Dial a Prayer

a film about faith. not great but decent. same option of drawing of fundamental transformation, search of life sense, family tension, a love story and the success who change existences and give the second chance. its best part - the dialogue. because it is the inspired option to escape from the sin of sentimental story. and gives to it coherence and some credibility. a film about the fight against past errors. and the reconciliation with yourself. sure, far to be perfect. and not always convincing. but a beautiful story. touching in few scenes, realistic in the others. useful as advise for dark state who is not unknown for many of us. more important, a nice try. to define the faith in not usual manner. to propose a character who reminds many other similar cases from every day media.and that does it a real useful show.

This was actually listed as a comedy, but it was no such thing. There were a few funny parts about how these phone center employees were trained on how to answer with prayers. This was not at all a Christian movie...some foul language, sex, drinking, etc. I cannot handle sappy Christian movies because they're too fake and white washed. The basic plot was a woman was doing community service after committing a crime and her father was a big shot attorney who basically got her off easy. She reluctantly has to work a prayer call center and hates every minute of it. But she unknowingly actually helps some people. It was a slower paced movie, but it kept me engaged. Her crime slowly unfolds throughout the movie and it connects her to a few other characters. The film kind of pokes fun at Christians doing the "dial a prayer" thing (which is probably why it was listed as a comedy), but there is a moral to the story or at least an evolution of the main character.

Brittany Snow is one of my favourite actresses, and this movie is a great reminder why. She delivers incredible scenes and portrays Cora in an amazing way. The movie itself is good, but the title and premise of the movie kind of makes it seem like a movie that is going to convince a girl who's gone off-track to find faith in god, however that isn't what the movie is about at all. My automatic thought is that this is a movie for religious people, but i don't think religious people would enjoy this movie all that much, and non-religious people wouldn't think about picking it up because of the title and premise of the movie. Still, however, it is a great movie.

Anyone who reads my reviews knows that I always beg for more character development and back stories. I loved this movie, but I needed to know a bit more about the supporting characters.

William Macy plays a wonderfully animated boss of a Dial-A-Prayer business. But we never hear how he got into the field or why. Also, no one ever identifies what church the girl's family, the call center, and the town identify with. Is it Catholic? Interestingly, there is practically no mention of Jesus, except when the funny boss says that he parted the Red Sea.

Therefore, I think a non-Christian could feel comfortable watching this without feeling bombarded by J.C.

The film is not really about religion. It is about second chances and turning one's life around. There is good usage of the Fall and Winter Midwest landscape. One could see it as either bleak, or starkly beautiful, depending on attitude. There are some clever references to that. The final scene shows a couple quietly beholding the glory of a blank snowy setting.

Do prayers make a difference? Our protagonist keeps asking this question. Of course they do, but the film focuses only on the aspect of making people feel better. It doesn't mention any metaphysical effect on the world at large, or the idea of praying for world peace and messianic redemption. People are only praying for themselves and their family to deal with domestic and health issues.

Casting is so essential to a character-driven film. This one aced the test. I don't know who Brittany Snow is, but her no-makeup sadness came through the screen with genuine sincerity. Macy phoned it in, no pun intended, but in his case, he phones it in beautifully. Glen Headly, the mom, fit the profile to perfection. No one here is great looking or flashy. They are ordinary people in a working class Midwestern town trying to make it through life the best way they can.

What I loved the most was the way they structured dialogue scenes. The characters would say just the right amount of words to each other, without overdoing it or milking the scenes for manipulative effect.

I could have done without the few dream sequences and the schmaltzy music toward the end, but the photography was first rate.

I got excited in the beginning. This seemed to have a lot of potential in the beginning. It was funny, quirky and interesting. But then somewhere in the middle it just went flat. What was the purpose? What's the plot? What's the point? It's almost like the whole movie was one inside joke for only the crew and cast to understand. The ending was confusing. I feel like I got the idea of where they wanted to go but then they just went completely off road and we couldn't understand what the point was. So this woman goes through all of this spiritual growing only to do what? Why? Where? I'm so confused.