I'll See You in My Dreams

... is old age. Even though it is the most powerful movie villain of them all and takes many of our favorite actors away before their time.

This film is mainly for fans of Ms. Danner. Wait. Let me explain. Usually when a reviewer makes such a comment it is a negative. No it is not. That is this reviewer's heartfelt view and it is a fair one.

As a film, as a movie competing with 100s of 1000s of other movies for pride of place in the minds of viewers present and future, this film is simply OK.

It is a fairly well-paced and fairly authentic look at the oddities and awkwardness of growing old (a topic of acquired taste UNLESS YOU ALREADY ARE OLD) and holds up really well until the last 30 minutes when the writer simply can no longer control himself, and a lot of strange and improbable and non-authentic things suddenly start to happen.

But as a vehicle for Ms. Danner's fans, it is a joy. For those with short memories, Ms. Danner brought a certain light and energy and beauty to her many films and frankly she was missed. Another IMDb reviewer perhaps sums it up better than we do -- "she is in every scene" the reviewer said, and the message was clear.

Meanwhile that aforementioned silent villain moves on. For students of film -- and of Life -- there is a short scene with Max Gail. Not only was he a major TV star in his day, but he was considered so macho that they used him for shaving commercials (which requires EXTRA testosterone.) I did not recognize him at all.

Carol Petersen (Blythe Danner) is a widow of 20 years and a retired singer in a band. She has a simple life and her circle of friends (June Squibb, Rhea Perlman, Mary Kay Place). They want her to move into the retirement community. Her dog dies of old age. She starts a friendship with the new pool guy Lloyd (Martin Starr). He's a poet graduate and living with his mother. Bill (Sam Elliott) is the new love in Carol's life. Her daughter Katherine (Malin Akerman) comes for a visit.

A high June Squibb is hilarious. This is a rather light easy story. Blythe Danner is incredible. She encompasses every part of this movie. Her internal struggles even before she has them are all very effective. It's a quietly powerful performance.

I've noticed some of you commenting on the fact that Hazel the dog is referred to as a male. Guess what? Hazel is a boy dog. It is quite evident, early on, that Hazel is a male. Hence why the vet refers to him using male pronouns. Why he is he called Hazel is anyone's guess. Nice to see Max Gail as one of the speed daters. This genre is not typically my favourite, but I had to go simply to see Blythe and Sam pairing up. For me, I doubt it will eave a lasting impression, however it was an entertaining and heartfelt story of seniors - and we need to see our generation represented more accurately and passionately in film. I've always loved Blythe Danner, she is an actor that conveys much physical and emotional depth. I hope to see her in more and more roles.

But I got to admit, I did not know she had it in the first place.

Blythe Danner for me is usually recognized as the very attractive significant other when older actors want to pretend on screen that they are interested in age appropriate women.

But Danner is a very sexy, charming woman and she gets to show all of this in her leading role in this film. It's a strangely realistic look at what romance looks like in those golden years with Sam Elliot as Danner's love interest, a man who proves he still got the heat himself at his advanced aged.

Also liked seeing Rhea Perlman in the flick as one of Danner's aging friends in the movie. She plays a woman living in a senor citizens home, which I found hard to swallow. She showed far too much energy on the screen.

It's a good romantic comedy for any age but a lot more than what it's sold to be. For the most part, it's about a woman who's just going through a mood and this can happy to anyone at any age.

Recommend.

Good, simple, often funny movie concerned with the serious subject of just what is left of value in a life that is much closer to the end than to the beginning, and what we might do with that remaining value. Blythe Danner, June Squibb, Rhea Perlman, Mary Kay Place, Sam Elliott, and Martin Starr are the leads, with Danner the star as Carol, a widow living out her very comfortable but ordinary L.A. days at home, except for her bridge and golf games with her 3 funny buddies at the local retirement center. Then, first came a personal loss, then came an odd but valued friendship with her young pool cleaner, then a loss that truly moved her to change the way she saw and lived life.

The director kept things light and not too serious about the issues with aging until that loss that changed things forever for Carol, temporarily at first, but permanently later, as she then became more accepting of doing things with more meaning and friendly human relationships in her remaining years. Sad in spots, funny in most, but always meaningful, with sound advice for all of us as we age.

What I took away from this story was that we all need to spend serious time reviewing our lives when we get to Carol's age, and question if we are using our limited time wisely and in our own best interests, and then make the right changes. We owe that to ourselves, and to our friends and loved ones. Just like Carol. In that way, the story was like a good friend.