Appropriate Behavior

Appropriate Behavior (2014) is a self-serving film writing by, directed by, and starring Desiree Akhaven. The movie follows Shirin, a twenty-something woman, who is tall, beautiful, bisexual, and of Iranian heritage. Sounds interesting, right? Wrong.

Shirin doesn't appear to have any connection to anything other than herself and her love life. We never see her display any interest in art, music, or theater. She isn't interested in politics or human rights. She's not particularly interested in her Iranian cultural heritage, except to decry it. She scorns her brother's perfect traditional fiancée, without realizing that this beautiful young woman is a pediatric plastic surgeon, specializing in burns.

OK--What is it that Shirin really likes? Drinking, dancing, and sex. Not too impressive a résumé, in my opinion. So . . . If you think you'll be charmed by a move with Shirin at its center, this is the film for you. If not, make a different choice. If you choose to see it, it will work well on DVD. We saw it at The Little Theatre as part of the fine ImageOut, the Rochester LGBT Film Festival.

There's a certain type of movie that Sundance always selects: quirky comedies about lovable oddballs who are in the middle of a crisis and want everyone to know about it. This is Appropriate Behavior. I will say in its favour that there isn't enough bisexual representation in cinema nor is there enough about American- Iranians. This has both, but at the same time writer director Desiree Akhavan doesn't want to examine either aspect in depth. This is both refreshing because these aspects of lead character Shirin's identity are assured aspects of who she is and aren't part of her crisis, and frustrating because aside from these elements there is nothing that makes this movie stand out in any way from the quirky indie comedies that come out every year from Sundance.

Behavior is about Shirin (played by Akhavan). Recently having broken up with the live-in girlfriend her conservative Persian parents thought was her "roommate" the film plays in pieces as we watch Akhavan try to put her life back together without the woman who defined so much of it. As a bonus we are also treated to flashbacks of the rise and fall of her relationship with her ex. It is... not very exciting.

The film is written with so many pithy one liners you can tell it was written to death. This makes for great screencaps and dialogue you can use as gif sets but as an overarching script with characterization not so much. The narrative is fairly elegantly sliced and diced so that you get just the right amount of mix of past and present but at the same time... Just who cares? This feels directly aimed at a group of lost 20 somethings stumbling their way through life, but as a lost 20 something myself I'm sick of seeing these kind of movies (always set in NYC!) and the individual scenes don't really do anything for me. There are still some aspects that make this movie watchable: a threesome that goes wrong (I'm always partial to sex scenes that are good and by good I mean manage to maintain the flow of the story. So many movies just have all plot and emotion stop to get a few thrusts in. Akhavan understands how to continue to build the narrative using the sex scene). The ending of the film is very cathartic and pitch perfect as well.

How Akhavan manages to nail some of the most difficult aspects of filmmaking while flubbing the middle is beyond me. It gives me hope however that she'll continue to improve.

"Appropriate Behavior" had all the ingredients I look for in an indie movie. It had characters on the margins of society in Shirin, a bisexual young woman living in New York City and of Iranian descent. It involved locations I will never know well, the aforementioned New York City as seen by the young and tragically hip. It explores a culture of which I'm not a part, that of the young bisexual/gay/lesbian/transgender person living in a big city.

Etc. etc. etc.

I was all ready to enjoy the heck out of this film at the Key West Film Festival in November 2014. I even skipped another movie that my group was attending and which sounded great. All so I could see something I normally wouldn't have seen in the theaters.

I wish I'd gone with my group. Even worse, I managed to talk someone out of going with me instead of with the others and so I felt bad about steering her wrong.

While the set up was all there, the execution sure wasn't. The main character truly only seemed interested in her own love life and gave no thought, nor screen time to anything else.

For instance, her brother the doctor seemed to have an interesting side plot going on, but the movie never seemed interested in doing more than teasing the viewers. The main character's coming out to her conservative parents was hinted about and teased, but then given all the pomp and attention of a wet noodle going down the drain.

Even worse, the main character was supposed to have a lead-in-to-the-third-act epiphany that led to her making changes and sowing the seeds for a happy ending. After our showing ended, the folks in my theater all talked about the movie and none of us had any clue about what the epiphany was supposed to be. Nor could we understand why or how the main character effected the change necessary for that happy ending.

So many wasted ideas, so little fleshing out done. In the end, there was not enough reason for us to care.

I gave this a five because I thought the acting and cinematography were relatively professional. Too bad neither were given enough substantial plot nor complications to help them live up to their potential.

I will admit that its weakest part is character development, fleshing out supporting charcters and its pointless ending, however it is entertaining and makes you laugh. I love that it did not take itself seriously and, as a non-white person, you understand where she is coming from in terms of her family, she is not an annoying Hanna from Girls or an annoying Frances Ha. Culture plays a role and, more importantly, there are other characters pointing her flaws, as well. I love that she was bi and in a relationship with a woman and not a cheater. Impressive enough on itself in terms of representation. I just had fun. I only wish the ending were not so meh.

In Brooklyn, Shirin is lost after breaking up with her girlfriend Maxine. She's got a Masters in journalism but no job. Her Persian family doesn't know about her bisexuality. Her brother is annoyingly successful. Her boy-crazy friend Crystal recommends her to Ken (Scott Adsit) for a job teaching movie-making to kids but it turns out to be more like daycare. There are constant flashbacks to her relationship with Maxine as she tries to move on with other people.

At its heart, the movie is the traditional single-gal-in-the-city. Desiree Akhavan infuses it with a little bit of a Persian family and bisexuality which keeps it fresh. Her writing is pretty good especially for her theatrical debut. There are a couple of really good laughs. Buying a bra scene is really funny with Crystal's reactions. I also love her mother's reaction to her coming out. Desiree's acting is pretty good but not great. Overall, this is a nice little angsty indie and hopefully this is the start of an interesting new voice.