The story of programming prodigy and information activist Aaron Swartz, who took his own life at the age of 26.The story of programming prodigy and information activist Aaron Swartz, who took his own life at the age of 26.The story of programming prodigy and information activist Aaron Swartz, who took his own life at the age of 26.
- Awards
- 4 wins & 4 nominations total
Aaron Swartz
- Self
- (archive footage)
Stephen Heymann
- Self - Asst. U.S. Attorney Massachusetts
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The story of Aaron Swartz, who killed himself at the age of 26, is sad but inevitable consequence of the world we inhabit.
From his earliest days, he was a prodigy, not only developing the skills of reading and processing information at an early age, but acquiring a unique ability to write programs and offer innovative solutions to many problems presented in the early years of the Internet. With the help of testimonies from Swartz's family, plus colleagues and friends including the inventor of the web, Tim Berners-Lee, Brian Knappenberger's film traces the meteoric career of a genius who appeared to be able to offer solutions that no one else could. More significantly, Swartz had the ability to communicate with his interlocutors, not just in small-group situations but in public arenas as well. This is what rendered him such a powerful figure; although physically diminutive, he had a gift for speech-making that proved hypnotic in its effect.
Matters came to a head, however, when Swartz hacked the JSTOR sits, an address used mostly for publishing scholarly journals across all disciplines, downloaded the information and made it available to all web users. This completely contravened JSTOR's principle, which was to make that information only available to subscribers, mostly in academic institutions. The principle might have been a noble one (why shouldn't all users have equal access to information, especially if it aids their research?), but the American government's response was predictably harsh, as they charged Swartz with a variety of crimes under an Act issued as long ago as the mid- Eighties.
Knappenberger's film suggests with some justification that this reaction was ludicrously out of proportion to the nature of Swartz's so-called 'crimes.' He had neither challenged the Constitution nor caused harm to others; on the contrary he had simply worked in the interests of democratization. He was the victim of the same kind of paranoia that underpinned the anti-communist campaigns six decades ago, when legions of innocent people were rounded up and made to 'confess' their alleged involvement with a plot to subvert the American way of life, even if they had not done anything. The same applied to Swartz, who was offered the promise of lenient legal treatment in exchange for a 'confession.'
The familiarity of Swartz's plight suggests that a climate of intolerance still exists in a country that consistently advertises its democratic credentials, especially when compared with other territories in the world. THE INTERNET'S OWN BOY suggests otherwise; if the government was truly democratic, it would either have understood Swartz's motives, or meted out the same harsh treatment to other criminals - such as those who precipitated the Wall Street crisis of 2008. But who said anything was truly equal in American society?
THE INTERNET'S OWN BOT is a polemical piece that leaves viewers feeling both angry and frustrated - angry that a talented soul like Swartz should have had his life cut brutally short, and frustrated that the government should have pursued such heavy-handed treatment. If the film can inspire more activism to try and change official policies, it will have achieved much.
From his earliest days, he was a prodigy, not only developing the skills of reading and processing information at an early age, but acquiring a unique ability to write programs and offer innovative solutions to many problems presented in the early years of the Internet. With the help of testimonies from Swartz's family, plus colleagues and friends including the inventor of the web, Tim Berners-Lee, Brian Knappenberger's film traces the meteoric career of a genius who appeared to be able to offer solutions that no one else could. More significantly, Swartz had the ability to communicate with his interlocutors, not just in small-group situations but in public arenas as well. This is what rendered him such a powerful figure; although physically diminutive, he had a gift for speech-making that proved hypnotic in its effect.
Matters came to a head, however, when Swartz hacked the JSTOR sits, an address used mostly for publishing scholarly journals across all disciplines, downloaded the information and made it available to all web users. This completely contravened JSTOR's principle, which was to make that information only available to subscribers, mostly in academic institutions. The principle might have been a noble one (why shouldn't all users have equal access to information, especially if it aids their research?), but the American government's response was predictably harsh, as they charged Swartz with a variety of crimes under an Act issued as long ago as the mid- Eighties.
Knappenberger's film suggests with some justification that this reaction was ludicrously out of proportion to the nature of Swartz's so-called 'crimes.' He had neither challenged the Constitution nor caused harm to others; on the contrary he had simply worked in the interests of democratization. He was the victim of the same kind of paranoia that underpinned the anti-communist campaigns six decades ago, when legions of innocent people were rounded up and made to 'confess' their alleged involvement with a plot to subvert the American way of life, even if they had not done anything. The same applied to Swartz, who was offered the promise of lenient legal treatment in exchange for a 'confession.'
The familiarity of Swartz's plight suggests that a climate of intolerance still exists in a country that consistently advertises its democratic credentials, especially when compared with other territories in the world. THE INTERNET'S OWN BOY suggests otherwise; if the government was truly democratic, it would either have understood Swartz's motives, or meted out the same harsh treatment to other criminals - such as those who precipitated the Wall Street crisis of 2008. But who said anything was truly equal in American society?
THE INTERNET'S OWN BOT is a polemical piece that leaves viewers feeling both angry and frustrated - angry that a talented soul like Swartz should have had his life cut brutally short, and frustrated that the government should have pursued such heavy-handed treatment. If the film can inspire more activism to try and change official policies, it will have achieved much.
9xWRL
This warm yet chilling documentary retraces the life of Aaron Swartz, who committed suicide at age 26 after a couple of years of severe and deepening pressure from the criminal justice system, which was trying him for a number of felonies resulting from his breaking into MIT's computers.
We first see him as a young kid in home movies, then as a prodigy who while very young was brimming with new ideas for the Internet and applied genius-level programming skills to co-developing RSS and Reddit. Bored with college and with working for the business establishment, he turned to activism, promoting an open Web culture for the benefit of all users.
Swartz's activism turned into hacktivism, landing him in deep trouble with the Justice Department, which charged him with crimes that could have sent him to prison for 35 years. Touching, pointed accounts from family members and close associates describe what Aaron was like and how he responded to unyielding Justice Department efforts to use him as an example.
The interviews with law professor Lawrence Lessig and World Wide Web inventor Tim Berners-Lee are unforgettably moving. The film does a good job of calling into question Swartz's harsh treatment by the same Justice Department that shied away from prosecuting the big money interests that brought down our financial system.
Whether you sympathize with Swartz or not, the film does a solid job of showing how blind justice in the U.S. can be when it wants to be.
We first see him as a young kid in home movies, then as a prodigy who while very young was brimming with new ideas for the Internet and applied genius-level programming skills to co-developing RSS and Reddit. Bored with college and with working for the business establishment, he turned to activism, promoting an open Web culture for the benefit of all users.
Swartz's activism turned into hacktivism, landing him in deep trouble with the Justice Department, which charged him with crimes that could have sent him to prison for 35 years. Touching, pointed accounts from family members and close associates describe what Aaron was like and how he responded to unyielding Justice Department efforts to use him as an example.
The interviews with law professor Lawrence Lessig and World Wide Web inventor Tim Berners-Lee are unforgettably moving. The film does a good job of calling into question Swartz's harsh treatment by the same Justice Department that shied away from prosecuting the big money interests that brought down our financial system.
Whether you sympathize with Swartz or not, the film does a solid job of showing how blind justice in the U.S. can be when it wants to be.
I don't know why the Aaron Swartz story was never on my radar, which is one of the reasons why The Internet's Own Boy was an eye-opener. His is a tragic story, and although the filmmakers secured screen time with (almost) all involved, it's sad that all we have from Swartz is archival webcam interview footage. The movie makes a persuasive case for his being made a high-profile example by the justice system, and there's enough here to leave you either irate or fearful (or both).
Whether or not you agree with the man's politics, he made a difference - hell, he was instrumental in getting SOPA struck down, so he deserves our respect for that - and his story brings to light the need for fine-tuning the ancient copyright laws. Either way, this documentary delivers.
7/10
Whether or not you agree with the man's politics, he made a difference - hell, he was instrumental in getting SOPA struck down, so he deserves our respect for that - and his story brings to light the need for fine-tuning the ancient copyright laws. Either way, this documentary delivers.
7/10
Orin Kerr, professor and former federal prosecutor, describes the motivation of the government's case as their fear that, as stated in his "Open Access Manifesto", Aaron believed it was a moral imperative to be committed to breaking the law to overcome a law that was unjust, and that, if allowed to succeed in "nullifying" the law, that everyone would have access to the data base and therefore "the toothpaste would be out of the tube" and somehow chaos would ensue, or as he phrases it, "Swartz's side would win". Apparently, free access to scholarly and scientific journals must be restricted to protect the people from themselves.
There is also the issue of civil disobedience in general and the ways those in power portray such actions and those who encourage them. As one other reviewer here states, "when you commit an act of criminal civic disobedience, you should do so accepting that you will most likely pay the price for that action". That is true, however, as Gilbert and Sullivan suggested, the punishment should fit the crime, especially when, as in this case, the "crime" is questionable at best. I wonder how the current US administration would view the acts of Gandhi or Mandela were they occurring now and posing a threat to their political status quo and not seen safely through the rear view mirror of history. It wasn't that long ago that many in power in America considered Mandela , in particular, a "terrorist".
This excellent documentary is a cautionary tale that all free thinking and well meaning people must see and understand. Secrecy is power and governments will do whatever they can to protect it. As Aaron himself suggested, this is a battle that will never be won, but can never be abandoned.
See this film.
There is also the issue of civil disobedience in general and the ways those in power portray such actions and those who encourage them. As one other reviewer here states, "when you commit an act of criminal civic disobedience, you should do so accepting that you will most likely pay the price for that action". That is true, however, as Gilbert and Sullivan suggested, the punishment should fit the crime, especially when, as in this case, the "crime" is questionable at best. I wonder how the current US administration would view the acts of Gandhi or Mandela were they occurring now and posing a threat to their political status quo and not seen safely through the rear view mirror of history. It wasn't that long ago that many in power in America considered Mandela , in particular, a "terrorist".
This excellent documentary is a cautionary tale that all free thinking and well meaning people must see and understand. Secrecy is power and governments will do whatever they can to protect it. As Aaron himself suggested, this is a battle that will never be won, but can never be abandoned.
See this film.
This non-fictional film documents the devastating and mortifying story of the the late Aaron Swartz and his battle with politics and the US justice system. It's heartwarming, funny, and tearful. You'll need to sit down to watch this one.
Anyone that uses computers should watch this film!
The film implied important questions:
1. Do computer users have any rights in the United States at all? If not, do the lawmakers not know enough about computers to make them?
2. Why do US Federal prosecutors threaten computer users when the "injured parties" state that they do not seek prosecution?
3. Why does a university like MIT not protect the fundamental rights of its students?
4. Isn't the primary role of a university to protect and nourish the fundamental rights of students before teaching can occur?
5. How much of Aaron's prosecution was based on legal precedent and how much of it was politically motivated?
6. Should any amount of politics be tolerable in a legal case where someone's life is on-the-line?
7. Why is the U.S. secret service prosecuting civilians in matters not related to national security?
I cannot begin to answer these questions by myself, but someone much smarter than me, like Aaron, may have been able to.
Computer experts have historically been blamed for the mistakes of others that did not know what they were doing with technology. Experts are threatened, scared into submission, and punished for the smallest infraction. Schools, governments, and everyday people are scared of computer experts and the power they command.
This movie leads one to believe that the nation's leaders are letting their fears control their decisions about technology instead of seeking out the experts and being open about their policies. This film covers all of this and more.
It most importantly serves as Aaron's story. Aaron is portrayed as a brilliant young computer expert that won't give up. It shows Aaron from a young age up until his last moments. His family, his friends, dreams and aspirations are all present. It shows his success at business and his genius. The filmmakers did an amazing job in making this beautiful film. This a tribute to Aaron's life and work.
I highly recommend watching this film.
Anyone that uses computers should watch this film!
The film implied important questions:
1. Do computer users have any rights in the United States at all? If not, do the lawmakers not know enough about computers to make them?
2. Why do US Federal prosecutors threaten computer users when the "injured parties" state that they do not seek prosecution?
3. Why does a university like MIT not protect the fundamental rights of its students?
4. Isn't the primary role of a university to protect and nourish the fundamental rights of students before teaching can occur?
5. How much of Aaron's prosecution was based on legal precedent and how much of it was politically motivated?
6. Should any amount of politics be tolerable in a legal case where someone's life is on-the-line?
7. Why is the U.S. secret service prosecuting civilians in matters not related to national security?
I cannot begin to answer these questions by myself, but someone much smarter than me, like Aaron, may have been able to.
Computer experts have historically been blamed for the mistakes of others that did not know what they were doing with technology. Experts are threatened, scared into submission, and punished for the smallest infraction. Schools, governments, and everyday people are scared of computer experts and the power they command.
This movie leads one to believe that the nation's leaders are letting their fears control their decisions about technology instead of seeking out the experts and being open about their policies. This film covers all of this and more.
It most importantly serves as Aaron's story. Aaron is portrayed as a brilliant young computer expert that won't give up. It shows Aaron from a young age up until his last moments. His family, his friends, dreams and aspirations are all present. It shows his success at business and his genius. The filmmakers did an amazing job in making this beautiful film. This a tribute to Aaron's life and work.
I highly recommend watching this film.
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- Quotes
First Title Cards: Unjust Laws exist; shall we be content to obey them, or shall we edeavor to amend them, and obey them until we have suceeded, or shall we transgress them at once?- Henry David Thoreau
- ConnectionsFeatures The Wizard of Oz (1939)
- SoundtracksExtraordinary Machine
Written and Performed by Fiona Apple
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Details
- Release date
- Country of origin
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- Also known as
- Internets underbarn
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $48,911
- Opening weekend US & Canada
- $21,705
- Jun 29, 2014
- Gross worldwide
- $48,911
- Runtime
- 1h 45m(105 min)
- Color
- Aspect ratio
- 1.78 : 1
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