Tyrion tries to find a champion. Daenerys sleeps with Daario. The Hound becomes wounded. Jon's advice is ignored at Castle Black. Brienne and Podrick receive a tip on Arya's whereabouts.Tyrion tries to find a champion. Daenerys sleeps with Daario. The Hound becomes wounded. Jon's advice is ignored at Castle Black. Brienne and Podrick receive a tip on Arya's whereabouts.Tyrion tries to find a champion. Daenerys sleeps with Daario. The Hound becomes wounded. Jon's advice is ignored at Castle Black. Brienne and Podrick receive a tip on Arya's whereabouts.
- Melisandre
- (as Carice Van Houten)
Featured reviews
The storyline's still compelling, the writing is still superb, the performances still shine especially Peter Dinklage who continues to make Tyrion Lannister more believable, the pacing's great and never drags, the editing and directing are sharp and crisp, the scenery and sets along with the costumes are still neat, and the music score from Ramin Djawadi is even more terrific and suited the combat sequence really well the same way he did for the action in the previous episode. So, overall, another classic episode that engaged me. Thumbs up! :)
After his great speech in the last episode, and on his demand of trial by combat, Tyrion is rescued to his cell. Jaime comes to meet him there and tells him how he's lost this golden opportunity to live out of the trial. But Tyrion says that he'll not join the castle for a crime he's not committed. Then they discuss about who's going to fight for the crown and who for Tyrion. I'll stop here about it.
In Meereen, things are going to change a little bit. The Hound is having some tough time along with Arya. Brienne and Podrik are wondering where Sansa might be and they meet an old companion of Arya in their way. And "the mockingbird" is a special treat for you to watch! Not gonna spoil that!
Once again, Peter Dinklage succeeds in sending chills down your spines with his brilliant acting along with an extremely brilliant background score. This episode is directed by Alik Sakharov, who won an emmy for his brilliant cinematography in the TV series 'Rome'. Here again, some shots will leave you mesmerized.
This is the one episode of this season, where many "important" things happen. And I mean really really important. Watch out.
Season 4 was a great season with none of the episodes being less than very good. Even thought "Oathkeeper" was great, regardless of its treatment of the source material that upset a number of fans. Alongside "The Lion and the Rose" and "The Laws of Gods and Men", "Mockingbird" is one of the season's best.
"Mockingbird" does mainly set up what is to follow, and it does that brilliantly. But it doesn't feel like an episode that does just that and nothing else, there is much more to "Mockingbird" than just set up and filler. It is also an episode that is surprising, suspenseful and emotional with a good deal going on without feeling that there is too much of it.
Although all the cast are superb, with not a weak link, once again Peter Dinklage is particularly brilliant. His performance may not quite be the powerhouse than in "The Laws of Gods and Men", but Dinklage does prove why he is a fan favourite and one of the main reasons why 'Game of Thrones' is as popular as it is.
Visually, "Mockingbird" looks amazing, as one would expect for 'Game of Thrones'. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. The visual effects are some of the best of any television programme and are not overused or abused, the scale, the detail and how they actually have character and soul are better than those in a lot of the big-budget blockbusters. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "Mockingbird" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
It is hard not to be bowled over by the quality of the writing, outstanding isn't a strong enough adjective to describe how good the writing is once again. It always has a natural flow, is layered and thought-provoking and demonstrates a wide range of emotions such as suspenseful tension, poignant pathos and witty humour. The story is paced beautifully, structured with such nuance and attention to coherence, a high emotional level and is done with intelligence, passion and sensitivity.
In summary, wonderful. 10/10 Bethany Cox
Did you know
- TriviaThe dialogue between Oberyn and Tyrion was actually Pedro Pascal's first recorded scene. In one take, he accidentally leaned too far backwards against a wooden beam, and nearly knocked a flaming torch out of its holder. Pascal narrowly avoided having the flaming torch land directly onto his shoulder, or lighting his hair on fire.
- GoofsWhen Melisandre is bathing, she is not wearing her ubiquitous choker necklace. In season six, it is revealed she is actually centuries old and her true form is very old and decrepit, and her necklace provides a magical youthful glamour. Carice van Houten confirmed the error in an interview with Elle, stating "That was an oops moment."
- Quotes
Oberyn Martell: We met, you and I. Many years ago.
Tyrion Lannister: I think I would have remembered that.
Oberyn Martell: Unlikely. You had just been born. Our father brought me and my sister Elia with him on a visit to Casterly Rock. My first time away from Dorne. I didn't like anything about the Rock. Not the food, not the weather, not your accents. Nothing. But the biggest disappointment, you.
Tyrion Lannister: You and my family have more in common than you might admit.
Oberyn Martell: The whole way from Dorne all anyone talked about was the monster that had been born to Tywin Lannister. A head twice the size of his body, a tail between his legs, claws, one red eye, the privates of both a girl and a boy.
Tyrion Lannister: That would have made things so much easier.
Oberyn Martell: When we met your sister, she promised she would show you to us. Every day we would ask. Every day she would say, "Soon." Then she and your brother took us to your nursery and... she unveiled the freak. Your head was a bit large. Your arms and legs were a bit small, but no claw. No red eye. No tail between your legs. Just a tiny pink cock. We didn't try to hide our disappointment. "That's not a monster," I told Cersei, "that's just a baby." And she said, "He killed my mother." And she pinched your little cock so hard, I thought she might pull it off. Until your brother made her stop. "It doesn't matter," she told us. "Everyone says he will die soon, I hope they are right; he should not have lived this long."
Tyrion Lannister: [tears welling] Well... sooner or later, Cersei always gets what she wants.
Oberyn Martell: And what about what I want? Justice for my sister and her children.
Tyrion Lannister: If you want justice, you've come to the wrong place.
Oberyn Martell: I disagree. I've come to the perfect place. I want to bring those who have wronged me to justice, and all those who have wronged me are right here. I will begin with Ser Gregor Clegane, who killed my sister's children and then raped her with their blood still on his hands before killing her, too. I will be your champion.
- ConnectionsFeatured in WatchMojo: Top 10 Game of Thrones Deaths (2015)
Details
- Runtime
- 51m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1