Houdini

... which is both a good and a bad thing.

It is a good thing because over the course of the 2-parter you start to realize that the intensity comes not from the escapes, but rather from Connolly simultaneously delivering her dialog with that machine-gun rasp of hers, at the same time those extra-wide "cartoon" eyes pause for emphasis. I don't mean to make light of this, it is very unusual, and very effective.

The bad news is that, as interesting as Connolly is, she should really not be able to steal the entire film. That she can, speaks to the weakness of the script, and meandering self-indulgent arc that passes for a plot.

Brody tries hard. In fact, Brody is one of those actors who seems to be merely tolerated by his audience during his actual career but, I suspect, will become a cult idol to nextgen viewers. Here he does the best he can with what he was given.

If you bring no expectations to this film, it is entertaining, although truth be told I think the History Channel should set its standards a bit higher. (With Hatfields/McCoys, which I reviewed here, they nailed it AND were factually accurate to boot).

Never liked the Curtis film but I did read Houdini's autobiography, so I empathize with the angry reviews in this list.

In the end, it is true, Houdini was able to escape everything but his own ambition.

Harry Houndini was a great magician, showman, and at least according to his own legend, a fascinating character. But this doesn't mean that his life story is actually a single great narrative. This glossy renditioning of his biography leaves (too) little to the imagination; yet it's continuously straining, trying to find a uniting theme that means something more than the birth, extraordinary career, and death of one man. In places, the over-stretched story makes little sense: it's understandable that Houdini's assistant should have been grief-stricken by news of his death, but not that this should make him want to destroy all of his master's equipment. Aiden Brody has been good in other stuff, but in this role, there's a lot of screen time and not much to do with it. I could imagine Houdini playing a role in a clever-clever drama not unlike Nic Roeg's 'Insignificance'; but as a biographic hero, this is obvious and surprisingly dull stuff.

I have a strange relationship with Adrian Brody I like him and I like this movie and I think it's independent. The movie is good. I liked it when they debunked the magic tricks because it'll be even real life. The Costa was really good she had like this puppy eyes I laughed when they proved that all psychics are wrong and I love the hell do you need that although he was really eager to talk to his mother but because he was smart the checks didn't I want them and because he's actually Trackmaster you know it's all this all about not as great as Houdini's name but really good. I think they shorten the bed sets that entertaining.

It seems in the interest of inspiring awe, the creators of this series removed all of the actual awe around this legendary person and replaced it with annoying effects and hurried editing. The voice-over narration is uninspired, and makes the genius Houdini sound like a nitwit. The relationship between him and his family is reduced down to clichés and is indicative of lazy screen writing.

The worst part is that the actual history and character of Houdini is astounding and truly awe-inspiring. It doesn't need bells and whistles to be entertaining. All of this extra fluff was completely unnecessary and removes from the entertainment.

This is definitely a modern miniseries.

Quick editing, fancy graphics and lots of slow motion effects. It even has some CSI-like visuals where you get to see how the muscles of the abdomen react to a direct punch and other similar graphics that usually appear in the CSI franchise.

The music is a mix of classic instruments, heavy metal guitars and synthesizers and adds to the modern feel of the show.

Harry Houdini is presented as a bigger than life character who quickly becomes rich and famous with his wit and boldness. Fame and fortune isn't enough though. He wants to be legendary. Also he wants to make his life count, so in this version he becomes an international spy who uses his performances in Germany and in Russia to gather intelligence before the first world war.

Adrien Brody is good enough as Harry Houdini and his narration, that you can hear throughout the episode, contributes to the dramatic tension that you may think that the show is lacking because of its very modern presentation.

Overall: A series worth watching for entertainment. From a biographical point of view you may want to look elsewhere.