A group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communications, their self-images, and their love liv... Read allA group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communications, their self-images, and their love lives.A group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communications, their self-images, and their love lives.
- Director
- Writers
- Stars
- Narrator
- (voice)
- Brooke Benton
- (as Katherine C. Hughes)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is an ensemble drama, about the effect the internet and technology has had on relationships, intimate or otherwise. They're no groundbreaking original story lines. There is a Romeo (Ansel Elgort) and his Juliet (Kaitlyn Dever). A marriage is on the rocks (Adam Sandler and Rosemarie Dewitt). An overbearing mother trying to control her daughter (Jennifer Garner). An unwitting parent trying to live through her child (Judy Greer and Olivia Crocicchia). A newly single parent trying to connect with his video game addicted son (Dean Norris and Ansel Elgort). An impressionable teenage girl dealing with severe body image issues.
All of the actors did a proficient job. Adam Sandler was excellent, in his first straight drama role since Reign Over Me (or Funny People, if you'd count that). Ansel Elgort and Kaitlyn Dever had both breakout performances. Each of their characters plights will your break your heart, and leave you rooting for them. And most of all, Jennifer Garner was as good as I've seen her in years. She did such an incredible job to make me hate her character as much as I did.
It's a linear story from a big studio with an independent feel. Emotional fireworks are few in this movie. Some of the quieter moments feel the loudest.
This story is timeless. Nobody understands technology in this world. Not the teenagers who superficially know how to use it, and not the parents who are mostly right to be afraid of it. No one understands it. Every character in this story believes the internet can solve their problems. They are searching for a way to mask their wounds. It's ironic that the internet provides anonymity, but those who search for it most crave human connection.
It goes over how distant and desensitized the internet can make us. It points out a generation gap between adults and children as the title suggest. For the most part he's suggesting we have a problem, He maybe right, but Ironically the format of the film with displaying text and websites on the screen which is starting to become common in movies, only adjust us to the problem versus resolving it.
But the movie is not fully negative as it does point how being able to communicate easier with one another is helpful.
Overall I like the movie. It has a great ensemble cast with the likes of Adam Sandler proving he can do drama. The small stories blended together well, but I must admit the filmmaker was trying to show us a bigger picture which I did not get.
It was humorous and it's the type of film that makes you think. worth sitting through.
I do have a few complaints, starting with some parts of the plot seem like they would be hard to follow if you haven't read the book. There were segments of the story that would have benefited from a little more time spent on them for clarity. I am a fan of long movies, and understand that a lot of people are not, but I think an extra 15 minutes could have made a big difference.
The narration seems to be a sore subject among the other reviews I've read, and I have to say I have mixed feelings. I like the idea of narration in a book-turned-movie. There's a certain amount of context and motive behind characters' actions that can get glossed over in a movie if there's no narration, but it was too inconsistent in this case. It either needed more narration, or it needed to be limited to just the intro and outro.
I think the major issue with the movie is that people are focusing on the wrong parts of it. Everyone wants to talk about the blunt sexual content, and the excessive use of technology in the movie. To me, those are the things that make it a realistic story. Perhaps that's just because I'm in my twenties, and blunt sexual content and excessive technology use are a large percentage of my life. People call this a movie about how technology is ruining and/or changing relationships. I disagree. This movie is about growing up, relationships, and miscommunication. Affairs aren't new. Questionable parenting isn't new. Body image issues aren't new. Sexual frustration isn't new. Depression isn't new. The movie shows technology not as a cause or effect of any of these things, but as being intertwined with them the exact way technology is intertwined with modern life. People are looking to MWC as a comment on technology in modern life, and finding it wishy- washy. But that's because it's not taking any sides, it's just showing how things are.
If you go in to this movie expecting an interesting story, rather than an editorial about technology, you'll probably enjoy it. Just don't bring your kids or your parents.
Did you know
- TriviaThis movie premiered in U.S. theaters on October 1, 2014. It was removed from all U.S. theaters by October 30, and made less than one million dollars domestically.
- GoofsIn giving the 9/11 assignment the teacher says that "Other than the attack on Pearl Harbor it's the only time a foreign force attacked anything on U.S. Soil." That is incorrect. Even if you do not include the Revolutionary War you still have the War of 1812 where the U.S. was invaded by the British and the White House and Washington D.C. was burned.
- Quotes
[Last lines]
Narrator: [recites extract from Carl Sagan's Pale Blue Dot, A Vision of the Human Future in Space] That's home. That's us. On it, everyone you love, everyone you know, everyone you ever heard of, every human being who ever was lived out their lives. Every young couple in love, every mother and father, hopeful child, every saint and sinner in the history of our species lived there on the mote of dust suspended in a sunbeam. How frequent their misunderstandings, how fervent their hatreds. Our imagined self-importance, the delusions that we have some privileged position in the Universe are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. Like it or not, for the moment, the earth is where we make our stand.There is perhaps no better demonstration of the folly of human conceits, than this distant image of our tiny world. It underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we've ever known.
- ConnectionsFeatured in Nostalgia Critic: Does "American Beauty" Still Hold Up? (2014)
- SoundtracksBrandenburg Concerto No. 2 In F BWV 1047
Written by Johann Sebastian Bach
Performed by Hedwig Bilgram, Manfred Clement, Hans-Martin Linde, Münchener Bach-Orchester, Karl Richter, Hansheinz Schneeberger and Pierre Thibaud
Courtesy of Deutsche Grammophon GmbH under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Hombres, mujeres y niños
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $705,908
- Opening weekend US & Canada
- $48,024
- Oct 5, 2014
- Gross worldwide
- $1,705,908
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1