Little England

Great cinematography of landscapes and faces, portrays the unseen Greek island, the Greek people of the 30s, and a story about romance, submission and the silent triumph of love.

It grasps you from the beginning, so long you settle with the way these people are to speak. To my opinion, mostly when they are in silence, true performances emerge to be given by some of Greece's youngest and eldest actors, performances that go back and go deep into the human tale.

And, not to be missed! , one of the most excruciating scenes since the beginning of cinema, performed by Pinelopi Tsilika.

Mikra Aglia is a rare work of art . Pictures like paintings on a wall, music perfectly matched , excellency in acting and directing all in one film. Feelings of love and despair will reach your heart if you watch this film. The director slowly drags you to be part of the beautiful environment of the Greek island of Andros . In some dramatic scenes I felt like I was in the room witnessing the drama . A unique masterpiece. A film not to be missed from all those who seek quality cinema in a time when thousands of trash movies full of violence are produced ,mainly from the US, and consumed by societies increasing the real violence in them. I watched the film yesterday night and I will watch it again today . I watched more than one hundred films in the last six months and I felt the need to write a review only twice , for this film and for the "Best offer" of Giussepe Tornatore .

Thank you director ( Pantelis Voulgaris ) for the gift of watching this film .

One of the most beautiful films I have ever seen. Its what you call a quality film. Exquisite portrayal of the sisterhood. Lust, love, jealousy and passion are shown in the most tearful, humane way.

Pantelis Voulgaris in his best so far film. The actors, photography, scrip everything was in tune! I am Just grateful I have watched this film! The aesthetics have a unique character. The cinematography gives of a real character to the film. Every angle is beautiful and truly can me isolated, framed and hung on a wall. Nevertheless it is so humble without exaggerations operates in favor of the storytelling. The characters are very well written and have an amazing depth to a point that become symbols. The actors gave wonderful performances and in many cases we see excellency in acting. After leaving the cinema I felt that I have seen something magnificent. I cannot recall many films giving me such filling!

I watched this movie when it was first released and I didn't find myself in awe, unlike literally everyone else I knew. So, I gave it a second and a third chance, because I didn't want to be unjust. It's definitely an extremely meticulously made film, with exceptional aesthetics and use of sounds. I found the parallelism of people's feelings to the sea's temper astounding. BUT. I have a major issue with the very essence of the film; it's overly dramatic portrayal of a tragic story. I do realize the movie's totally different era, culture and values, but I can't digest easily one's submission -especially without a fight- to an unwanted fate that somebody else imposes on them. Plus, I found the acting to be quite unnatural and over the top, to the point it felt disturbing -especially by Moscha and sometimes by Orsa and their mother. I understand the director's poetic/theatrical point of view, it just felt too much and too dragged for me. However, it is a beautiful movie, absolutely worth watching and reflecting upon.