Good Kill

This movie highlights important societal issues. Drone warfare is the future and soon many drones will be flying over US soil. Not just military drones mind you, but your local police will have them as well.

The reality is this. The US kills many innocent people with drones. For example, in Pakistan alone 41 men were targeted but 1,147 people killed. If you wish, you can search on this statistic and it will take you to the article about this.

It is time America dealt with the reality of what it is doing and this film is a small step in that direction. I will not write an exhaustive review because I hate spoiling movies for people, but the movie is worth watching and more importantly, thinking about.

Sometimes movie-making can be at its best when it does not simply entertain but poses challenging questions about contemporary issues. "Good Kill" asks us whether it is moral, legal and even effective to use Unmanned Aerial Vehicles (so-called drones) to eliminate assumed terrorists, even when collateral damage (that is, the deaths of non- terrorists) is likely or even certain. These are not academic questions: the use of drones to kill Islamic extremists has been extensive under the Obama administration in the United States and, just before I caught up with this film, my own government in Britain confirmed the use of drones to execute ISIS militants.

We see all the action - surprisingly close up and personal thanks to the amazing military technology - through the eyes of a Las Vegas-based fighter pilot turned drone pilot Major Thomas Egan. He is played by Ethan Hawke who is known for his wordy roles in films like the "Before ..." trilogy and "Boyhood" but here is laconic, showing the pained emotions in his face and movements more than in his few words - especially to his long-suffering wife Molly (January Jones).

New Zealand-born screenwriter-director Andrew Niccol ("Lord Of War") ensures that both sides of the argument are put, but there is no doubt on which side he himself sits. At the end, there is a sequence which gives the viewer some satisfaction, even a thrill, but Niccol has cleverly made us complicit in an act, the like of which we have spent most of the movie certainly questioning and possibly even condemning. "Good Kill" had limited theatrical release and success but it is a brave and honest attempt to make a political movie that raises vital issues.

"I had information that the Taliban commander's brother would attend the funeral. So I waited until they were all there, saying their prayers... and then I blew them up too. That's my job." Thomas Egan (Hawke) is a major in the US Airforce who is trying to adjust to the modern "flying", piloting drones. He spends his days bombing and surveying damage 7000 miles away and his nights trying to reconcile what he as done. His life causes strain on his marriage and overall well being. This is a very interesting movie. It deals with something I never really thought of before, drone pilots can get PTSD too. This is not a happy movie at all, but it is a very realistic movie. Half of the movie shows how the pilots feels about piloting drones and the aftermath of their consequences. The other half is about the commanders and how they feel about the effectiveness and usefulness of them. Both sides make convincing arguments and that keeps you interested, invested and involved in the movie. Unlike some recent war movies this one does nothing to glorify the awfulness of battle and really makes you think. Overall, one of the best and most realistic war movies I have seen. More like Platoon than American Sniper. I really liked this one. I give it an A-.

Ethan's acting is probably the biggest deterrent for me in this movie, but luckily the cheesiness doesn't last more than the first half. Silly things like his leather jacket to help him stand out amongst his peers in the desert sun at mid day. The movie is so well directed though, and the script is paced superbly. The dialog and character development keep you inside the head without having to narrate or explain anything overtly to the viewer so it really provokes thought in an organic way.

Supporting actors are very well integrated. Overall a terrific movie. I give it an 8 but at times it would be +/- 1 from beginning to end (7 to start, 9 at the end).

Very highly recommended if you're in the mood for something cerebral and heartfelt. I'd compare it to Requiem for a Dream, Rebound or Paid in Full in that respect.

Drones with Hellfire missiles lurk for entire days over selected targets around the world. Those who control the drones, sitting in air conditioned shipping containers near Las Vegas, are close enough sometimes to see the expressions on the faces of people as the missiles strike. The film explores complications involved in the strikes including; how easy it is for innocents to end up among the dead, difficulties in determining when and who to hit, confused chains of command, how easy it is to make mistakes or corrupt the process, and how we might feel if we were in the shoes of our targets. Major Thomas Egan (Ethan Hawke) is a vodka guzzling former pilot who laments how the U.S. Air Force has become the "U.S. Chair Force." We follow him in the office and at home as he sinks into depression, indifference and fatigue, and he still controls the trigger that determines, somewhat shakily at times, who lives or dies. While the plot could use some additional creativity and depth, and the acting is somewhat shallow, the film explores a fascinating subject. Actual strikes, from Wikileaks, add an extra dose or realism. Seen at the 2014 Toronto International Film Festival.