Mardaani

Bollywood has always space to celebrate womanhood through their films. Mardaani is on that league. After watching the trailer recently I decided to watch this movie which deals the serious subject of sex trafficking in India. Based on some true events the story opens up with Rani as a brave lady officer who is bold and mannish. The dialogue was witty to portray a daring officer when she deals with a goon who messes with her. The way she asks them "anyone else wants to learn law" was fantastic. The story gets serious when Rani tangles herself into the case of a missing girl "Pyarri" who is known to her. Then she traces and reaches Walt the kingpin of the child sex trafficking and challenges him that she will save the girls within thirty days. The rest of the story travels with some raw reality about human trafficking and drug deals from Mumbai to Delhi to expose some hard truth about India. Whether Shivani Shivaji Roy was able to succeed her mission of saving the girls before they lose their innocence in prostitution is the rest of the plot featuring some investigations, chase etc., makes us stay engaged throughout the movie. As for as the performances the lead starting Rani Mukerji is promising as Shivani Shivaji Roy senior inspector of police crime branch Mumbai. May it be a blind girl in "Black" or an adulterous wife in "KANK" or a daring journalist in "No one killed Jessica" or the bubbly thief in "B&B" she has always justified her role. Yet again she proves again her versatility. Then comes Tahir Bhasin as Walt the antagonist succeeds in creating a feel of hatred towards him. Technically brilliant camera works and BGM helped the movie greatly. #Mardaani is a worth watch gripping tale but lags something to join the wagon of other woman hood films like "English Vinglish" "Kahaani" "Queen" "Fashion" "The Dirty Picture". Eagerly waiting to watch the next film on this league PC's avatar as "MaryKom". -Reviewed by Sivakumar Balachandran

'Mardaani' Directed by the talented Pradeep Sarkar, is A Crisp, Intense Crime-Drama, that is Well-Written, Superbly Directed & Brilliantly Acted. The film comes as a pleasant surprise & ranks among the better films of 2014, yet.

'Mardaani' Synopsis: A cop's search for a missing teenage girl leads her to the depraved world of child trafficking. What follows is a cat-and-mouse game between the fearless cop and a ruthless mafia kingpin.

'Mardaani' has a power-packed first-hour, with each sequence leaving an impact. The cat-and-mouse game between the fearless cop & the ruthless mafia kingpin is grasping, although the second-hour slows down a bit. What makes 'Mardaani' work prominently, is its raw approach & the brisk pacing, which keeps its spectator glued to the screen.

Gopi Puthran's Screenplay is fabulous. Its gritty, intense & fast. However, the climatic moments aren't too effective. Pradeep Sarkar's Direction is simply superb. He's in command this time around. Cinematography is top-class. Editing is balanced. Action-Sequences are raw.

Performance-Wise: Rani Mukherji is in terrific form. She enacts the cop with rage & intensity. She leads the film with a yet another stellar performance! Tahir Bhasin is tremendous as the chief villain. He handles his part with utmost conviction. Anil George is absolutely brilliant in a small, yet frightening role. Jisshu Sengupta is sincere. Others lend admirable support.

On the whole, 'Mardaani' packs a solid punch! Strongly Recommended!

Nowadays when the so-called superstars of bollywood (Salman, Akshay, SRK etc) make such mindless & nonsensical movies in the name of leave-your- brains-at-home comedies (like Kick & Ready & Dabang & Entertainment & what not), Mardaani is a refreshing change.

I am not saying that it's a gem or the best movie out there but it is good. It has a good (although not many twists or turns) story, powerful acting by Rani and the supporting cast, no out-of-context songs and very nice ending.

I see a trend that Bollywood heroines are trying to come up with good movies like Kangana in Queen, Revolver Rani; Priyanka in Mary Kom, Fashion; Vidya in Kahani, No one killed Jessica etc where as the 40+ year old "heroes" are still stuck in the 90s; churning out stupid movies where the girl is mainly for songs. I don't have a problem with those kind of movies too if they are decent; which many aren't. I love a good comedy or action movie as much as I enjoy a serious one. But the movies made by the male "superstars" are not even funny or entertaining; though surprisingly, those movies are in the 200 crore etc club.

I hope we as an audience start to appreciate some diversity that movies like Mardaani portray.

Mardaani is a movie that despite an unimaginative plot and predictable narrative engrosses you in its fabric. Rani Mukerji is pitch perfect in the role of a super-cop that is rightly hued, far from the floss and swagger of Chulbul Pandey and Singham. She is real, gritty and every bit brilliant. Though the film's climax loses itself in melodrama, this is a film that has its heart in the right place and tells a pertinent story at a time when it must be heard.

Rani Mukerji with no make up, stern face maintains her strong demeanor. The actress is non dramatic on purpose and that did the trick for me. She is far from the pomp and show of masala cop films and that subtlety blows your mind. I am ecstatic that the lady has returned in a role that does justice to her caliber.

Tahir Bhasin is a revelation and quite interestingly lives up to Rani's stature. The chase between him and Rani is built brilliantly mostly because of his conviction in rendering such brilliance to his character. His diction and twang both blend in well drawing one's attention even further.

There are some movies which are made just to entertain but there are some which makes you think, Mardaani falls in the latter genre.

Human Trafficking is a business which is growing at an alarming rate worldwide and India is a hub of Child Trafficking and Mardaani deals with this topical subject.

Gopi Puthran chooses a controversial topic of Human Trafficking for his story and the risk with such subjects is that it becomes preachy. But thankfully Gopi's screenplay refrains from doing so and tells the story in a thriller format of a crime branch Inspector Shivani Shivaji Roy (Rani Mukherjee) who has a soft spot for an orphan Pyari (Debutant Priyanka Sharma). Life takes a turn for Shivani when Pyari goes missing, how Shivani busts the Human Trafficking nexus and finds Pyari constitutes the rest of the story.

Gopi's screenplay captures the modus operandi of how human trafficking is done in a thriller format which is engaging and keeps you at the edge of the seat; not much time is spent on the emotional quotient. It is the climax which looks a bit too convenient. The characters are realistic and so are the dialogues. But I thought the Thriller quotient could have been much better as the surprise element is missing in most part of the movie.

The performances are the biggest highlight of the movie. Rani as Shivani gives a crackling performance, everything from her body language to the way she speaks everything is spot on. Rani Mukherjee again proves that you cannot keep a good actor away for too long. Another brilliant performance is of the debutant Tahir Raj Bhasin who plays the antagonist Karan, he is so good that you start hating him, truly a brilliant debut. Tahir's portrayal of Karan is a perfect complement to Rani's portrayal of Shivani. Mona Ambegoankar gives a superb performance, though her role is small but she shines even in a brief role, sad to see that a brilliant actress like her is underutilized. Another debutant Priyanka Sharma as Pyari shows spark. Jishu Sengupta the Bengali actor is wasted in a brief role. Rest of the cast is cast well and they do a good job. I should mention Shanoo Sharma the casting director who has done a brilliant job of casting.

The second highlight is the cinematography by Artur Zurawski who captures the bylanes of Mumbai and Delhi well and keeps the tone as realistic as possible in lieu of the narration.

With "Mardaani" Pradeep Sarkar resumes his original form which was seen in "Parineeta" (2005). Though a dark and sensitive subject, but Pradeep handles it well and keeps the narrative simple though a bit of twists would have been better. But Pradeep is successful is extracting some brilliant performances from the cast which is commendable.

Kudos to Pradeep Sarkar for taking up such a sensitive issue for a movie and showing how women can defend themselves against odds. This movie is a true celebration of woman power....