The Surface

Greetings again from the darkness. Survival movies come in many shapes and styles. There are classy ones like All is Lost (with Robert Redford) and Life of Pi (Academy Award nominee). There are thrilling ones like The Edge (with Alec Baldwin and Anthony Hopkins). And of course there are the kinda trashy ones that usually feature beautiful and clueless people stuck on an island somewhere like in Turistas (with Josh Duhamel).

What we rarely see are survival movies that just don't have much going on. Open Water is about the closest to this latest from director Gil Cates, Jr and writer Jeff Gendelman, but at least that one offered the constant threat of a shark attack.

Sad sack Mitch (Sean Astin) visits his Alzheimer's-stricken mom in the nursing home before heading out to the middle of Lake Michigan in what he plans as his final voyage in life. At the most inopportune time – given his goal – it's his boat that is rendered lifeless thanks to the scattered pieces of a plane crash. Mitch drags the survivor (Chris Mulkey) aboard and the two fellows proceed to prove that their philosophizing and reminiscing are no match for the conversational skills of a boy and his tiger (Life of Pi).

Flashbacks are the key to us understanding the reasons these two crossed paths in such an unusual manner. We see Mitch's guilt and inability to be a worthy partner in a relationship, and we see pilot Kelly's desperation in trying to making ends meet for his family and regaining his confidence as a man.

There are a couple of funny "guy" moments (the poet comment made me laugh), yet somehow the conversation of these two men in a life-threatening situation pales in comparison to the exchanges of two gents over a meal in My Dinner with Andre. Where is the danger? Where is the stress? Where is the soul-searching? It's unfortunate that the extended periods of two guys in a boat just don't have much to offer for the 86 minute run time, because the stage was set for much more than melodrama.

Being an older person, I remember when serious acting was still the expectation of good movies, before special effects were given the priorities. This film is a very good and believable study of how two very different men might be brought together in very fantastically different circumstances. The fact that in the ending credits the note is made that the events of the film are based on actual happenings does much to explain and reinforce some of my personal beliefs about "pre-destination" and possibly "Divine" intervention. The main actors did an excellent job, considering the limitations of being pretty much a two actor film for most of the movie, and how the chance meeting of the two would change their lives forever.

I strongly suggest you might overlook some of the films negative ratings and see it for the very good film it is.

Sean Astin and Chris Mukley provide fine performances in director Gil Cates Jr. suspenseful film centered on two desperate men who have a chance meeting in the middle of Lake Michigan. Mitch (Astin) is determined to kill himself because he blames himself for his father's death in a factory accident. Kelly Enright (Mulkey) crashes his plane into the Lake while on a delivery of a backpack with $125,000 for either drugs or black market human body parts. Both men are desperately searching for hope and identity in their lives. The videography is stunning, and the writing creates a realistic give and take of hostility until each man realizes he must depend upon the other for survival. The film begins with a dream-like sequence of Mitch preparing for his trip out onto Lake Michigan (and his eventual suicide). He meticulously preps for his day, fills a bird feeder with enough seed to last several weeks, then visits his mother (who is suffering from Alzheimer's disease) in a nursing home. After making certain that everything he is leaving behind is in order, Mitch motors his father's small fishing boat out into the lake. Soon Mitch discovers the wreckage of a small plane and pulls the pilot (Kelly), who had been clinging to part of one of the wings, into his craft. The remainder of the film entails Mitch and Kelly discussing bleaker anecdotes of life that all of us experience and, often, keep to ourselves. Mitch has suffered the loss of his girlfriend through a skate boarding accident, the death of his father through the warehouse accident, and his mother to Alzheimer's. Through a chance cell phone call from the men who are awaiting Kelly's arrival with the money, Mitch is able to contact 911 and both men are rescued by the Coast Guard stationed in Milwaukee, Wisconsin. By the time of the rescue both men have helped each discover that hope survives. As Kelly said to Mitch during one of Mitch's self-indulgent diatribes, "...don't do that to yourself [...] people have choices...". This is a must see Indy film. The acting is sound, the writing is crisp and honest, the directing is insightful, and the videography is stunning and haunting.

I just discovered this film on Amazon Prime and saw that it had Sean Astin in it. I have liked Seans parts in every film I've seen him in so I figured I'd like this one. It's a slow paced film that mostly takes place on a boat, but the depth of the characters and the meaning behind the story carries the film through. Just a good solid film without out the bells and whistles.

A very quiet character study. Down and out Mitch (Sean Astin) rescues a downed pilot in Lake Michigan and so rescues himself.

This is not action movie but a quiet movie.

Loved the lake boating scenes. Captures the everyday dangers that boaters have to overcome. Mitch rescuing the pilot is really just him rescuing his father.

Very moving . Give the movie a chance.