour. I hope the right roles come along for him as he's entertaining to watch and has got everything required to become a major star.

The plot unfolds in a fashion that renders a summary both unnecessary and unwanted if you're planning to see this, but after the initial set-up it progresses at a decent pace and with escalating tension.

A special mention is required for the soundtrack. The electronic score is one of the film's major strengths and is perfectly judged.

An entertaining and self-aware mix of action, suspense and dark humour, the Guest has a retro feel without being old fashioned (a quality that is encapsulated by the score), and features decent performances.

Fun to watch - Dan Stevens is awesome - he played the part perfectly. Great movie if you're not too concerned about taking it too seriously.

THE GUEST is a fun, if derivative, little movie from Adam Wingard, the guy who also brought us the familiar-yet-entertaining YOU'RE NEXT. It's a belated addition to that whole psycho-thriller sub-genre of the 1990s in which ordinary families were menaced by mysterious forces, and it achieves plenty on what is clearly a tight budget.

There are shades of THE TERMINATOR and the BOURNE trilogy here and it has to be said that the story is simplistic and straightforward. The denouement will surprise nobody, for example. However, like DRIVE before it, THE GUEST is all about the execution. It looks cool, it looks stylish, and it sounds cool too thanks to that thumping soundtrack. Dan Stevens is excellent as the suave and sophisticated guy who turns up to make a few waves, and Maika Monroe shows some of the promise that she displayed in IT FOLLOWS. Plus we get Lance Reddick, being exceptionally good again after his turn in JOHN WICK.

In fact, THE GUEST has quite a lot in common with IT FOLLOWS, especially the horror-style unfolding of the plot. These films share likable young cast members and a fresh feel despite the familiarities of the situations in which the characters find themselves. Certainly nothing about THE GUEST is original, yet it's thoroughly entertaining at the same time. And that's all I need from a movie.

Wow! What a gem of a movie. The Guest tells a tale of a mysterious and initially benign-appearing ex-military man who claims to have served with the recently deceased son of the Peterson family. Still grieving their loss, they welcome him with open arms. All is not as it seems however and slowly, despite his psychopathic charm, young Anna Peterson suspects that something is amiss.

What follows is a slick and stylish thriller with fluid action scenes that simmers at first before leading us to an explosive finale. The acting is solid throughout, especially from the two leads Dan Stevens and Maika Monroe who share a nice chemistry. The story, whilst simplistic and sometimes cheesy, is tight and the terse dialogue fits well. Character motivations are deliberately left vague and the film remains focused on the fact it is a thriller and doesn't overburden us with ridiculous a back-story; what back-story there is merely serves as a plot device to set-up the finale. And what a finale! Without giving spoilers, it is one of the most stylish final movie set-pieces I've seen in a long time, interjected with just the right amount of tongue-in-cheek quips. Just shows what can be done with the right set, some nerves and a smoke machine; who needs CGI!

A special mention must be given to the excellent soundtrack which really enhances the tension in some of the key scenes. At times I swore the bass beats were synced with my heart-rate!

Highly enjoyable and highly recommended!