Mapp & Lucia

It's been a long time since I've thoroughly enjoyed anything this good. I'm an extremely discerning viewer and I'm at a complete lost re what some reviewers were watching. Queenie, Miranda Richardson, was simply brilliant and so too was the scrumptious Anna Chancellor. Every character was brilliantly cast. I would certainly like previous reviewers to state other shows that could possibly match this level of viewing. I would so be eternally grateful. It's faultless television and probably better than Jeeves and Wooster. How has the acting world bypass Miranda Richardson whose talents are simply stupendous. Her facial expressions were magnificent and too funny. The wittisms, OMG!! Absolutely brilliant. Au Reservoir!

There is a mean streak throughout episode one like a fly buzzing around my head. The light, humor-sprinkled delightful dialog is missing from this version. We have two very talented actresses playing down the humor. Were they directed in this fashion?

The original Mapp & Lucia (1985) was brilliantly performed by all quality actors who understood the material. Character Quaint Irene was a poor lesbian artist wearing manly attire. The new Irene isn't anything. Major Bengi was a humorous drunk but not weirdly creepy as the new one.

I was so let down, almost as much as the remake of All Creatures Great and Small which I stopped watching after the second episode because it did not have the spirit of the relationships from the book that the original version embraced.

I'm a bit late in the day, having only just seen part of the 2014 series on the Freeview Drama channel. I'm afraid this was inferior to the 1980s version...but that had the advantage of 10 episodes. Three episodes means compression - and that usually means distortion. Sorry to say, this 2014 version completely missed the books' flavour which was so well caught in the earlier series.

I was puzzled by some changes: for example, on the page and in the earlier version Irene Coles is an impoverished artist who, for part of the time, lives in a shack; in the three-parter she is as expensively dressed as the object of her (made explicit) affection. The books are not hard to find, so do please read them: you will find them a constant source of pleasure.

I really didn't think I would like this but as each episode played I grew to love it more and more and was actually quite upset when it finished. I've been to Rye and so got a lot out of watching the series and trying to familiarise myself with the streets and the extraordinary church. I thought each character was well cast and I loved the cat and mouse games between Mapp and Lucia and not knowing what plot each one would come up with next. I thought Miranda Richardson was fantastic in her portrayal of Mapp, including her fake teeth and the way it forced her to talk.... very funny. The characterisation was brilliant, as was the set and the way Tilling looked exactly as you would imagine. Had I seen the 1980's version I would be able to understand why a few of these reviews favour the former series, however I feel in love with it and just wish there were another series to follow.

I have seen both Mapp & Lucia adaptations and prefer this one. The two leads, Anna Chancellor and Miranda Richardson, are excellent. Also, since this is a 21st century version it has a more modern feel.

The 1980s version feels like a stage play, while this seems more like what it is--a limited TV series. The previous adaptation is also ten episodes as opposed to three. The story in the 2014 version is charmingly told. The conclusion is satisfying, though it leaves the possibility for a sequel.

The key difference between the two versions for me is the Lucia character. I normally love Geraldine McEwan, but McEwan's performance is hammy, while Chancellor is the better, more subtle performer as Lucia. For some reason, perhaps direction, McEwan decided to use a baby talk voice that eventually became unbearable to me. I cannot stand to hear a grown woman talk like a toddler, and McEwan's performance became cringey.

Another important difference between the two is how the gay subtext is handled. In the 2014 version the gay characters have a lot more depth and poignancy. Overall, as I said, this is the better version to me, but watch both and reach your own opinion.