Neram

Neram has lots of factors borrowed from Quentin Tarantino's movies. Mainly the cinematography, direction & slow-mo pause-resume style adoption during chase scenes. It works.

Starting off with funny credits, Neram talks about how a luckless lad is waiting for his time to get right. His life capsizes & resurfaces in a single day. All the commotion in between with some genuine characters is a treat to the viewers. Humor is limited but has credibility & punch. The unfolding of the straightforward plot keeps the viewers in their toes and with the background music so relevant, it pulls off. Fantastic camera work and even better dialogs.

Nivin Pauly charms while Nazriya suits along. Newcomers have done very well in portraying their characters. Every single character has a humorous side & that is what makes the movie very watchable. A very fine approach, although with stolen (read borrowed) elements. Another best part being when all the elements reveal they were co-related, it brings a shower of wonder.

BOTTOM LINE: A must-watch thriller which can make a pessimist laugh mostly because it relates an ordinary man. Highly recommended!

Can be watched with a typical Indian family? YES

Profanity: No | Vulgarity: very Mild | Sex/Foreplay: No | Violence: very Strong | Gore: No | Alcohol/Smoking/Drugs: Mild

An unique film that everyone has to watch.. All acting performances are good and the screenplay great and unique!..an tied up anthology with several characters which meet at an end plot point... And also the musical score is a treat... MUST WATCH!

The movie was so good. Everybody acted well in the movie. Songs and BGM in the movie were also superb in the movie. But the movie lagged a lot.

Neram is like watching an enthusiastic but amateur dancer appear on a professional dance competition; it has spark and some skill but lacks finesse. Its concept is clear yet the design is patchy; every character in Neram has the quality of being memorable but not the essence. You would be less interested in a match between two low-ranked players, irrespective of their improvement on court, than a battle between two top seeders. Neram sometimes feels stodgy and heavy-handed but you do admire its efforts nevertheless. But you want more, you want something delicious, something you can relish like sinful dark chocolate but what Neram provides you is Milky Bar. Nice, no doubt, but not to make you go 'Bow Chicka Wah Wah!' Axe style.

My intention wasn't to watch Neram at all when I entered Mayajaal theater hall in Chennai. As there wasn't any other movie playing at that time (well I did have options but it was either this or the animated film Epic or worse, a long three hour wait for the rest of the films), I chose to go for Neram, only because I was pleased by the efforts current Tamil directors were putting in their films unlike many of their Bollywood counterparts. When I entered the hall, the movie had not 'kindly stopped for me' (couldn't resist using the Emily Dickinson phrase!) so I can't exactly tell how it began. My version began with the scene where Vatti Raja, a small-time money-lender cum thug berates someone for not repaying the loan as others, including our protagonist Vetri and his friend look on unnerved. The scene ends with Vetri's friend farting and I thought immediately 'Was that necessary?'. A number of such embellishments weren't needed, but Neram retained them, making the film feel like an over-decorated Christmas tree. Like after this very scene when Vetri begins telling about his love life and we are taken back to his school days when he met his future fiancé Jeena the first time in the sixth grade I think; the scene is cute until the film also decides to add an entire song sequence with Vetri and Jeena performing the predictable 'park foreplay' (with bubble-blowing, this time) and the sappiest audience goes 'Ah! What I cute couple!'. I was unmoved.

Later, when Neram gives rest to silly romance, it works as a Tarantino- like comedy. Vitri frets about the consequences of not repaying his debt to Vatti Raja, while trouble also brews up when Jeena's father objects to their relationship on learning that Vetri is unemployed. Jeena plans to elope with Vetri but that's when chain gets stolen; interestingly, one of the members from the same gang of chain-snatchers robs Vetri's money, which he had taken from his friend (I think; am an unreliable narrator here, not having watched Neram from the beginning). A parallel storyline involves a guy (don't ask me the character's name nor the actor who's playing him. Wish Wikipedia could update its character bios in Neram) who keeps a 'cool' nickname for himself, likes ogling at girls a lot (another idiotic scene at hospital when we hear his inner voice saying 'Oh, lady's voice!' as a nurse enters the room during an otherwise engaging scene) and also, like many others in the film, owes some money to Vatti Raja. The manner in which their lives intertwine is interesting because most of the characters don't know, even after they meet, how actually similar their problems are. All this happens post interval, and so many things seem to be a work of sheer chance or fate that I wondered why the film wasn't titled 'Chance' or 'Faith', the Tamil word for them.

Neram plays out like a simple comedy, although it attempts to emulate a Tarantino film. While Tarantino's dialogs are so mesmerizing and mystifying that monologues which would be considered ramblings if heard elsewhere sound monumentally profound, Neram simply kids around with quirky characters; its non-linear narrative has to be given credit though. The actors play in accordance with their script; they are less irritating when the script wakes up but not even one would remain with you after the film. And who took the decision of giving the role of Vatti Raja to Simhaa, who is in no way intimidating? I understand this is a comedy but I should at least feel even a little of what the characters feel towards another to get more involved with the film. Even a little more dexterity in editing would've helped a great deal; take the scene when Vetri's friend's boss rebukes him for shaving off his beard. He then goes inside and screams at another employee but later apologizes when it turns out to be a girl; the second part happens off- screen and we could only hear the gag. Based on the audience response, very few caught the gag because I heard little reaction from the audience; the gag (a little silly, of course) isn't treated well, with not enough sound so audience members could hear it and a sloppy editing treatment which cut off the gag quickly. I guess the film wanted to pack as many punch-lines as possible in little time but timed a few of them wrong. Well, maybe I'll see a better output from its director Alphonse Putharen another time.

Neram Movie Review : Affectionate.

Reason I watched this movie only for Nivin and Nazriya. Nivin is the first actor from malyalam. Why I starts watching malayalam movies. Premam was my first movie of Mollywood. Eventually, nazriya is the cutest actress in Mollywood.

Story:Mathew loses his job after his company declares bankruptcy. It is a decisive day since he has to pay his debts to a merciless moneylender and on the same day unforeseen challenges crop up before him.

Review:Neram has a romantic charm, an exciting trait which infuses it with a good measure of likability. The plot works at a very basic level; a crisis-ridden character needs to accomplish a lot of tasks in very little time.

Having created a promising plot to work on, Alphonse Putharan starts his work judiciously with a chosen set of colour tones and a group of charming, young actors who exhibit immense verve in enacting their characters. The setting is Chennai; a dry, dirty and steaming metro. Working with a diligent cinematographer Anand C Chandran, Alphonse places his characters mostly in inhospitable spots; a police officer peacefully listens to music in a cluttered cell which he has made his office; a pretty girl finds herself tied up and bundled into the rear of the car, two crooks plot prosperous schemes in a dark, dingy building; all these scenes intentionally crafted to lend the narrative its humorously ludicrous quality.

Even some of the characters are left with occasional flourishes of absurd humour; a cop is bashful at uttering his own name; a ridiculously childish moniker, a doctor checks the pulse of a wrapped-up body in front of mortuary, a ruthless thug flares up at his flunkeys for buying a touch phone at Rs 10,000 because he can't find the most essential 'buttons' in it.

A pervading dull tonality makes the characters humane, settings real and goes well with the riveting nature of the narrative. There are quite a few charismatic performances. Nivin Pauly excels with a sense of natural realism which he adds to his character Mathew as he passes through moments of shame, helplessness and an eventual glory which he earns after a toil that combines laughter with bitterness. Nazriya effectively coats her lovable childish warmth with a boldness that makes for engaging screen-presence along with Nivin.

Neram is not one of those fault-free thrillers tinged with a thick coat of humour. There are times when the narrative probes for a stimulus which Alphonse feeds definitely but not without consuming ample time; a luxury he can afford since he has a nicely conceived plot with a brilliant set of characters.

Verdict: Super - Hit.