The Sacred Taking
- Episode aired Dec 4, 2013
- TV-MA
- 44m
With Fiona struggling to cope with the effects of her medication, the rest of the coven undertake a ritual known as the "sacred taking" to prepare for the next supreme. However Fiona must ta... Read allWith Fiona struggling to cope with the effects of her medication, the rest of the coven undertake a ritual known as the "sacred taking" to prepare for the next supreme. However Fiona must take her own life if the ritual is to be a success.With Fiona struggling to cope with the effects of her medication, the rest of the coven undertake a ritual known as the "sacred taking" to prepare for the next supreme. However Fiona must take her own life if the ritual is to be a success.
Featured reviews
"The Sacred Taking" is another reasonable episode of "American Horror Story". Queenie is really convinced to join Marie Laveau's coven. The purpose of The Axeman till now is difficult to understand. Successive revivals and ghosts having human behavior is kind of exaggerated in this season. My vote is seven.
Title (Brazil): "The Sacred Taking"
The episode's narrative pivots heavily on Fiona Goode's declining health as she battles cancer and the waning of her supernatural powers. Fiona's internal struggle forms a deeply human core amid the season's phantasmagoric elements. The episode begins with Cordelia Foxx reflecting on the ancient ritual known as The Sacred Taking, a sacrificial ceremony enacted historically to ensure the coven's survival and the succession of the Supreme witch. Through a visually striking flashback to the Salem witches, the show grounds its contemporary drama in rich, haunting mythology.
Meanwhile, the episode weaves multiple character arcs: Fiona's complex relationship with the enigmatic Axeman deepens, imbued with sensuality and foreboding as they navigate the approach of death together. Fiona's vulnerability is juxtaposed with her characteristic ruthlessness and pride, reflecting Jessica Lange's powerhouse performance. Simultaneously, tensions within the coven rise, as Queenie's shifting loyalties towards Marie Laveau's voodoo community bring cultural and ethical conflicts to the fore, highlighting deeper thematic explorations of race and identity.
Madison Montgomery's return from death adds layers of tension and dark humor. Her sarcastic, irreverent comments about her resurrection-the iconic "Surprise bitch" moment-inject a campy energy and meta-commentary on resurrection and power while also pointing to Fiona's tenuous hold on supremacy. Myrtle Snow emerges as a key figure orchestrating machinations around Fiona's fate, reinforcing the political drama underpinning the coven's supernatural battles.
Director Alfonso Gomez-Rejon utilizes a lush, atmospheric visual style that complements the episode's gothic tone. His skillful use of chiaroscuro lighting, textured set designs, and an evocative color palette creates an immersive and moody New Orleans ambiance. His direction of ritual sequences, particularly The Sacred Taking, weaves surreal imagery and period aesthetics with intimate character moments, showcasing his ability to blend spectacle with narrative depth.
The episode's script deftly balances dark thematic undertones with moments of humor and emotional vulnerability. It explores the paradoxes of power-its promise, seduction, and ultimate fragility-while delving into the season's ongoing dialogue about heritage, mortality, and female agency. Dialogue is sharp and layered, with notable exchanges between Fiona and Myrtle, as well as Cordelia and other coven members, imbuing the narrative with tension and insight.
Performance-wise, Jessica Lange delivers a tour de force as Fiona, capturing the complexity of a woman confronting her decline with a mixture of bitterness, grace, and defiance. Sarah Paulson's Cordelia brings emotional nuance to her dual roles as daughter and coven member, infusing scenes with vulnerability and quiet strength. Emma Roberts's Madison offers a wickedly entertaining and complex return, while Frances Conroy's Myrtle Snow captivates as the coven's political strategist. Angela Bassett's Marie Laveau continues to dominate with her magnetic presence.
Memorable highlights include Fiona's physical deterioration and emotional turmoil, the evocative and symbolic Sacred Taking ceremony, Madison's confrontational arrival, and Queenie's fraught loyalties. These moments crystallize the episode's exploration of life, death, power, and heritage.
Critically, "The Sacred Taking" has been acclaimed for its deepening narrative, striking visual design, and stellar performances, particularly Lange's. Some critiques note the ceremonial pacing slows the narrative pace, but this serves to underscore the episode's contemplative tone and thematic weight.
Culturally and cinematically, the episode draws from Salem witch trial history, Southern Gothic tropes, and ritualistic horror, engaging with contemporary issues of legacy, mortality, and identity politics. Its interweaving of historical symbolism with modern drama exemplifies American Horror Story's unique blend of genre and social commentary.
Thematically, the episode centers on the endurance and costs of power, the necessity of sacrifice, and the complex inheritance of trauma and authority within female communities. The coven and voodoo factions symbolize competing legacies challenging each other for survival and dominance.
"The Sacred Taking" elevates American Horror Story: Coven's gothic narrative with rich symbolism, profound emotional stakes, and stunning performances. Through atmospheric direction and intricate storytelling, it invites reflection on mortality, power, and legacy, reaffirming the series' ability to blend genre horror with meaningful social and psychological exploration.
Did you know
- TriviaFiona (Jessica Lange) asks that her portrait be hung in her chosen spot and not stored in the basement with "the disgraced Russian witch". This is a reference to Madame Helena Petrona Blavatsky, the Russian-born occultist and founder of Theosophy, which later evolved into the New Age Movement. Blavatsky was charged with fraud and plagiarism by many of her critics.
- GoofsWhen Luke is being taken into the ambulance after the shooting, Misty Day is facing the door. Then Fiona enters and the camera changes view, when the camera does this Misty is facing the mirror and acts surprised to see Fiona even though she just saw her walk in.
- Quotes
Madison Montgomery: I just love this room, especially the walk-in closet. I need that. And my Warhol Mao would look great... on this wall.
[laughs]
Fiona Goode: Madison?
Madison Montgomery: Surprise, bitch. I bet you thought you'd seen the last of me. How soon can you have all of your stuff out of here? I really need my own room. Oh, and that bed. I can't wait to break it in. God knows it's not getting any action from you, Grandma.
Fiona Goode: What are you? Who brought you back?
Madison Montgomery: Are you deaf? I'm the next Supreme. I brought myself back. Looks like you've got some 'splainin' to do. Maybe we should call the Council. Oh, wait. You killed Myrtle, too. Well, that won't matter. We all know the playbook on this. You killed me, so we burn you at the stake. I'm gonna bring marshmallows and graham crackers to make s'mores.
Fiona Goode: Does Cordelia know?
Madison Montgomery: That you killed me? Everyone knows. You'll be hash browns by this time tomorrow. Of course, you're half dead already.
Fiona Goode: Get out.
Madison Montgomery: Hmm. Poor Fifi. As my powers grow, yours fade away. Let me break this down for you - and stop me if I talk too fast. I'm in, you're out. And you can leave this world one of two ways. You can burn at the stake tomorrow, which would be messy and painful, although very entertaining. Or... you can swallow these pills and go to sleep. Stop suffering. And stop our suffering. The choice is yours.
[laughs]
- ConnectionsReferences I Love Lucy (1951)
- SoundtracksAmerican Horror Story Theme
Written by Cesar Davila-Irizarry and Charlie Clouser
Details
- Runtime
- 44m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1