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6.8/10
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Eddie Izzard stars in this funny, moving and inspiring factual drama about the pioneering work on radar by a little known team of scientists in the run up to the Second World War.Eddie Izzard stars in this funny, moving and inspiring factual drama about the pioneering work on radar by a little known team of scientists in the run up to the Second World War.Eddie Izzard stars in this funny, moving and inspiring factual drama about the pioneering work on radar by a little known team of scientists in the run up to the Second World War.
- Awards
- 2 nominations total
Neal Stewart-Roxburgh
- The 7th Boffin
- (uncredited)
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Set from the rise of Adolf Hitler's Nazi Germany in the 1930's until the Battle of Britain in 1940. Scottish engineer Robert Watson Watt is hired by the British Government to develop his new idea, something which would go on to be known as radar. He has to endure many set-backs and class snobbery, while his marriage is put under enormous strain by the enforced secrecy and workload but eventually gets his theory put into practice, saving many lives in the process and helping win the Battle of Britain.
This British historical film is quite light-hearted despite the very serious subject matter. Much of this comes down to a playful script with quite a lot of comic moments between Watt and his team as they work towards their goal. But the singular main reason is the presence of star Eddie Izzard in the central role. He reigns in his comic persona and plays the role with seriousness but he still can't help but be amusing at times nevertheless. It's a very good, measured performance that benefits greatly from Izzard's very likable persona; even if his Scottish accent was a bit strange some of the time! At heart, this is a quite simple and solid example of a British period drama. It's elevated somewhat though by the simple fact that it's a true story about characters who never seem to have been given the big screen treatment before. We do care for these characters and we want them to succeed, so this ensures that we are onside and involved throughout. It's obviously a film which has been made on a moderate budget, so this means that certain decisions have had to be made such as black and white archive material showing the horrors unfolding in Europe and footage from the movie The Battle of Britain to illustrate certain aspects of that conflict. But they are integrated perfectly well into the flow of the film. Otherwise the modest budget has been utilised well to ensure the period detail is convincing, while the cast as a whole are all very good in their respective roles. So, all-in-all a very solid little movie about a relatively unheralded British hero, underpinned by a fine performance by Eddie Izzard.
This British historical film is quite light-hearted despite the very serious subject matter. Much of this comes down to a playful script with quite a lot of comic moments between Watt and his team as they work towards their goal. But the singular main reason is the presence of star Eddie Izzard in the central role. He reigns in his comic persona and plays the role with seriousness but he still can't help but be amusing at times nevertheless. It's a very good, measured performance that benefits greatly from Izzard's very likable persona; even if his Scottish accent was a bit strange some of the time! At heart, this is a quite simple and solid example of a British period drama. It's elevated somewhat though by the simple fact that it's a true story about characters who never seem to have been given the big screen treatment before. We do care for these characters and we want them to succeed, so this ensures that we are onside and involved throughout. It's obviously a film which has been made on a moderate budget, so this means that certain decisions have had to be made such as black and white archive material showing the horrors unfolding in Europe and footage from the movie The Battle of Britain to illustrate certain aspects of that conflict. But they are integrated perfectly well into the flow of the film. Otherwise the modest budget has been utilised well to ensure the period detail is convincing, while the cast as a whole are all very good in their respective roles. So, all-in-all a very solid little movie about a relatively unheralded British hero, underpinned by a fine performance by Eddie Izzard.
A local theatre has been showing little-known WW II films this month (August 2015) on the 70th anniversary of the end of that war, and this film on the British development of radar for the RAF prior to WW II was one of them. I'm interested in the historical development of technology plus I had seen a PBS Nova show several years ago on WW II's spur to radar's development, so I was interested in this BBC production. In addition, Ian Kershaw, a well-respected British historian, wrote the script. I was not disappointed; it was a very enjoyable film for me.
I had also seen earlier this year "The Imitation Game" featuring Alan Turing and his team of British mathematicians and codebreakers at Bletchley Park, and the parallels with "Castles" are striking. Both films have groups of unconventional geniuses monitored by class-conscious representatives of Britain's ruling circles and sequestered in rural hideaways where they work under great pressure to help win the war ("Imitation") or prepare for war ("Castles"). Robert Watson Watt, played by Eddie Izzard, is the Alan Turing of "Castles", and although not as eccentric as Turing, is sufficiently unconventional to warrant suspicion and doubt by those in the British government in the late-30s who must trust him with their scarce resources. His idea is to use a series of radio beams: (1) of sufficient strength to echo off incoming objects, e.g., bombers, at a sufficient distance, (2) and of sufficient number to ascertain their direction. The senior officials want him to use the nation's top physicists from Oxford and Cambridge to assist him, but Watt is an engineer for the Meteorological Service and wants to use his fellow "weather engineers" who can think outside-the-box. He gets his way against the rigid class structure of pre-war Britain, and for my money the visible drama of demonstrating radar's efficacy in detecting planes from 60 miles out (as shown in "Castles") is more striking than the drama that unfolds in "Imitation" where the group is finally able to read a coded message. The end of "Castles" shows how well radar has been integrated into RAF's Fighter Command by taking us inside their command centers that are ready to scramble fighters at the first ping on the radarscope on the eve of the Battle of Britain (when the Luftwaffe had three times as many planes at the outset).
Modern wars, for better or worse, are said to be won with economic production and technology, and it's thus gratifying to see little-known figures like Watt featured in a film like this. It's sad to compare, however, that Watt was rewarded with a knighthood in 1942 for his pre-war development of radar, while Turing, pledged to secrecy by the British government for his war-time codebreaking, was not honored during his lifetime and apparently committed suicide.
I had also seen earlier this year "The Imitation Game" featuring Alan Turing and his team of British mathematicians and codebreakers at Bletchley Park, and the parallels with "Castles" are striking. Both films have groups of unconventional geniuses monitored by class-conscious representatives of Britain's ruling circles and sequestered in rural hideaways where they work under great pressure to help win the war ("Imitation") or prepare for war ("Castles"). Robert Watson Watt, played by Eddie Izzard, is the Alan Turing of "Castles", and although not as eccentric as Turing, is sufficiently unconventional to warrant suspicion and doubt by those in the British government in the late-30s who must trust him with their scarce resources. His idea is to use a series of radio beams: (1) of sufficient strength to echo off incoming objects, e.g., bombers, at a sufficient distance, (2) and of sufficient number to ascertain their direction. The senior officials want him to use the nation's top physicists from Oxford and Cambridge to assist him, but Watt is an engineer for the Meteorological Service and wants to use his fellow "weather engineers" who can think outside-the-box. He gets his way against the rigid class structure of pre-war Britain, and for my money the visible drama of demonstrating radar's efficacy in detecting planes from 60 miles out (as shown in "Castles") is more striking than the drama that unfolds in "Imitation" where the group is finally able to read a coded message. The end of "Castles" shows how well radar has been integrated into RAF's Fighter Command by taking us inside their command centers that are ready to scramble fighters at the first ping on the radarscope on the eve of the Battle of Britain (when the Luftwaffe had three times as many planes at the outset).
Modern wars, for better or worse, are said to be won with economic production and technology, and it's thus gratifying to see little-known figures like Watt featured in a film like this. It's sad to compare, however, that Watt was rewarded with a knighthood in 1942 for his pre-war development of radar, while Turing, pledged to secrecy by the British government for his war-time codebreaking, was not honored during his lifetime and apparently committed suicide.
In 5 years, this is only the second review that I have done on IMDb. The reason for this review is that there were only 4 other user reviews and this movie deserves much more so here I am writing a review. I started off watching by myself and a few minutes into the movie my son joined me. My son is an action movie buff and will usually leave the room if it isn't action so I was surprised to find him still there at the end of 'Castles In the Sky'. Not only was he still there, he initiated a discussion about the movie with respect to his new-found know knowledge of just how important radar was in helping Britain win the second world war. This movie was also very inspiring since Robert Watts developed radar in the face of adversity and very much to his credit, he was able to overcome many obstacles while under immense pressure. I know that myself and my son left this movie with a 'can- do' attitude. The acting was superb and even though it was a dark time for England, there was some light-hearted scenes which were thoroughly enjoyed by both of us. I can absolutely state that this movie is a good movie that I would highly recommend to others.
Eddie Izzard seemed like a curios choice, at first, but he does a terrific job in this movie. It proves to be a great lesson in the importance of achievements from the farthest corners of Britain during WWII.
The story of Robert Watson Watt, a pioneer, who helped enormously in Britain's war effort.
I liked the humour, feel and spirit of it, it was a light hearted take, on what's quite a serious story, I'm not sure about how much of it was historically accurate, but the story itself is fascinating, and if you're interested in this piece of history, it's worth reading up.
Some nice touches of humour, the scenes on the beach were food fun, such a contrast to the authentic footage of the Nazis, chilling still to watch.
A wonderful cast assembled here, Eddie Izzard and Julian Rhind Tutt were both great, Tim McInnery, great actor, but not the right fit for Churchill.
It's worth seeing, 7/10.
I liked the humour, feel and spirit of it, it was a light hearted take, on what's quite a serious story, I'm not sure about how much of it was historically accurate, but the story itself is fascinating, and if you're interested in this piece of history, it's worth reading up.
Some nice touches of humour, the scenes on the beach were food fun, such a contrast to the authentic footage of the Nazis, chilling still to watch.
A wonderful cast assembled here, Eddie Izzard and Julian Rhind Tutt were both great, Tim McInnery, great actor, but not the right fit for Churchill.
It's worth seeing, 7/10.
Did you know
- GoofsThe aircraft in the initial test is of the right era but the wrong type - it looks like a de Havilland Rapide, while it should be a Handley Page Heyford, something in which the film makers had little choice, since not a single example of a Heyford survives, flying or not.
- ConnectionsReferenced in Six Minutes to Midnight: Behind the Scenes (2020)
Details
- Runtime
- 1h 30m(90 min)
- Color
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