IMDb RATING
6.9/10
5.3K
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Living with abundant resources, 12-year-old cello prodigy Reggie lives a solitary life in Manhattan; estranged from family, jobless, and having boyfriend problems, sometime-musician 23-year-... Read allLiving with abundant resources, 12-year-old cello prodigy Reggie lives a solitary life in Manhattan; estranged from family, jobless, and having boyfriend problems, sometime-musician 23-year-old Eleanor needs a new job and residence.Living with abundant resources, 12-year-old cello prodigy Reggie lives a solitary life in Manhattan; estranged from family, jobless, and having boyfriend problems, sometime-musician 23-year-old Eleanor needs a new job and residence.
- Awards
- 6 wins total
Georgia Ximenes Lifsher
- Sylvia
- (as Georgia X. Lifsher)
Alfredo Narciso
- Greg
- (as Alfred Narciso)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I enjoyed very much this story: the encounter of Eleanor and Reggie.Leanore needs a work and a place to stay, Reggie is a solitary music prodigy, who lives quite alone and he has had troubles with his former caretakers.Then appears Eleanor and little will grow a friendship: both are musicians and then a relationship with a lot of tenderness and affection.
This film is also about self-improvement: Eleanor will discover again her pleasure to play music.
The performances of Leighton Meester and Julian Shatkin are really very good.
10Stewball
10/10 Masterpiece. Some are calling this melancholy, but I think bittersweet is a better word. Above all, it's a story about a 12 year-old music prodigy being played by a c. 12 year-old acting prodigy. As good as child acting has gotten, few if any could have pulled this off as well. What's the significance of 12? It's that age where you're as mature as you're going to get before the onset of puberty. But what if your emotional maturity and profound awareness outstrip your physical growth? It's about resigning yourself to your solitude, until.... The result is a bittersweet gulf between two otherwise kindred souls. This isn't about dramatic friction, it's about something distinctive, enigmatic and fleeting. It's like playing a beautiful tune on a cello in an empty swimming pool with good acoustics. It's like Sunday, like rain.
Maybe the best "child" performance ever.
Maybe the best "child" performance ever.
Reggie is a highly intelligent lonely 12 year old boy living with is overwhelmed mother in a mansion in New York. He doesn't have a lot of friends and seems bored to death with life. Eleanor is a 20 something from a poor background who just broke up with her loser boyfriend. She stumbles into the "live in" job of being Reggie's nanny while Reggie's mom goes to China for a few months. Reggie ditches the plan for him to attend camp during the summer and Reggie and Eleanor spend the summer together and well... develop strong feelings for each other. Though a little slow sometimes I enjoyed this very much. The actor that played Reggie was wonderful and like a 35 year old man in a 12 year old's body. Leighton Meester was quite good too. It is a simple, but good story, of people and emotions. With a bittersweet end to the story. I really wouldn't mind seeing a sequel to this when Reggie is 20.
Julian Shatkin did quite well playing a preteen savant named Reggie, considering his age, but writer/director, Frank Whaley, let him down. The role would have been more believable had Whaley given him a wider emotional range (and, in my view, it's the director's job to coax the writer into writing each character equally well - funny that the director did not have that conversation with himself as the writer!). From the start of the movie, the boy's isolation is palpable as his mother plans to leave him on travels. (Debra Messing plays her well, but the part is limited and is only consequential in that it shows how emotionally deprived Reggie was.) He "snaps" at his friend at one point, as he put it, but compared to the frustrations of dealing with adults and children who rarely understand him or his choices, there was not enough emotion, particularly not enough anger. I feel his character loses a certain amount of aliveness because of it.
In great contrast, Whaley was able to figure out Eleanor's (the nanny's) emotions, and Leighton Meester was in turn able to play those emotions brilliantly.
After the movie ended, I attempted to flash back to moments where Leighton had not played her role authentically, and could not find any such moment. That's how great her acting is. The fierceness of her initial confrontation with her boyfriend was placed into context by our understanding of her family that followed. A beautiful young woman emerges from the initial mess, and we quickly find that she possesses advanced maternal instincts toward Reggie, supporting him exactly as he is, with all his awkward brilliance, even as he bends her to his wishes along the way. Her character is no pushover and she has her own plans, caring for her own soul as well.
Overall, the film is well worth watching, as it will move you, and you may even understand what children need a bit better. They need love. Leighton Meester clearly has that love in her, and her performance is a credit both to her and to Whaley. Yes, both actress and writer/director got Eleanor exactly right.
In great contrast, Whaley was able to figure out Eleanor's (the nanny's) emotions, and Leighton Meester was in turn able to play those emotions brilliantly.
After the movie ended, I attempted to flash back to moments where Leighton had not played her role authentically, and could not find any such moment. That's how great her acting is. The fierceness of her initial confrontation with her boyfriend was placed into context by our understanding of her family that followed. A beautiful young woman emerges from the initial mess, and we quickly find that she possesses advanced maternal instincts toward Reggie, supporting him exactly as he is, with all his awkward brilliance, even as he bends her to his wishes along the way. Her character is no pushover and she has her own plans, caring for her own soul as well.
Overall, the film is well worth watching, as it will move you, and you may even understand what children need a bit better. They need love. Leighton Meester clearly has that love in her, and her performance is a credit both to her and to Whaley. Yes, both actress and writer/director got Eleanor exactly right.
This is such a beautiful simple movie , i loved every second of it and i really didn't want it to end. the casting is amazing that little boy is really talented and Leighton Messter is one of the best actresses out there. It's a must see movie. The movie will keep you absorbed and interested until the end even though it is really slow pased. It is also beautifully written the script was amazing it was like wise poetry in some way. this movie goes straight to my all time favourites and i will be rewatching it as soon as i can. the main soundtrack "like Sunday like Rain" is also amazing such beautiful sad music that goes perfectly with the kid's and the Nanny's current situation. absolutely beautiful.
Did you know
- TriviaThe film won 4 awards at Willfilm including Best Feature and Best Director.
- GoofsThe license plate on the family vehicle is the same as on the taxi in Oneida that picks up Eleanor and Reggie at the bus station.
- How long is Like Sunday, Like Rain?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Yağmurlu Bir Pazar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,208
- Opening weekend US & Canada
- $1,082
- Mar 8, 2015
- Gross worldwide
- $28,208
- Runtime
- 1h 44m(104 min)
- Color
- Aspect ratio
- 2.35 : 1
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