A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 21 wins & 62 nominations total
Martin Atkinson
- Smoking Chef
- (uncredited)
Rachel Banham
- Waitress
- (uncredited)
Alexiane Cazenave
- Katya
- (uncredited)
Michelle Finch
- Niece
- (uncredited)
Paul Andrew Goldsmith
- Brewery Security
- (uncredited)
Peter Dean Jackson
- Jarrolds Shopper
- (uncredited)
Kevin Matadeen
- Waiter
- (uncredited)
James O'Mara
- Street Charity Fundraiser
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured reviews
titular four and half decades and we meet them less than a week before a party to celebrate this special anniversary. That morning, Geoff receives a letter in German which over the next few days provokes a profound re-evaluation of their marriage. Although based on a short story of only 12 pages by David Constantine, the cinematic translation has all sorts of subtle changes, notably adopting the female rather than the male viewpoint.
Technically this is a wonderful film. It is shot entirely in the unusual ambiance of Norfolk and writer/director Andrew Haigh offers us many long shots of the flat terrain and even flatter broads. Above all, the acting is superb with both Courtenay and (especially) Rampling at the top of their game. The final scene, focused so long on Rampling's face is as evocative as anything since the camera clung to Geta Garbo's visage at the conclusion of "Queen Christina".
Emotionally, however, this is a tough piece of work. It is so slow, so understated, and ultimately so profoundly melancholic. In the cinema, my wife and I - together for three and a half decades - were surrounded people of the same vintage, most of them couples. I think that we were all looking for an affirmation that living with the same person decade after decade after decade, in spite of its trials and tribulations and irritations, is richly rewarded by so many shared memories and such deep love. This is not that film.
Technically this is a wonderful film. It is shot entirely in the unusual ambiance of Norfolk and writer/director Andrew Haigh offers us many long shots of the flat terrain and even flatter broads. Above all, the acting is superb with both Courtenay and (especially) Rampling at the top of their game. The final scene, focused so long on Rampling's face is as evocative as anything since the camera clung to Geta Garbo's visage at the conclusion of "Queen Christina".
Emotionally, however, this is a tough piece of work. It is so slow, so understated, and ultimately so profoundly melancholic. In the cinema, my wife and I - together for three and a half decades - were surrounded people of the same vintage, most of them couples. I think that we were all looking for an affirmation that living with the same person decade after decade after decade, in spite of its trials and tribulations and irritations, is richly rewarded by so many shared memories and such deep love. This is not that film.
A sequence of events in the run up to a big celebration of the couple's 45th anniversary. An unexpected letter with some unsettling news that pulls, just a little, at the seams of the marriage.
Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.
Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.
Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.
Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.
'45 YEARS': Three and a Half Stars (Out of Five)
British drama flick; about an elderly couple, that's about to celebrate their 45th wedding anniversary, that suddenly has romantic difficulties, due to memories of a past relationship resurfacing. The movie was written and directed by Andrew Haigh; and it's based on the short story 'In Another Country', by David Constantine. The film stars Charlotte Rampling (who was nominated for an Academy Award, for her performance) and Tom Courtenay. The movie is very slow-paced; but interesting, and very well acted.
Kate (Rampling) and Geoff (Courtenay) are retired, and have been happily married for 45-years. They're about to celebrate their anniversary, in Norwich; after missing their 40th celebration (due to Geoff's medical complications). A week before the party, Geoff receives a letter from Switzerland; notifying him that the body of a past lover (from the 60s), has been found in a melting glacier there (where she fell, on a hiking trip). The news causes Geoff to reminisce, greatly; which doesn't sit well with Kate.
Like I said, the movie is very slow; but it also feels extremely real. The characters are very well developed; and it really feels like you're watching a couple that's been together for a very long time. Both Rampling and Courtenay are very good in the movie, and they make the film worth watching. It's a sad, but touching story.
watch our movie review show 'MOVIE TALK' at: https://youtu.be/A1MyBFioKXM
British drama flick; about an elderly couple, that's about to celebrate their 45th wedding anniversary, that suddenly has romantic difficulties, due to memories of a past relationship resurfacing. The movie was written and directed by Andrew Haigh; and it's based on the short story 'In Another Country', by David Constantine. The film stars Charlotte Rampling (who was nominated for an Academy Award, for her performance) and Tom Courtenay. The movie is very slow-paced; but interesting, and very well acted.
Kate (Rampling) and Geoff (Courtenay) are retired, and have been happily married for 45-years. They're about to celebrate their anniversary, in Norwich; after missing their 40th celebration (due to Geoff's medical complications). A week before the party, Geoff receives a letter from Switzerland; notifying him that the body of a past lover (from the 60s), has been found in a melting glacier there (where she fell, on a hiking trip). The news causes Geoff to reminisce, greatly; which doesn't sit well with Kate.
Like I said, the movie is very slow; but it also feels extremely real. The characters are very well developed; and it really feels like you're watching a couple that's been together for a very long time. Both Rampling and Courtenay are very good in the movie, and they make the film worth watching. It's a sad, but touching story.
watch our movie review show 'MOVIE TALK' at: https://youtu.be/A1MyBFioKXM
The life of an old married couple doesn't exactly sound like riveting cinematic fodder, especially for moviegoers below the age of 65, but "45 Years" captures the mechanics of relationships, mechanics that are universal and span multiple generations.
The greatest indicator that "45 Years" isn't some niche geriatric film is director Andrew Haigh, a much younger director who is best known for making LGBTQ films, namely 2011's "Weekend." So, as someone who isn't a heterosexual senior, Haigh brings a different perspective to this story, along with a lot of grace and brilliant directorial instincts.
"45 Years" introduces us to Kate (Charlotte Rampling) and Geoff (Tom Courtenay) Mercer one week before their big 45th anniversary party. Although the week begins routine as usual, they receive quite a shock when Geoff gets a letter informing him that the body of a woman whom he loved as a younger man (before he met Kate) who died in an accident had been found (somewhat preserved in ice). The news absolutely rattles Geoff into a rather nostalgic daze, while Kate tries to come to terms with the weight of something she had shrugged off for nearly half a century.
We watch the story unfold from Kate's perspective, which keeps Geoff's thoughts and emotions an enigma and allows us to firmly plant ourselves in Kate's shoes. We also get glimpses of their relationship dynamic, which is powerfully authentic and relatable, adding another layer to what seems like it should be a rather simple conflict to resolve, but grows in chilling complexity.
Haigh's camera is quiet, careful and poised. There are wide shots and close-ups alike, along with methodical zooms, giving the actors — especially Rampling — incredible space to work. The result is a slow and yes, perhaps boring film at times, but if you really focus on the performances, the pacing becomes strangely irrelevant. We are given so much time to dive into Kate's headspace and Rampling provides these incredible cues once we're there.
The best way to describe the flow of "45 Years" is to liken it to a thawing. From the outdoor scenery around their quaint home in the British countryside to the details of Geoff's love "Katya" (notice the name similarity to his current wife) being found in ice, there's a notion that what was frozen in the past has now finally melted, that spring is coming and with it so much more. Kate and Geoff's relationship is at this melting point, and how they handle it will mean everything.
For such a simple film, there's something deeply unsettling about "45 Years" and that achievement alone suggests Haigh has struck some deep chords in this exploration of a relationship. We look to couples who have been married this long for inspiration and comfort, yet Haigh doesn't give it to us, and it raises a lot of really valuable questions. So it might not be easy to enjoy, but "45 Years" is truly a superb film and important character study.
~Steven C
Visit Movie Muse Reviews for more
The greatest indicator that "45 Years" isn't some niche geriatric film is director Andrew Haigh, a much younger director who is best known for making LGBTQ films, namely 2011's "Weekend." So, as someone who isn't a heterosexual senior, Haigh brings a different perspective to this story, along with a lot of grace and brilliant directorial instincts.
"45 Years" introduces us to Kate (Charlotte Rampling) and Geoff (Tom Courtenay) Mercer one week before their big 45th anniversary party. Although the week begins routine as usual, they receive quite a shock when Geoff gets a letter informing him that the body of a woman whom he loved as a younger man (before he met Kate) who died in an accident had been found (somewhat preserved in ice). The news absolutely rattles Geoff into a rather nostalgic daze, while Kate tries to come to terms with the weight of something she had shrugged off for nearly half a century.
We watch the story unfold from Kate's perspective, which keeps Geoff's thoughts and emotions an enigma and allows us to firmly plant ourselves in Kate's shoes. We also get glimpses of their relationship dynamic, which is powerfully authentic and relatable, adding another layer to what seems like it should be a rather simple conflict to resolve, but grows in chilling complexity.
Haigh's camera is quiet, careful and poised. There are wide shots and close-ups alike, along with methodical zooms, giving the actors — especially Rampling — incredible space to work. The result is a slow and yes, perhaps boring film at times, but if you really focus on the performances, the pacing becomes strangely irrelevant. We are given so much time to dive into Kate's headspace and Rampling provides these incredible cues once we're there.
The best way to describe the flow of "45 Years" is to liken it to a thawing. From the outdoor scenery around their quaint home in the British countryside to the details of Geoff's love "Katya" (notice the name similarity to his current wife) being found in ice, there's a notion that what was frozen in the past has now finally melted, that spring is coming and with it so much more. Kate and Geoff's relationship is at this melting point, and how they handle it will mean everything.
For such a simple film, there's something deeply unsettling about "45 Years" and that achievement alone suggests Haigh has struck some deep chords in this exploration of a relationship. We look to couples who have been married this long for inspiration and comfort, yet Haigh doesn't give it to us, and it raises a lot of really valuable questions. So it might not be easy to enjoy, but "45 Years" is truly a superb film and important character study.
~Steven C
Visit Movie Muse Reviews for more
Kate and Geoff are a mature couple enjoying a peaceful life, their 45 year wedding anniversary is soon approaching, but this sense of calm is broken when Geoff receives a letter, telling him that the body of his first wife Katya has been found in the Swiss mountains. We see the effects on Geoff an Kate during the lead up to their celebration.
It is a wonderful character study, with two acting legends, Charlotte Rampling and Tom Courtenay, both showcasing their vast talents, as a combination the pairing are formidable, too many high caliber scenes to pick out any real specifics, although the living room dancing is expertly done.
A good supporting cast too, I'm biased towards Geraldine James, but as always she is fantastic. She doesn't try to overtake or overshadow, she's great.
It's a film I very much enjoyed, it belongs to a certain genre of films that often gets overlooked, one that could easily be dismissed as boring, but it is expertly done. A true gem with an acting masterclass. 8/10
It is a wonderful character study, with two acting legends, Charlotte Rampling and Tom Courtenay, both showcasing their vast talents, as a combination the pairing are formidable, too many high caliber scenes to pick out any real specifics, although the living room dancing is expertly done.
A good supporting cast too, I'm biased towards Geraldine James, but as always she is fantastic. She doesn't try to overtake or overshadow, she's great.
It's a film I very much enjoyed, it belongs to a certain genre of films that often gets overlooked, one that could easily be dismissed as boring, but it is expertly done. A true gem with an acting masterclass. 8/10
Did you know
- TriviaThe movie was shot in chronological order.
- GoofsThe morning when Rampling's character enters the kitchen, the clock reads 7:32. Later, being concerned about the passage of time, we see Rampling check her watch as she follows Courtenay into the storage area. Afterwards we see them once again in the kitchen concluding a conversation and going outside to have a smoke. To account for the time that had passed, the clock reads one hour later: 8:32. (Of course the odds are 1 in 60 that it be exactly 1 hour later, but such are the elements of master strokes!) Another morning the clock reads 8:25, and in the afternoon it reads 1:00. There are no goofs with the clock.
- Quotes
Geoff Mercer: What? You really believe you haven't been enough for me?
Kate Mercer: No. I think I was enough for you, I'm just not sure you do.
Geoff Mercer: Oh Kate - that's terrible!
- Crazy creditsThe opening credits play like a slide show. Every time before a new name appears on the screen, there is the unmistakable click of a slide projector.
- ConnectionsFeatured in Close Up with the Hollywood Reporter: Actresses (2016)
- SoundtracksMy Autumn's Done Come
Written by Lee Hazlewood
Performed by Lee Hazlewood
Courtesy of Polydor Records (United States)
Under licence from Universal Music Operations Ltd
Published by Universal Music Publishing Ltd
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- 45 años
- Filming locations
- Norfolk Broads, Norfolk, England, UK(Where Kate goes on a boat)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,247,285
- Opening weekend US & Canada
- $65,775
- Dec 27, 2015
- Gross worldwide
- $14,430,249
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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