Turn, Turn, Turn
- Episode aired Apr 8, 2014
- TV-PG
- 44m
IMDb RATING
9.2/10
6.2K
YOUR RATING
S.H.I.E.L.D. has been compromised by an old enemy. The team doesn't know whom to trust.S.H.I.E.L.D. has been compromised by an old enemy. The team doesn't know whom to trust.S.H.I.E.L.D. has been compromised by an old enemy. The team doesn't know whom to trust.
Alex Daniels
- Agent Chaimson
- (uncredited)
Kylie Furneaux
- Agent Shade
- (uncredited)
Zac Henry
- TAC Team Agent #1
- (uncredited)
Featured reviews
The show's "début" was sort of shaky and it did not give the impression that they wouldn't be just another cliché sic-fi series in which anyone used to these types could easily predict the last 3/4 of every episode.
However, I think I can speak for the majority of us when I say that, although there were some clichés, the show has shown great improvement in originality, acting, writing, and producing.
This particular episode has everything you could ask for. It's thrilling, fast-paced, keeps you thinking, shocking, with a hint of comedy every now and then.
Good Job and keep at it.
However, I think I can speak for the majority of us when I say that, although there were some clichés, the show has shown great improvement in originality, acting, writing, and producing.
This particular episode has everything you could ask for. It's thrilling, fast-paced, keeps you thinking, shocking, with a hint of comedy every now and then.
Good Job and keep at it.
I adore this episode!! still ranks in my top 10 of the show (yeah, there are more amazing ones to come) since I have watched the rest of the show it is hard to separate my love for the episode itself from its significance to the show, it is the definition of a game changer! I don't think many realize how historic this episode was, it's probably the only example of that kind of real time connected story telling between movies and a tv show, and sadly the best one we have in the show, as things go on I believe the whole endeavor grew too complicated to keep and the show goes its own way, for better or worse, because I don't think it hurt the show. regardless that doesn't change the fact that marvel swang for the fences in this episode and it was spectacular in every way! The action, the music, the acting (shoutout to the late Bill Paxton for his awesome performance), th twists, the turns, and the pacing, all great.
I still remember the first time I watched this episode, I was blown away by all the twists and turns, I didn't see any of them coming,I watched Cap 2 about few months before starting the show and I didn't know that was the episode they crossover, so the whole thing was a shock to me, and he end of the episode simply made me realize how this show can exceed all expectations and that it was fooling all of us by appearing to use cliches so it hurts even more when we realize we were played!
Round of applause for the cast and crew.
At the highest level, someone is working not only as a show runner, integrating the overall plot line for the series, but as a universe runner. Turn, Turn, Turn integrates beautifully with Captain America: The Winter Soldier, which should be seen prior to this episode. Not only is Agents of SHIELD flowing as a single, coherent plot line (for the most part), the Marvel on-screen universe is well integrated as story lines intertwine.
Of course, when any motion picture comes along with which an ongoing show is so tightly intertwined and major pieces of the universe shift, the show itself must shift, which may be a positive thing for AoS. It may provide more of a goal for the show to strive toward.
On a more detailed level, however, the show itself was rough in patches. The writers didn't seem able to push forward the plot without following the Cartoon Villain Handbook, resulting in a couple rounds of monologuing. Rather than showing the audience the story, letting us put the pieces together and making us feel a part of it, they must instead explain the story to us. While that's far easier for the writers to do, it's also far less satisfying for the audience to watch. There were also just a few moments in the choreography that were rather unrealistic such as when major figures perform a cool-looking maneuver that leaves them completely open and all-too likely to be shot. That last one, I'll admit, may be nitpicking for a comic-book universe.
Additionally, there were a few moments when the tone shifted wrongly. First, one character had to wrestle with his emotions at an inappropriate and unlikely moment as well as in a way that failed to fit characterization. Second, the resolution was painted over with slow-motion scenes, facial close-ups, and dramatic music that were forced. Music should heighten the emotional content of a scene, not dictate it.
So at the level of the integration of Marvel's on-screen universe, this was a nicely put together and excellently timed piece, and if that were all I were attending to, I'd give this 8/10. But at the level of the individual episode, I can't escape it's flaws, which would have rated it 5/10.
It will be interesting to see where they take things from here as they pick up where Captain America left off. But more than anything, that opening sequence really needed more cow bell.
Of course, when any motion picture comes along with which an ongoing show is so tightly intertwined and major pieces of the universe shift, the show itself must shift, which may be a positive thing for AoS. It may provide more of a goal for the show to strive toward.
On a more detailed level, however, the show itself was rough in patches. The writers didn't seem able to push forward the plot without following the Cartoon Villain Handbook, resulting in a couple rounds of monologuing. Rather than showing the audience the story, letting us put the pieces together and making us feel a part of it, they must instead explain the story to us. While that's far easier for the writers to do, it's also far less satisfying for the audience to watch. There were also just a few moments in the choreography that were rather unrealistic such as when major figures perform a cool-looking maneuver that leaves them completely open and all-too likely to be shot. That last one, I'll admit, may be nitpicking for a comic-book universe.
Additionally, there were a few moments when the tone shifted wrongly. First, one character had to wrestle with his emotions at an inappropriate and unlikely moment as well as in a way that failed to fit characterization. Second, the resolution was painted over with slow-motion scenes, facial close-ups, and dramatic music that were forced. Music should heighten the emotional content of a scene, not dictate it.
So at the level of the integration of Marvel's on-screen universe, this was a nicely put together and excellently timed piece, and if that were all I were attending to, I'd give this 8/10. But at the level of the individual episode, I can't escape it's flaws, which would have rated it 5/10.
It will be interesting to see where they take things from here as they pick up where Captain America left off. But more than anything, that opening sequence really needed more cow bell.
Plot: 9.5/10
This is the episode everything's been building toward. With Captain America: The Winter Soldier as a backdrop, the show pulls the rug out from under everyone. S. H. I. E. L. D. Is crumbling from the inside, and the Clairvoyant's true identity is revealed in the most jaw-dropping way. Every twist lands. Every betrayal hits hard.
Character Development: 9/10 Ward finally gets some real depth, and it's not the kind you cheer for. Skye is caught in emotional crossfire, and Coulson's trust in the system shatters beautifully. May, Garrett, and Fitz all get major moments. Everyone is tested, and no one comes out clean.
Tone & Direction: 9/10 The paranoia is at an all-time high. Director Vincent Misiano keeps the episode lean and intense. From the cold open to the final shot, it moves with relentless energy. This is the show's transformation point, and it knows it.
Writing: 8.5/10 The dialogue is tight and full of tension. Every scene pushes the story forward or adds emotional weight. It's loaded with payoffs from earlier episodes. The writers finally cash in on all the slow-burn buildup, and the return is worth it.
Visuals & Action: 9/10 Tight quarters. Gunfights. Glimpses of chaos. Everything is shot to feel immediate and raw. The show still isn't a blockbuster, but this is the closest it's come. The pacing helps every moment feel explosive.
Emotional Impact: 9.5/10 Betrayals cut deep. Loyalties crumble. You won't look at some characters the same way again. This episode redefines the team and the show itself. It sticks with you.
Overall: 9/10 Turn, Turn, Turn is the moment Agents of S. H. I. E. L. D. leveled up. It's a turning point, a payoff, and a gut punch all in one. If you stuck with the show this far, this is your reward.
Character Development: 9/10 Ward finally gets some real depth, and it's not the kind you cheer for. Skye is caught in emotional crossfire, and Coulson's trust in the system shatters beautifully. May, Garrett, and Fitz all get major moments. Everyone is tested, and no one comes out clean.
Tone & Direction: 9/10 The paranoia is at an all-time high. Director Vincent Misiano keeps the episode lean and intense. From the cold open to the final shot, it moves with relentless energy. This is the show's transformation point, and it knows it.
Writing: 8.5/10 The dialogue is tight and full of tension. Every scene pushes the story forward or adds emotional weight. It's loaded with payoffs from earlier episodes. The writers finally cash in on all the slow-burn buildup, and the return is worth it.
Visuals & Action: 9/10 Tight quarters. Gunfights. Glimpses of chaos. Everything is shot to feel immediate and raw. The show still isn't a blockbuster, but this is the closest it's come. The pacing helps every moment feel explosive.
Emotional Impact: 9.5/10 Betrayals cut deep. Loyalties crumble. You won't look at some characters the same way again. This episode redefines the team and the show itself. It sticks with you.
Overall: 9/10 Turn, Turn, Turn is the moment Agents of S. H. I. E. L. D. leveled up. It's a turning point, a payoff, and a gut punch all in one. If you stuck with the show this far, this is your reward.
This episode is absolutely the best by far. So many twists. A few of the twists are obvious, while others slowly come to light. By the end of the episode, my heart was racing and I had no idea who to trust.
I noticed another person mentioned watching Captain America 2 first. However, I did not and was able to follow this along well. Perhaps it just gives you more background, though.
I highly recommend this show, and this episode is one to not miss! If you have enjoyed the rest of the show, or are uncertain if you will continue watching, this episode should help make your decision. It's one you will love or hate.
I noticed another person mentioned watching Captain America 2 first. However, I did not and was able to follow this along well. Perhaps it just gives you more background, though.
I highly recommend this show, and this episode is one to not miss! If you have enjoyed the rest of the show, or are uncertain if you will continue watching, this episode should help make your decision. It's one you will love or hate.
Did you know
- TriviaThis episode takes place during the events of Captain America: The Winter Soldier (2014).
- GoofsOn the plane with Garrett, Ward inserts a magazine into his pistol and racks the slide back, and it stays back; he has to hit the slide release to allow the slide forwards again. This only happens with an empty magazine, yet he is able to fire the pistol afterwards.
- Quotes
John Garrett: Phil, this is me being honest.
Phil Coulson: No, John, this is you being a psychopath.
- Crazy creditsAt the end of the episode the usual SHIELD logo is replaced with the Hydra insignia.
- ConnectionsFeatured in WatchMojo: Top 10 Best TV Plot Twists You Didn't See Coming (2018)
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