45 Years

The life of an old married couple doesn't exactly sound like riveting cinematic fodder, especially for moviegoers below the age of 65, but "45 Years" captures the mechanics of relationships, mechanics that are universal and span multiple generations.

The greatest indicator that "45 Years" isn't some niche geriatric film is director Andrew Haigh, a much younger director who is best known for making LGBTQ films, namely 2011's "Weekend." So, as someone who isn't a heterosexual senior, Haigh brings a different perspective to this story, along with a lot of grace and brilliant directorial instincts.

"45 Years" introduces us to Kate (Charlotte Rampling) and Geoff (Tom Courtenay) Mercer one week before their big 45th anniversary party. Although the week begins routine as usual, they receive quite a shock when Geoff gets a letter informing him that the body of a woman whom he loved as a younger man (before he met Kate) who died in an accident had been found (somewhat preserved in ice). The news absolutely rattles Geoff into a rather nostalgic daze, while Kate tries to come to terms with the weight of something she had shrugged off for nearly half a century.

We watch the story unfold from Kate's perspective, which keeps Geoff's thoughts and emotions an enigma and allows us to firmly plant ourselves in Kate's shoes. We also get glimpses of their relationship dynamic, which is powerfully authentic and relatable, adding another layer to what seems like it should be a rather simple conflict to resolve, but grows in chilling complexity.

Haigh's camera is quiet, careful and poised. There are wide shots and close-ups alike, along with methodical zooms, giving the actors — especially Rampling — incredible space to work. The result is a slow and yes, perhaps boring film at times, but if you really focus on the performances, the pacing becomes strangely irrelevant. We are given so much time to dive into Kate's headspace and Rampling provides these incredible cues once we're there.

The best way to describe the flow of "45 Years" is to liken it to a thawing. From the outdoor scenery around their quaint home in the British countryside to the details of Geoff's love "Katya" (notice the name similarity to his current wife) being found in ice, there's a notion that what was frozen in the past has now finally melted, that spring is coming and with it so much more. Kate and Geoff's relationship is at this melting point, and how they handle it will mean everything.

For such a simple film, there's something deeply unsettling about "45 Years" and that achievement alone suggests Haigh has struck some deep chords in this exploration of a relationship. We look to couples who have been married this long for inspiration and comfort, yet Haigh doesn't give it to us, and it raises a lot of really valuable questions. So it might not be easy to enjoy, but "45 Years" is truly a superb film and important character study.

~Steven C

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Kate and Geoff are a mature couple enjoying a peaceful life, their 45 year wedding anniversary is soon approaching, but this sense of calm is broken when Geoff receives a letter, telling him that the body of his first wife Katya has been found in the Swiss mountains. We see the effects on Geoff an Kate during the lead up to their celebration.

It is a wonderful character study, with two acting legends, Charlotte Rampling and Tom Courtenay, both showcasing their vast talents, as a combination the pairing are formidable, too many high caliber scenes to pick out any real specifics, although the living room dancing is expertly done.

A good supporting cast too, I'm biased towards Geraldine James, but as always she is fantastic. She doesn't try to overtake or overshadow, she's great.

It's a film I very much enjoyed, it belongs to a certain genre of films that often gets overlooked, one that could easily be dismissed as boring, but it is expertly done. A true gem with an acting masterclass. 8/10

A sequence of events in the run up to a big celebration of the couple's 45th anniversary. An unexpected letter with some unsettling news that pulls, just a little, at the seams of the marriage.

Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.

Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.

Kate (Charlotte Rampling) is preparing her 45th anniversary party married to Geoff Mercer (Tom Courtenay). They live comfortably childless in rural England. Geoff reveals something about a previous relationship with Katya who died long ago hiking a glacier but the body was only recently discovered. Kate is a little perplexed and struggles to understand the true nature of their relationship.

Charlotte Rampling is one of the greatest actresses around. I get the idea of an old couple with a secret. There isn't enough danger or drama for the tension to be truly raised. The major drama should occur after the big discovery. This is a quiet drama with buried emotions. I'm not complaining that nothing happens. It's just that the drama is interior and doesn't amount to that big. If you like quiet character study, this one is for you.

45 Years is a almost a theatrical film, with not many characters and a slow-burning, subtle but powerful exploration of couple dynamics, the nature of love and trust, the weight of the past on the present, and who truly are those people with whom we share our lives. There is also a pointy finger to the social façade that many couples show to the world, which is not always as rosy or perfect when they are behind closed doors.

We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.

One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.

We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?

On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?

These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.

Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.