In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been res... Read allIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.
Arianne Martin
- Dr. Lucy Mills
- (as Arianne Margot)
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10awy7734
This movie was exccelent,it had funny moments, and I just loved the entire movie ,watched it a couple times highly replayable, has the same feel as similar movies like session 9 and death tunnel, ,this movie was great I bought it and added it to my DVD collection, of out of print b movies fits great ,,,it's way better than part one and continues on with the story perfect, and the main cast of characters, all of them we're great ,this was really well done and over looked great story especiallly when your living it for real, hits home depending what your life experiences are great movie
Belated 2015 sequel to 1973's Don't Look in the Basement. This one is directed by Tony Brownrigg (son of the late S. F. Brownrigg who directed the first). Nice to see that Brownrigg Jr managed to use the same building as the one featured in the first movie. The premise is that the one surviving patient from the first film, who has remained institutionalised elsewhere ever since, is returned to what was Stephen's Sanitarium (the reason for this is never made quite clear). However, his presence awakens the spirits of all those we saw killed at the climax of the first film, and who then start to possess the present-day staff and patients
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
Technically, the film is very strong. Excellent cinematography, great use of the location, which is the same location as the original film. I swear some of the furniture looks the same! There is one actor from the first film, the great Camilla Carr, who I wish worked more. The director did an outstanding job evoking dread and fear. Two thumbs up.
The arrival of a new patient at a home for the mentally ill stirs up ghosts from the past, causing the staff and residents to exhibit severe personality changes.
S.F. Brownrigg's cult 1972 horror Don't Look In The Basement gets a belated sequel courtesy of Brownrigg's son, Tony. Unlike his father's film, which was a cheap, grainy, lo-fi effort (none of which prevented it from being an effective shocker), Tony's film is surprisingly polished, boasting crisp cinematography and solid performances. What it is lacking, however, is a decent pace and a strong story.
The first forty minutes of Don't Look In The Basement 2 are extremely uneventful and unfold at a snail's pace, introducing the viewer to the characters, none of whom are as memorable as those in the original film. At around the halfway mark, the plot gets a little more interesting as people begin to act strangely, but the leaden pace persists. There's a smattering of gore to help liven up proceedings (including some graphic gut munching), but on the whole I found the whole thing frustratingly lacklustre, and not really worth the 40+ year wait.
S.F. Brownrigg's cult 1972 horror Don't Look In The Basement gets a belated sequel courtesy of Brownrigg's son, Tony. Unlike his father's film, which was a cheap, grainy, lo-fi effort (none of which prevented it from being an effective shocker), Tony's film is surprisingly polished, boasting crisp cinematography and solid performances. What it is lacking, however, is a decent pace and a strong story.
The first forty minutes of Don't Look In The Basement 2 are extremely uneventful and unfold at a snail's pace, introducing the viewer to the characters, none of whom are as memorable as those in the original film. At around the halfway mark, the plot gets a little more interesting as people begin to act strangely, but the leaden pace persists. There's a smattering of gore to help liven up proceedings (including some graphic gut munching), but on the whole I found the whole thing frustratingly lacklustre, and not really worth the 40+ year wait.
The original 1973 movie found itself banned in Britain as a Video Nasty, I haven't watched it for some time but I recall it being fairly good. Pity the same thing can't be said for its 2015 sequel. The movie starts off slowly but reasonably interesting, sadly the second half descends into a confusing mess. Several characters ask "What's going on?", I only wish I knew! I could watch it again to try and make sense of it but frankly I have better things to do with my time. The acting is generally passable and there are a few gory moments, but it's not enough to save this dross. Beware some dubious reviews!
Did you know
- TriviaA direct sequel to director S.F. Brownrigg's Don't Look in the Basement (1973), better known as "Don't Look in the Basement", directed by Brownrigg's son Tony Brownrigg.
- Crazy creditsAfter the end credits, it reads "for dad".
- ConnectionsEdited from Don't Look in the Basement (1973)
- SoundtracksMozart Piano Concerto 23 Adagio
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Samuel Smythe
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Не заглядывайте в подвал 2
- Filming locations
- Tehuacana, Texas, USA(Trinity Institute)
- See more company credits at IMDbPro
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