This is the story of Grace (Alexia Fast), an orphan whose mother died in childbirth and a father she never knew. These are her experiences in her college days and the terrible things that happen soon after.
Up front, it must be said that this "Grace" has nothing to do with the film "Grace" from 2009 starring Jordan Ladd. This shared title is unfortunate, as it will likely confuse horror fans. On the plus side, this is probably the better of the two films, so if the two are going to be inevitably compared, at least it will be favorable.
Viewers should be warned that this is a POV film, shot from the vision of Grace. Now, to be clear, it is not found footage and is not supposed to be a camera filming -- it is merely what Grace's eyes see during different events, including tug of war, meaning we only ever see the title character if she looks in a mirror. (The mirror moments provide for some interesting camera tricks, and whether they are practical or not are a good feat.) Besides the mirrors, another interesting element is that even dreams are from Grace's point of view. And these are terrifying, realistic dreams.
As much as POV can generally be a hindrance, or even annoyance, director Jeff Chan was clever enough to take it in some new directions here and should be complimented on his efforts. (The drinking scene is reminiscent of The Prodigy's music video for "Smack My B* Up", in a good way.) The POV even pays off later on, with a slight twist that may be the most clever of all. (Unfortunately, it would be impossible to reveal that plot point, so you will just have to watch and see.) We also get some better than average possession effects, including burns, vomiting blood and the loss of teeth. The scares grow as the film moves along, and the suspense is built up quite nicely.
In a supporting role, we have Joel David Moore as a deacon and youth group leader, which is a much more serious role than he is known for playing in such films as "Dodgeball" and "Hatchet". In the second half, he becomes the object of Grace's questionable affections. In some ways, this is the most troubling and gets into the dangerous territory of priests and sex.
Another supporting role has Lin Shaye as an ultra-religious grandmother (or foster mother). Shaye has been a horror staple at least since "A Nightmare on Elm Street", and she is fine form here, even if her role is rather small.
Is this worth checking out? Yes. While maybe not the hit of the year, it is not a film that should be going under the radar and it would be great to see where Alexia Fast goes next. (She is already carving a nice horror niche with films including "Fido" and "Last Kind Words", not to mention her appearance on "Masters of Horror".)
