Mapp & Lucia

I have seen both Mapp & Lucia adaptations and prefer this one. The two leads, Anna Chancellor and Miranda Richardson, are excellent. Also, since this is a 21st century version it has a more modern feel.

The 1980s version feels like a stage play, while this seems more like what it is--a limited TV series. The previous adaptation is also ten episodes as opposed to three. The story in the 2014 version is charmingly told. The conclusion is satisfying, though it leaves the possibility for a sequel.

The key difference between the two versions for me is the Lucia character. I normally love Geraldine McEwan, but McEwan's performance is hammy, while Chancellor is the better, more subtle performer as Lucia. For some reason, perhaps direction, McEwan decided to use a baby talk voice that eventually became unbearable to me. I cannot stand to hear a grown woman talk like a toddler, and McEwan's performance became cringey.

Another important difference between the two is how the gay subtext is handled. In the 2014 version the gay characters have a lot more depth and poignancy. Overall, as I said, this is the better version to me, but watch both and reach your own opinion.

Good script, fast paced. Altogether entertaining. Colour palette seems rather dark and sombre compared to the insouciant sweet lightness of the C4 original. Anna Chancellor: a bit too butch for the part, too threatening, a bit sour, missed a fragility and joyfulness that McEwan got. Actress portraying Irene (Gemma Whelan) was much better and more credible than the original actress. Miranda Richardson very good, copied some mannerisms of Prunella Scales interpretation I thought. Pemberton also very good, copied Hawthorne's mannerisms in places. Chemistry between Pemberton and Chancellor was not right or credible somehow. Frances Barber - hammy over the top but delightful. All other actors and actresses worked really well. The final shot of Pilsen and Irene apparently bonded surprised me.

This was a minor disappointment. The cast really doesn't hold a candle to the original. The costumes of the first were much better although in this version they looked more like 1930's clothing.

It's been a long time since I've thoroughly enjoyed anything this good. I'm an extremely discerning viewer and I'm at a complete lost re what some reviewers were watching. Queenie, Miranda Richardson, was simply brilliant and so too was the scrumptious Anna Chancellor. Every character was brilliantly cast. I would certainly like previous reviewers to state other shows that could possibly match this level of viewing. I would so be eternally grateful. It's faultless television and probably better than Jeeves and Wooster. How has the acting world bypass Miranda Richardson whose talents are simply stupendous. Her facial expressions were magnificent and too funny. The wittisms, OMG!! Absolutely brilliant. Au Reservoir!

With such comedic talent assembled in one series, the outcome is decent but rather timid. I, too, found the 80s version wickedly funny - Geraldine McEwan in particular took huge risks with her "30s fag hag" role (and boy, did it pay off!) - and therefore this remake felt like it was lurching from almost a frame-by-frame copy-and-paste job to a desperately over-the-top retelling and embellishing. Previously, Miranda Richardson had been laugh-out-loud funny in almost every vehicle I had seen her in; yet here, she somehow never came into her own. Overall, the main impetus seemed to be one of the BBC trying to out-ITV ITV, so to speak. That said, the show makes for decent-enough viewing on a home-alone evening, and the gardens, interiors and costumes are luscious indeed.