Child of Grace

I didn't expect much of this film, but wound up being very taken with the acting and the script.

A man and a child live a rootless life but are clearly very close to each other, but the viewer knows from the beginning that there is more to the story. An unexpected encounter with a missing child poster sets both of them on a life-changing journey. How the father and daughter deal with their fate and the changes that must come into their lives unfolds slowly, with few big moments, and yet with a sense of inevitability.

Tom Hildreth is excellent, portraying a complex character with many sides, but whose life has been changed by love. I predict a great acting future-- if she chooses it-- for Maggie Elizabeth Jones, whose acting was natural and affecting. Ted Levine, as usual, brings depth to a role that could have been very pro forma.

All in all, well worth watching.

Watching a 9 year old steal the silver screen is amazing in itself but the detail that unfolds in the beautiful locations of Maine and Colorado truly captivated me. The story is raw at times and links the issues of teen pregnancy, drug abuse, parental definition, ethical/family ties, love, and duty. This is an excellent story told an acted passionately. I was torn between feeling contempt for the father figure for the deception that tears apart his young daughter, and the compassion for the grandparent (sheriff) desperately trying to solve the cold case of the tragic vanishing of his young grand daughter. Twists and turns drive the story along the emotional peaks and valleys that are acted beautifully. Bravo!

I was expecting the typical Lifetime flick when I came across this film. Boy was I wrong and quite pleasantly surprised. I actually enjoyed this film more than some of the higher budget, A list star cast films I've seen within the last few months.

It's obvious to me that a great deal of care went into this movie. The screenplay was well done, it was not at all predicable, the movie was well cast, the acting was solid and believable, particularly from the three leading actors, Ted Levine, Maggie Elizabeth Jones, and Tom Hildreth. Even the soundtrack was well chosen, not cheesy or distracting, just an appropriate accompaniment to the drama. The messages of the film are profound, yet subtle and gives you plenty to contemplate long after the movie is over.

It's encouraging to be reminded that quality movies don't have to rely on enormous budgets and a big star line up to be successful.

Well done.

This film deserves a lot more publicity and praise than it has. A well paced, perfectly acted film that knows how to build up suspense and emotion, making it well worth your time and money. I wasn't expecting much starting the film, but I must say, this film has passed my small expectations and has crafted a really well-made film. Tom Hildreth, Maggie Elizabeth Jones and Ted Levine have all proved to be really good, underrated actors and I'm glad that they got to star in this film to show people their talent in acting. The acting was so good, that I think I'm going to watch out for the main casts future work.

The direction of this is superb. Ian McCrudden, a director I had never heard of until now, directed this film with talent, knowing what to do with his script and how to keep it stable. The film flows as one should, which is a very big achievement, because a lot of films sometimes lose that sort of smooth flow in films and feel a bit bumpy and jumpy on the way. Mr McCrudden knows how to capture the tone and theme of a film, and that is a very rare gift that cannot be made even by some of the greats, so I applaud him for that, and I cannot wait to watch some of his older work.

Now, these positive things I'm about to say are small things, but they are really important things to contribute to the experience of a film. This film has good sound and good camera quality, making the film feel non-low-budget. A lot of low-budget films have bad sound design and poor camera work, however this film , despite the small budget, triumphs and still succeeds in quality despite not being funded fifty million dollars. In fact, I'd say that the quality of this film's sound design and camera work is on par with modern blockbusters.

The music in this was a bit over-the-top (if you've read my other reviews, you'll know how much I hate this), however it didn't really bother me much in this film because of how well this film was handled. It ruined the experience a bit for sure, but barely, and I am actually a little surprised myself that I didn't despise the over-the-top music as much as I usually would of. So, there's a flaw and a pro.

The reason why I'm afraid I'll have to give this a 7/10 instead of an 8/10 is because of an unfortunate thing called cliché. There was a bit too much of that in this film, and because of those I felt myself occasionally twiddle my fingers in my seat. But otherwise, it's a good film that deserves a lot more publicity, and I give it a 7.2/10.

I can't remember what brought me to this title. Probably, the "More like I'm addicted to them. I've found so many great movies (and duds as well) that way. Anyway, like other reviewers, I expected a 'Lifetime' style formula movie, but even from the description, I felt there might be something different. I'm so glad I watched it. Right from the beginning, it felt 'off' for the genre. I'm a fan of foreign and indie films that eschew the Hollywood formula and this fits right in there.

SPOILER: Just my imagination working overtime here, probably because I didn't like the ending. I imagine the grandparents and kidnapper/Dad/John end up with a shared custody situation and he is given full custody as the grandparents age and health deteriorates.