Dial a Prayer

I got excited in the beginning. This seemed to have a lot of potential in the beginning. It was funny, quirky and interesting. But then somewhere in the middle it just went flat. What was the purpose? What's the plot? What's the point? It's almost like the whole movie was one inside joke for only the crew and cast to understand. The ending was confusing. I feel like I got the idea of where they wanted to go but then they just went completely off road and we couldn't understand what the point was. So this woman goes through all of this spiritual growing only to do what? Why? Where? I'm so confused.

Anyone who reads my reviews knows that I always beg for more character development and back stories. I loved this movie, but I needed to know a bit more about the supporting characters.

William Macy plays a wonderfully animated boss of a Dial-A-Prayer business. But we never hear how he got into the field or why. Also, no one ever identifies what church the girl's family, the call center, and the town identify with. Is it Catholic? Interestingly, there is practically no mention of Jesus, except when the funny boss says that he parted the Red Sea.

Therefore, I think a non-Christian could feel comfortable watching this without feeling bombarded by J.C.

The film is not really about religion. It is about second chances and turning one's life around. There is good usage of the Fall and Winter Midwest landscape. One could see it as either bleak, or starkly beautiful, depending on attitude. There are some clever references to that. The final scene shows a couple quietly beholding the glory of a blank snowy setting.

Do prayers make a difference? Our protagonist keeps asking this question. Of course they do, but the film focuses only on the aspect of making people feel better. It doesn't mention any metaphysical effect on the world at large, or the idea of praying for world peace and messianic redemption. People are only praying for themselves and their family to deal with domestic and health issues.

Casting is so essential to a character-driven film. This one aced the test. I don't know who Brittany Snow is, but her no-makeup sadness came through the screen with genuine sincerity. Macy phoned it in, no pun intended, but in his case, he phones it in beautifully. Glen Headly, the mom, fit the profile to perfection. No one here is great looking or flashy. They are ordinary people in a working class Midwestern town trying to make it through life the best way they can.

What I loved the most was the way they structured dialogue scenes. The characters would say just the right amount of words to each other, without overdoing it or milking the scenes for manipulative effect.

I could have done without the few dream sequences and the schmaltzy music toward the end, but the photography was first rate.

This was actually listed as a comedy, but it was no such thing. There were a few funny parts about how these phone center employees were trained on how to answer with prayers. This was not at all a Christian movie...some foul language, sex, drinking, etc. I cannot handle sappy Christian movies because they're too fake and white washed. The basic plot was a woman was doing community service after committing a crime and her father was a big shot attorney who basically got her off easy. She reluctantly has to work a prayer call center and hates every minute of it. But she unknowingly actually helps some people. It was a slower paced movie, but it kept me engaged. Her crime slowly unfolds throughout the movie and it connects her to a few other characters. The film kind of pokes fun at Christians doing the "dial a prayer" thing (which is probably why it was listed as a comedy), but there is a moral to the story or at least an evolution of the main character.

The story is not told exactly linearly, we see snippets of flashbacks that eventually all add up to what happened in the backstory of Cora.

Brittany Snow is 26-yr-old Cora and the first scenes has her showing up for an assignment with the local Detroit "Dial A Prayer" hotline. Everyone else there is happy and enthusiastic but it is clear she would rather be just about anywhere else. But she had gotten into some pretty serious trouble and her high powered lawyer dad managed to get her to do restitution by working the prayer hotlines.

William H. Macy is always good and here he is good as Bill, the leader of the prayer office. The story arc is Cora figuring out that her life up to that point, and the friends she hung out with, might not be the best trajectory and she has to figure out a better path.

The movie works because Brittany Snow is so good and authentic in the role of Cora. I found it on Youtube streaming free movies (with a few ads thrown in). I found it worthwhile viewing.

In the last year or so, quite a few films have debuted which have been targeted to a more conservative Christian audience, such as "Son of God" as well as "God is Not Dead". I assumed that "Dial a Prayer" is pretty much another one of these films, though despite its plot, it isn't exactly something that will appeal to many of the same folks who would have seen these other movies.

The film is about a surly young lady, Cora (Brittany Snow). She's got attitude, that's for sure...and you know that she's been sentenced to do community service for some sort of crime, though for much of the film you have no idea what she's done. As for her community service, she works for a Dial-a-Prayer service--an odd choice for community service considering her attitude about life as well as what crimes she committed. Oddly, however, despite being an angry, lost soul, through the course of the film, she comes to develop a sense of purpose and begins to shed some of her anger and hopelessness.

"Dial a Prayer" has a lot going for it. Snow's performance is exceptional, as she played troubled and angry quite well--so well that it was difficult liking her character for much of the film. This is a major plus. Additionally, it sure didn't hurt that the nice minister who ran the center was played by William H. Macy--a guy who just make everything look so easy and natural. I also like the notion that ACTING good, after a while, makes you good-- something fundamental to many philosophies and branches of psychology. The film also really was nice because it was very unique and there isn't anything else like it that I've seen in a very long time.

But, the film also has a huge problem which will easily impact its marketability. For the traditional Christian audience, while most of the story will make them quite happy, the cursing and sex in the film just don't fit in with their values and it's hard to imagine them not being offended. As for others, there are also a lot of folks who have no interest in a film about spirituality--and they'd never see such a movie in the first place. As a result, while it's a very good film, I just don't know if it has much of an audience, though it is worth seeing.