Pride

Some films when they are in pre-release have so much hype and advertising running behind them that by the time the film is actually released we have seen three or four different trailers that have usually given away all the bets bits of the film leaving a sour and disappointing taste in our mouths and a feeling as though we have just wasted our time once we get around to actually seeing them. Then there are some films that deserve the hype and publicity that only ever get minimal, usually these films belong to a film festival and it's only through word of mouth that they make it to their intended audience. Pride is a film that was first released at the 2014 Cannes Film Festival winning a standing ovation and the Queer Palm award from there it went onto a limited release schedule mostly being involved in Queer Film Festivals around the world. Pride is a true life story based around the British Miner's Strike in 1984, Margaret Thatcher was Prime Minister and not very popular, not with miners and especially not with the gay and lesbian community either. Joe, a young naïve closeted gay boy arrives in London to take part in his first gay pride march, soon after arriving Joe is taken in by a local gay and lesbian rights activist group who do their part to raise funds to fight their foe Thatcher and her evil ways. Soon after the group realise that both the Miner's and the gay community have a lot in common they make the decision to start raising funds for the families of the miners in a little Welsh town called Onllwyn. The miners reject the gay and lesbian activists money believing it will do more harm than good for their cause so the group unfazed but a little perplexed decide to take the money personally to the town to hand it over and explain their situation and hopefully form a new alliance against the countries Prime Minister and her party… Pride is set in a very bleak and dark time of British history but I feel that it's never actually shown that way, sure things are dark and gray but I wish the director just added more hardship to his final edit for the film, not being a part of it personally but remembering how harsh it was from school study and other films I have seen over time. I don't think the film was shown as brutally honest as it should have been, from what I know of those days; they were horrid, times were rough and extremely hard, I just wish that it was portrayed a little more than what we were given. That is my only concern with the film, which says a lot I feel. None-the-less it is a fantastic well made, well directed and full of amazing actors that really bring the story to life, the story is really well scripted and the actors chosen in their respective roles have done an amazing job. Staring Bill Nighy (Love Actually, Shaun of the Dead) as Cliff, Imelda Staunton (Maleficent, Vera Drake) as Hefina Headon, Dominic West (John Carter, The Awakening) as Jonathan Blake, Paddy Considine (Hot Fuzz, The World's End) as Dai Donovan, George MacKay (How I live Now, Peter Pan) as Joe "Bromley" Cooper who is one of the few fictional characters created for the film and a whole heap of others, it is actually a very great cast everyone did their part to make the film work. As I said earlier the cinematography of the film was good I just wish it was darker like the times it is set in. The director and his crew have done a great job with this film written by Stephen Beresford and directed by Matthew Warchus (Simpatico). Pride is a feel good film with a fantastic story that can be shared with all your loved ones, there are a couple of scenes that may be a deemed a little over the top but perhaps you can use that to answer some curious minds if questions are asked. Pride is an amazing story that brings two very different worlds together for one great cause.

I watched this entire film from start to finish with tears in my eyes and a smile plastered across my face.

It tells a beautiful story of a small group of Gay Rights activists who take action to support the striking miners whom they feel are feeling the same oppression that they had once and were currently feeling.

It is a gorgeous story of humanity. The film, in my opinion, perfectly captures the homophobia, bigotry, ignorance and curiosity that the LGBT community deals with showing the spectrum of opinions using the right amount of humour. While I can't speak to the accuracy of the time, I can see my own experiences with LGBT friends of mine and curious people painted across the screen.

This is a must see movie that will show how hate can harm and will also reinforce your faith in humanity.

The actors' performances were all amazing and flawless, from tears to dance sequences.

PRIDE commemorates the hitherto unremarked but nevertheless remarkable alliance between Welsh miners and London lesbians and gay men. It is an enjoyable, well-made, sometimes uplifting, movie set in a bleak period of British history. It is a political film, in the best sense: it's about people joining together to take control of their own destinies, a theme which has a long history in UK cinema, going back at least to the fantasy of PASSPORT TO PIMLICO (1949) to the based-on-fact MADE IN DAGENHAM (2010).

It is well-scripted, beautifully directed, skillfully and enjoyably acted. I have one niggle. Not so much with this film in particular, but rather with all those setting out to please a mass-audience whilst also trying to deal with serious issues. The times in which PRIDE is set were very dark, but I don't know that a mainstream movie can make it clear for those that weren't there just how dark they were. The film goes some way to showing it, but it can't really plumb the depths because - well, mainstream movies can't and still stay in the mainstream. It's a dilemma that affects many Hollywood comedies set in the Great Depression, even those, like MY MAN GODFREY (1936) for example, that were made at the time.

Still, PRIDE manages by and large to transcend such difficulties. It is a life-enhancing piece of cinema, which could and should reach a wide audience.

In the summer of 2014, my wife and I went to a north London dinner party where one of the other guests was Mike Jackson, a leading member of Lesbians and Guys Support the Miners ((LGSM), a support group during the bitter industrial dispute of 1984-85 which provided money and assistance to a mining community in South Wales. He told us how he had been acting as a principal adviser to writer Stephen Beresford and director Matthew Warchus who had crafted the forthcoming film "Pride" which explored this unlikely pairing of groups fighting the iniquities of Thatcher's Britain and he made clear his delight at how the subject had been treated for the big screen.

So, the first weekend that the movie was on show, four of us from that dinner party were in the cinema to view it and we were all thrilled with how brilliantly this story has been told. Some of us even cried.

The film is unashamedly political, both in its representation of the prejudice against homosexuals at a time was AIDS was devastating the gay community and the hostility of ministers, media and police to the miners' fight to keep pits open, but the treatment ensures that this is an immensely entertaining and often very funny work. Although the movie wears its political heart on its sleeve, it avoids an over-simplistic portrayal of the gay cause by showing entrenched opposition to their involvement in the miners dispute from sections of the Welsh community and challenge from gays themselves as to why they should be involved in a workers' strike, although the controversy of the lack of a ballot authorising the strike itself is avoided.

The script is a triumph with every line making an impact and telling us something and there are some wonderful jokes. A disco dancing scene and a solo-to-group singing session are destined to become favourite recollections of a memorable movie. The cast is magical: a combination of distinguished character actors like Imelda Staunton, Dominic West and Bill Nighy (although his South Wales accent is wobbly) and young newcomers like Ben Schnetzer, Joseph Gilgun and George MacKay. And there is remarkable attention to period detail (we had the same design of coffee cup as in an early scene), enhanced by music from the time.

Although GLSM was eventually shunned by the official strike committee and the miners lost the strike and almost all of Britain's pits have subsequently closed, the concluding scenes of the film and the final bits of informative text turn this historic interaction into a success that should inspire the present day gay community and labour movement alike. As Mike Jackson put it in an article about the film: "The one thing the ruling class don't want is solidarity; they don't want us to join the dots up."

A fabulously rich movie with a superb mix of talent relating the victories of human relationships over and above the overwhelming power of political ideology in partnership with business.

Bill Nighy plays a beautifully understated, quiet and thoughtful role in contrast to the ebullient Imelda Staunton, matriarchal doyenne of the small Welsh mining town that is the focus for solidarity expressed by LGSM. Paddy Considine as Dai is the somewhat unwitting emissary who meets with the group in London and speaks powerfully and clearly to the community there and to the rather more conservative community in his home town as to the nature of solidarity. Much humour is placed in the two cultures coming together and throughout there are themes of coming out, for both communities; the subtle and insidious nature of discrimination, the hegemonic control it exerts when backed by powerful media presentation, the opportunism of the bitter and resentful, and the damage that is wrought upon families and communities when work is alienated from the individuals identity. Jessie Cave, Ben Schnetzer, Sophie Evans, George Mackay and Freddie Fox all perform keenly and will have done their rising stars no harm here. Not sure how this film will travel internationally, a bit parochial, but then I thought the same about Billy Elliott and that seems to have done OK.

Culturally the film is a trip down memory lane, the music, the politics, the clothing and decor all take me back to 1984, the year of my eighteenth birthday, when my father was one of those striking miners, my mother and the other mothers ran the kitchen in the local church hall. Hence my bias, there is much in this film that is intensely personal.but even if this were not the case, I would still recommend the artistry of this movie and it's passion to anyone.