Love & Friendship

There's something very satisfying about a period piece that actually feels like a film that lives in another time and place. While Love & Friendship certainly isn't the thinker or entertainer that most of the films released in May, it has its fair share of laughs and uses its gorgeous locales and famous source material to its benefit as much as it can.

I don't consider myself the avid Jane Austen reader or fan of the media adaptations. In fact, I usually don't care for them much at all, but with rave reviews and a heavier reliance on comedy than romance, I decided to give Love & Friendship a shot. For the most part, it's an enjoyable film. I don't know how closely the writers attempted to stay to Austen's work, but one of the main issues to the film is the overabundance of characters. We are introduced to almost every single character within the first few minutes via opening credits, and it became overwhelming as a viewer.

I caught on to the characters after a while, but trying to remember everyone's names was quite the challenge, especially when they all talk, dress, and look relatively the same. With that said, it's far and away Kate Beckinsale's film as she plays the infamous Lady Susan Vernon. The story mainly focuses on Vernon's attempt to give her daughter and herself a new match, after being recently widowed. If not for anything else, Love & Friendship is entertaining just to purely watch Lady Susan manipulate just about everyone she crosses. The beauty being that you don't truly know if she's being manipulative or sincere, which is why the abundance of characters actually works in the film's favor.

Distracting the audience with new characters scene to scene keeps our attention away from what Susan is up to, hence surprising us with the next reveal. I can't say I was all that invested in the story itself, as it sometimes falls under the clichéd-romantic genre, but watching Beckinsale and the others have fun with the source material proved to be worth a viewing.

I also appreciated the film's keen sense of humor at just the right moments. There are moments when the comedy could steer towards over-the-top, but veteran director Whit Stillman kept it from getting out of hand. In all, if you're into Jane Austen or period piece romantic dramas in general, Love & Friendship is probably for you. If not, perhaps the humor and performances can reel you in.

+Timely humor

+Fun performances

+Witty writing

-A lot of characters can muddle the plot at times

7.0/10

Kate Beckinsale trades in her latex for hats and crinolines to take on Jane Austen in this moderately tongue-in-cheek adaptation of her posthumously-published novella in which pert modern misses Beckinsale & Sevigny dress up in a succession of magnificent period creations and sit about talking (and talking) about, well, love and friendship rather as Whit Stillman's characters used to do in twentieth century Manhattan.

It's all agreeable and good-looking, although the settings feel totally unlived in and everybody sounds as if they're simply reciting dialogue they've memorised in advance. Which of course they have.

Something is tonally off about "Love & Friendship," Whit Stillman's screen adaptation of a Jane Austen novella. Stillman treats the film like a satire of Jane Austen, with all of the actors moving through the film practically winking at the camera to acknowledge they're playing dress up. The problem with that approach is that Austen was already a crack satirist herself. Therefore, the film doubles the emotional distance between the audience and the characters, so we have a hard time caring much about what happens to any of them.

Another big problem is the casting. Kate Beckinsale is a lovely actress, and she does imperious and haughty well. But her character is in virtually every scene, and she's supposed to be so irresistible that she can manipulate anyone to do anything she wants. Beckinsale doesn't have that kind of allure; she's technically proficient at hitting her marks, but she doesn't have the screen presence to carry this really rather despicable character off. I'm stumped to think of a modern-day actress who could, but Vivien Leigh would have been perfect in a role like this. The poor casting extends to other members of the cast as well, most egregiously to Chloe Sevigny, who is far too contemporary an actress to be believable in a period piece. Most everyone else in the film is a drip, with the sole exception of Tom Bennett, who plays a bumbling suitor brilliantly and enlivens the picture every time he's on screen. Would that the whole film had been as funny and engaging as his performance.

With Stillman maintaining too much of an ironical distance from the action, the film turns into a talky succession of drawing rooms conversations that don't amount to much of anything save a procession of pretty period gowns.

Grade: B-

The funniest character in the film is James Martin. He steals every scene he's in and each time he was on the screen I couldn't stop laughing. Unfortunately, he isn't in a lot of the film, and the rest of the movie's humor comes in the form of pithy one liners at the end of every scene. Sometimes I'd chuckle at those, but that'd be about it. There aren't any weak links in the cast, they all do a great job with what they're given, but I wish they were given something better. The movie moves at an incredibly slow pace, and with not a lot ever going on, it often feels like I'm being read a Jane Austen novel rather than watching a movie adaptation. The movie isn't "bad" by any means but there's so little going for it that I would consider noteworthy I can't really find myself ever wanting to sit through Love & Friendship again. Maybe if you absolutely LOVE period dramas from a design standpoint or are a huge Jane Austen fan, you'll get more out of this movie than I did, but otherwise there isn't much here.

Now here is a film which have divided audiences and critics significantly. Whereas critics have hailed Love and friendship a penetrating, brilliant dark comedy, ordinary moviegoers are certainly not as thrilled. I think a good litmus test for whether one would enjoy Love And Friendship is whether one enjoys the other Austen adaptations, or Austen novels. Most people who like the elegant, circumlocutory dialogue in the Austen novels(and films) would enjoy this film, for this film is extremely dialogue-heavy. Much of the humour is also hidden in the wry, witty dialogue, especially that from Lady Susan. And what a character Lady Susan is. Played by the inimitable Kate Beckinsale, Lady Susan is a master manipulator, a crafting, smug, witty, yet eminently likable character. Kate Beckinsales simply offers a powerhouse performance- she has a beautifully posh, confident voice, with such gorgeous inflexions that really brings the full cunning and the amiability of her character to life. Susan is a glib, eloquent, smooth talker able to wheedle her way out of any difficulty. But perhaps the films main selling point is also its problem- the presence of endless dialogue in this film may prove weary for many viewers. In a script which is so elegantly Austen, that is to say roundabout and difficult to decipher(usually the highlight of any Austen adaptation), having so much dialogue means so much brainwork, and many of the films witticisms may easily fly over a viewers head. The film may also lose some of its enjoyability as its pace slows in the middle section. But on the whole, Love And Friendship should be a treat for lovers of Austen, though it's dialogue-heavy approach, and it's reliance of comedy in dialogue over comedy in situation may prove difficult for some viewers.