Mapp & Lucia

As an Australian born in the mid 1980s, I admit I never saw the previous Mapp & Lucia TV adaption and I haven't unfortunately come across E.F. Benson's novels.

Having made that disclaimer and confessed my ignorance, I have to say I love watching this BBC version (even if only on my iPad in bed late at night). Having read other reviews, I am now inspired to read the novels and (time permitting) dig out the 80s TV adaptation. I think the casting and acting is fabulous. The town is colorful, picturesque and exiting. The take on 1930s fashion (costume design) I find eccentrically appropriate and exciting to behold. Overall very fun and amusing viewing!

There is a mean streak throughout episode one like a fly buzzing around my head. The light, humor-sprinkled delightful dialog is missing from this version. We have two very talented actresses playing down the humor. Were they directed in this fashion?

The original Mapp & Lucia (1985) was brilliantly performed by all quality actors who understood the material. Character Quaint Irene was a poor lesbian artist wearing manly attire. The new Irene isn't anything. Major Bengi was a humorous drunk but not weirdly creepy as the new one.

I was so let down, almost as much as the remake of All Creatures Great and Small which I stopped watching after the second episode because it did not have the spirit of the relationships from the book that the original version embraced.

This was a minor disappointment. The cast really doesn't hold a candle to the original. The costumes of the first were much better although in this version they looked more like 1930's clothing.

With such comedic talent assembled in one series, the outcome is decent but rather timid. I, too, found the 80s version wickedly funny - Geraldine McEwan in particular took huge risks with her "30s fag hag" role (and boy, did it pay off!) - and therefore this remake felt like it was lurching from almost a frame-by-frame copy-and-paste job to a desperately over-the-top retelling and embellishing. Previously, Miranda Richardson had been laugh-out-loud funny in almost every vehicle I had seen her in; yet here, she somehow never came into her own. Overall, the main impetus seemed to be one of the BBC trying to out-ITV ITV, so to speak. That said, the show makes for decent-enough viewing on a home-alone evening, and the gardens, interiors and costumes are luscious indeed.

It's been a long time since I've thoroughly enjoyed anything this good. I'm an extremely discerning viewer and I'm at a complete lost re what some reviewers were watching. Queenie, Miranda Richardson, was simply brilliant and so too was the scrumptious Anna Chancellor. Every character was brilliantly cast. I would certainly like previous reviewers to state other shows that could possibly match this level of viewing. I would so be eternally grateful. It's faultless television and probably better than Jeeves and Wooster. How has the acting world bypass Miranda Richardson whose talents are simply stupendous. Her facial expressions were magnificent and too funny. The wittisms, OMG!! Absolutely brilliant. Au Reservoir!