The Benefactor

Or is it actually rock bottom? One thing is for sure, you need someone relatable and likable like Gere to portray this character. Otherwise the viewer would have a lot of trouble to watch this in general and feel something (empathy for example). His character is not completely lost when we begin. Quite the opposite that is, until we jump forward in time (and jump back and forth a couple of times).

It's to keep the intensity and the tension up for the viewers. Also to keep them guessing, though I reckon you can guess more or less what happened, that made him the way he is. But it's not as much about that as it is about the journey itself. And the question if there is still time for salvation ... It's a drama and it's slow paced of course, not everyone's cup of tea

Review: Although Richard Gere is superb in this movie, I couldn't really see the point of it. The film kicks off with Franny (Richard Gere) in the car with his two best friends, Mia (Cheryl Hines) and Bobby (Dylan Baker), and while he is hugging Bobby, who is driving, a speeding car hits there car and Franny manages to escape with fatal wounds but he sadly loses his two best friends. After those dramatic scenes, Franny becomes a recluse and ends up addicted to painkillers until he gets a call from Mia & Bobby's pregnant daughter, Olivia (Dakota Fanning) who wants to come home with her boyfriend Luke (Theo James). After buying the couple a house, Franny does everything for the couple, out of guilt, because he feels responsible for the car crash but when he isn't able to get anymore prescriptions for his painkillers, he becomes out of control, and he's unable to hold it together. That part of the storyline is pretty straight forward but it doesn't seem to go anywhere. I thought that Luke treated Franny quite terribly, after everything that he had done for him, and Olivia didn't really interact with Franny, until the end, when he was struggling against his addiction. Anyway, it's a watchable drama with some emotional scenes but the storyline dries up after a while.

Round-Up: Richard Gere, 66, isn't one of those actors that takes on any and every project, that is brought to him and I must admit, some of his latest movies haven't been that great but that's not due to his great acting skills. Since his first movie, Operation Undercover in 1975, Gere has only made 50 movies, which have grossed nearly $1.5Billion, with Pretty Woman being his biggest hit with $178.5 million and he has become a household name with his dashing looks and cool demeanour. This movie was directed by Andrew Renzi, 31, who has only made 3 shorts in his career and a movie called Fishtail, which I personally haven't heard of, so he hasn't got that much experience behind the camera. He certainly got the most out of Richard Gere but from an entertainment point of view, it needed some other elements to keep it interesting.

Budget: N/A Worldwide Gross: $2million

I recommend this movie to people who are into their dramas starring Richard Gere, Theo James, Dakota Fanning, Cheryl Hines, Clarke Peters and Dylan Baker. 4/10

The Benefactor is a small drama with a decent cast. Sometimes these kind of movies are really engrossing but unfortunately this one although not terrible isn't memorable.

Richard Gere plays a Philanthropist haunted by the death of his friends and wanting to relive his past and make amends at the same time. He therefore sets out to help his friends daughter and her new husband. Although Gere is a good actor his character in this film just comes across as unlikeable. This therefore stops any sympathy you have for him and effectively ends much interest in the film. I thought Theo James did a good job as the husband but Dakota Fanning is woefully under used.

At times this is mildly interesting so it wasn't a complete write off but towards the end it sags badly and the rushed ending is highly unsatisfactory.

Unless you're a huge fan of any of the actors I'd give this one a skip. This probably worth a 5 but I'll up it to a 6 just for the shock scene near the start.

I don't think the movie is worth a watch. There's nothing in it apart from Richard Gere's fine performance. If you still want to try it, he is the only reason to consider. You know performances alone can't save the movie, especially that theory did not work in this film. The story was very plain, it was about a man who's living with remorse and suddenly an unexpected thing happens that could help him to come out of his guilt fell, but it only gets worse in his every attempt.

The contribution from the rest of the cast was one of two reasons for the movie's downfall. They were okay, no complaint about that, but they were totally not visible like their existence means nothing other than to support the Gere's role. And the other reason was the scenes that lacked to imprint in the viewer's head with memorable quotes and/or moments. I would say there's a dull atmosphere in the entire narration. It is not an entertainer, but can be a character study material.

5½/10

"Did you buy my house ? I bought it for the three of you. Welcome."

I've never been a big fan of Richard Gere. I always associate him with ordinary films of the genre drama and comedy, with a lick of romance. Gere is also perfect for such films. A charismatic person with the right looks. Worthy son-in-law material and someone who made many women's hearts beat faster in those days. Since "Pretty Woman", a film with Gere was for me a film to avoid. Although I surely want to give "The Mothman Prophecies" a chance. And despite his old age, this 67 year-old former gigolo still looks surprisingly frivolous and attractive. Perhaps now you should look for his admirers among the over-60s.

I came across "The benefactor" by chance and it didn't look like a romantic comedy to me. Well, it's far from being comical. It shows the agony of the eccentric philanthropist Franny who's suffering from remorse and regret. A guilt this millionaire carries from the time that he's involved in a car accident along with a befriended couple Bobby (Dylan Baker) and Mia (Cheryl Hines). Whether he's the cause or not is not really clear. Daughter Olivia (Dakota Fanning), with whom the bachelor Franny has a good bond, turns his back on him.

Five years later, the charming, "dashing through life" multimillionaire who realized energetic plans, has changed into an introverted hermit who spends his days making morphine cocktails. A haggard loner with an appearance of Gandalf the White. A neglected Santa Claus with a thick beard and a wild hairdo. A caveman living in his luxurious cave. And then Olivia returns. Contacting him with the message that she'll be returning as a newly wed, pregnant woman. Franny gets his act together and from that moment on he only has one plan. And that plan is to make this couple's life as easy as possible and support them with his fortune.

To be honest, I think the acting performance of Richard Gere in this film was sublime. An overwhelming, charismatic character who demands all the attention during the whole movie. In such a fantastic way that the parts of Dakota Fanning and Theo James, the husband of Olivia, almost completely fade into the background. Gere shows a character that sways from one mood into another. From a flamboyant, enthusiastic founder of a children's hospital to a pitiful heap of misery. And then resurrecting again as a benefactor. Enthusiastically but with a tormented mind. At times I couldn't believe this was really Richard Gere. Fanning's character was reduced to a piece of scenery that served as the initiator of Franny's behavior. The same applies to Theo James. Although he also pleasantly surprised me.

The acting looks respectable. What about the story itself? Well, that's something else. First, it is terribly boring and dead simple. The whole story (not the psychological situation) can easily be summarized in a few concise sentences. In other words, nothing much happens. What story were they actually trying to tell? The tragedy of lost friends and a painful rehabilitation? A demonstration of excessive generosity and intrusiveness? The physical and mental deterioration because of an addiction? All of that was in it, but the character study dominated. Also certain questions remained unanswered. Was it really Franny's fault? Where did his fortune come from? And isn't it so that rich people can buy whatever they want? What I do know is that I'll give 'Time out of mind "a chance.

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