Learning to Drive

Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other in a time of crisis will leave you with a warm glow. Directed by Isabel Coixtet ("Another Me") with a screenplay by Sarah Kernochan ("Sommersby"), Wendy (Patricia Clarkson, "Maze Runners: The Scorch Trials") Learning to Drive is about a writer and book critic whose 21-year marriage to Ted (Jake Weber, "White House Down") has just ended in a toxic confrontation in a taxicab and has to move outside of her comfort zone to regain her self-confidence.

Deeply distraught by the separation, Wendy wants to get away from New York City to visit her daughter Tasha (Grace Gummer, "The Homesman"), a college student who is working on a farm in Vermont, but doesn't know how to drive. The driver of the taxi, Darwan Singh Tur (Ben Kingsley, "The Walk"), a former college professor in India and now a part-time driving instructor was the unwitting witness to the marital breakup was. After he returns an envelope that Wendy left in his cab, Wendy hires him to provide driving lessons and soon discovers that he is a calming influence who has a lot to teach her other than how to put on the brakes.

Wendy's devotion to the written word has restricted her willingness to challenge the outside world. Darwan leads her through her fears with patience and charm and encourages her to keep pursuing her goal even after she fails her driving test. During the lessons, however, he has to handle her road rage and lack of self-confidence as well as cope with his own incidents of racism coming from other motorists and pedestrians, one who refers to him as "Osama" and rips the turban from his head. Darwan is about to be married in a union arranged by his family according to Sikh tradition and tells Wendy that his family best knows his needs and that such a crucial decision should not be left to random choice.

When his bride Jasleen (Sarita Choudhury, "The Hunger Games: Mockingjay- Part 2") arrives from India, however, she is bewildered by her new environment, remains in the apartment, fearful of meeting people and her fears are confirmed when Darwan seems troubled over her lack of education. It is a time of transition for both of them and it will call upon all their resources of patience, tolerance, and understanding to see it through. Learning to Drive is marked by outstanding performances by Clarkson and Kingsley who bring a special understanding to their roles and put us in touch with the beauty of sharing who we are with others, even when it is uncomfortable to do so.

Learning to Drive (2014) was directed by Isabel Coixet. It stars Ben Kingsley as Darwan, a Sikh driving instructor, and Patricia Clarkson as Wendy, whose husband has just left her. Wendy has never learned to drive. (Not driving is fairly common in NYC.) Now she needs to learn how to drive, and she turns to Darwan to teach her.

This is the beginning of a relationship that takes both people down long roads--literally and figuratively. Wendy's rage and frustration are almost palpable, and Darwan has domestic problems of his own.

Clarkson and Kingsley are among the finest actors on the screen today. You expect stellar performances, and that's what you get. It's a pleasure to sit back and see them demonstrate their acting skills.

For some reason, at the time I'm writing this review, the movie has a dismal IMDb rating of 6.6. This doesn't make sense to me. My suggestion is to ignore the rating. We were able to see the movie on the large screen at the excellent Little Theatre in Rochester, NY. However, it will work well on the small screen. Find it and see it. You won't regret it.

As her marriage is broken, a New Yorker writer, Patricia Clarkson, takes driving lessons from a Sikh driver called Darwan, Ben Kingsley . She is a bitter middle-age woman recently separated to her hubby, Jake Weber, who suddenlly abandoned her for a younger lover. Both of whom have a twenty-two-year-old daughter, Grace Gummer. As she must adjust her recent life and take strength enough to get new life purports. Problems go wrong when happens a traumatic divorce , but she finds the courage to get back driving thanks to the agreeable driver. Time ago she depended on her hubby for driving, and she has now to learn to take the wheel on her own. Helped by a serviceable instructor, Ben Kingsley, who watches her with caution as his student falls apart. Meanwhile, Kingsley is contemplating a concerted marriage to a Indian women, Sarita Choudhury. Along the way Ben attempts to be patient with his student, but the events gets worse as she suspends the driving licence exam.

Enjoyable and attractive dramedy, it is a sympathetic drama with some drops of charming humor, adding social habits from the big metropolis New York City. The picture relies heavily on the peculiar relationship between the notorious writer and the Sikh driver. Concerning the problematic existences of two particular roles, as their lives are intersected and both of them will change in unexpected consequences and unpredictable ways. Patricia Clarson gives a very good acting as the self-absorbed NY book critic who is shocked by a thunderous divorce. Ben Kingsley is top-notch as the Indian Sikh instructor who has to bear an arranged marriage . Support cast is pretty good such as Jake Weber, Sarita Choudhury, Matt Battaglia, and Grace Grummer who is Meryl Streep's daughter.

The motion picture was well directed by the Spanish Isabel Coixet in his ordinary feeling style. She is a good professional, a fine craftsman who has directed enjoyableb and sensitive films such as A los que aman, Map of sounds of Tokyo, Another me, The secret life of words, Things I never told you, Elisa and Mariela, Endless night, The bookshop, his biggest hits were Another me and Elegy with Ben Kingsley. She has made also some documentary and shorts as Proyecto tiempo, El espiritu de la pintura, Sea Aral, Marlango, Marea blanca, Spain in a day and a segment of Paris Je taime among others.Rating 7/10. Well worth seeing.

Darwan is a very busy man, holding down two jobs, one as a driving instructor, the other as a Taxi driver. One night he picks up Wendy and Ted, a very emotional argument ensues and he leaves her, explaining he doesn't love her anymore. Wendy's daughter Tasha tells her mum she needs to get her life sorted and to accept Ted's decision, and to start driving. After accidentally leaving a parcel in Darwans's taxi he returns in to Wendy, she asks for driving lessons.

Darwan has to put up with so much, the authorities questioning his being in the country, racial abuse from people. Being a devout Sikh his religion makes his life complete, nearly that is, until his wife to be turns up.

I am so glad I watched this film, it is so watchable, and truly enjoyable. It battles fears and overcoming them. It is very heartwarming in parts.

I needn't go too deeply into the performance of Ben Kingsley, fairly biased I know but whatever he does I love him in, he is an outstanding actor, he's great in this, but Patricia Clarkson is just so good, she puts so much into this movie, screen time between the two is magical.

Loved it 9/10 it's just a lovely movie.

'Learning to drive' is a master class in writing; directing and of course the performance of two of the great character actors: Patricia Clarkson and Ben Kingsley. There is a nobility and dignity to the story that comes from a taut but compassionate screenplay; and the wonderful interplay between the two leads. Clarkson always makes such interesting choices in projects and this is no exception. Her 'Wendy' has a lot to process during the opening moments of the movie; and it is thanks to her exquisite timing and believability; that despite her cathartic scenes early on; perhaps because of them; the audience is with her and her scenario all the way! With the age old construct of an odd pairing; Kingsley's often Zen like 'Darwan' provides the calming influence and ultimately a reciprocity that gives this film its huge warmth and overall success.

In the role of Wendy's daughter is none other than the daughter of another cinematic delight - Meryl Streep: the uncannily voiced and mannered Grace Gummer. How daunting it must be for Grace and her sister Mamie, to hone a craft in screen acting with their legendary mother's presence in film culture. Grace displays her mother's exuberance and complexity with what is really only a couple of scenes here, but makes her mark. But the film, despite some other subplots and ancillary characters, rests with Clarkson and Kinglsey and they are just superb.

If the film feels tight and rhythmically organic; it is due to Martin Scorsese's long time editor Thelma Schoonmaker who brings Isabel Coixet's carefully directed piece together with ease and no fuss; giving it a smooth and perfect running time. This is no epic; no earth shattering movie; but a reflective and nuanced dance between characters from different worlds who collide in the nicest way possible and leave a significant imprint on one another. Not a new idea, but in the hands of these expert filmmakers; it is a joy to be in their audience for the hour and a half journey.