Trapped

The murder drama set is an isolated small town is a well-worn trope, really just an extended version of the locked room mystery, or the country house killing. But when the small town is in northern Iceland, that's an unusually claustrophobic setting and 'Trapped' uses its location perfectly. When the winter storms come in, you feel cold just watching; when the thaw comes, it feels visibly warmer. The stunning scenery is also used to good effect, not least during the chilling opening credits. What I also liked about this story was that, although bad things were done, the motives (and competencies) of those involved are ultimately revealed to be fit to the scale of the world in which they have happened: the story doesn't ultimately depend on some deranged force of pure evil, or inter-galactic conspiracy. The sense of mutual hurt felt in a place where everybody knows everybody else, even if they sure don't all like one another, is also well conveyed. Perhaps there's just a little too much of taciturn people being gloomy in the dark for a perfect drama: it takes time to get to know the protagonists, although perhaps that's just the Icelandic way. Overall, it's very good, and makes one keen to return to Iceland, though probably I'll choose the summer season.

Ófærð is an amazing, dark, slow-burning drama, where you feel the tension building from the very first moment. Ólafur Darri Ólafsson depicted a single-father (for the time-being), living with his parents-in-law, working as the chief of police with so much details and such psychological depth that it leaves the watcher in awe. He is strong but easily-hurt, he is tormented by his love to his wife and still naivelly believes that maybe, just maybe everything will be fine. The story - wow, so many paths that it takes us on, such tangled connections between closed-knit society of a small community. The scenery - breath-taking; I'm from Poland so we do have some strong winters, but the creepy atmosphere of being completelly cut-off by the snow fall is something I don't know :) And it worked for me - I was binge-watching the series with 38 degrees Celsius outside and I felt frozen to the bone :) It was a combination of the story and scenery that made the film so thrilling. Overall - great acting, good story and somewhat surprising ending.

Very much in the dark, foreboding style of Scandinavian police process fiction, Trapped is beautifully produced and acted with realistic characters and enough pot-boiling clues to keep the audience on the edge of its seat. A wonderful setting and the drama of a big storm accentuates the claustrophobic community and gives the crime element a grimness and urgency. The local police chief, Andri, is the focus of the story and his acting is exemplary. Simply enjoyable! Supporting characters, the two other local uniformed police officers, the ferry captain and the Rekyavik cast all contribute to a very watchable and dramatic series. Television at its best, flavoured with an Icelandic blackness provided by the climate and the terrain.

I was hesitant at first, as I find myself increasingly reluctant to watch anything where I must rely on unblinking attention to the lower region of the screen to catch subtitles in English, (myself being woefully and completely ignorant of the spoken language of Iceland, in this case) However, after the first episode I was hooked. The acting was excellent, the characters believable, the Icelandic backdrop eerie, melancholy and the mountainous backdrop achingly beautiful. I found myself fully invested in the outcome and, indeed, stayed up well past my bedtime to watch as many episodes as I could. Cheers ! 10 out of 10 in my humble opinion.

I'm already addicted to this thriller after watching two episodes only. Even though there is nothing particularly original about the plot and the back story (don't get me wrong, it's edgy in a Crimson Rivers sort of way, and is very very interesting on all levels but everything's been done before), it's extremely well directed and all the characters are very strong and uncannily lifelike. Part of the appeal resides in the "novelty" of the Icelandic location of course - I read some Icelandic crime fiction before and I found it in exactly the same appealing but rather grim vein in fact - but what really, really makes this, is the incredibly charismatic lead actor playing Andri, the unusual chief of the local police. What an actor. Negatives would be some overuse of atmospheric music but that's about it (eta: only the first 2 episodes really. It's being much better used afterwards. And it's great music) .

Am excellent watch although definitely not recommended for children, whether they can read subtitles or not. It has dead body parts and things.

After episode 3 I'm pushing this to a 9. Wild horses wouldn't drag me out before episode 4 on this Saturday night! This is top class TV by any standards.

Episode 5....still top class stuff .

The series has ended in both a pleasingly conventional and unconventional manner and I feel bereft and orphaned, such as I normally only feel after reading a particularly enthralling book. Well done, I shall miss you all like (dysfunctional altogether) family.

I would also like to add that user ratings are virtually the same across the board, from under 18 (who love it best) to over 45, males and females, US and non US users. It's quite astonishing and not at all usual.