The fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make t... Read allThe fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make their move. Cersei mourns for Myrcella.The fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make their move. Cersei mourns for Myrcella.
Carice van Houten
- Melisandre
- (as Carice Van Houten)
Featured reviews
Came to 'Game of Thrones' fairly late in the game and due to being so busy the binge-watching was gradual. Have found myself truly loving the show, very quickly becoming one of my favourites. It totally lives up to the hype and not only does it do the brilliant source material justice (a rarity in television) it is on its own merits one of the finest, most addictive and consistently compelling shows in recent years and quality-wise it puts a lot of films in recent years to shame.
Although it is a long way from being the best, or one of the best, season openers for 'Game of Thrones', Season 6 starts off very promisingly. It is easy to see why it has been positively reviewed by critics but also why it is divisive among fans and book fans. It does depart from the source material, especially in its treatment of Doran, even though somebody who always judges adaptations on their own terms not doing anything further with such an interesting character in the source material with more to give was a missed opportunity. There are certainly far better episodes in the season and of 'Game of Thrones' in general, but to me "The Red Woman" was very good, though with a couple of reservations.
"The Red Woman" is at its weakest with the Dorne storyline. It was one of the biggest problems with the previous season and there is not much improvement. It is not particularly interesting and some of it is even cartoonish. Even more disappointing was its cheap treatment of Doran, one that was very rushed and abrupt and he deserved better.
With such a lot going on in terms of story and character interaction, "The Red Woman" definitely would have benefitted from either being longer as an episode or having the events spread out as a two parter or something. Parts did feel hasty and it would perhaps have made the Dorne storyline better.
A huge amount works here however. Character interaction-wise, faring best are Jaime and Cersei and in particular Sansa and Brienne, both intense and poignant. Loved what was done with Daenerys, even though brief, and felt sorry too for Arya. Davos shining more than he has been in a while was a plus as well. Another standout is the shock Melisandre reveal, that was harrowing.
It is an episode that isn't action-heavy and doesn't advance existing storylines, with the main question on everyone's lips from "Mother's Mercy" being answered early on, but it sets up what is to follow well.
'Game of Thrones' has not faltered in the acting stakes and there is not a single bad performance. Standout performances are Lena Headey, Nikolaj Coster-Waldau, Emilia Clarke and Maisie Williams, while Carice Van Houten gives her best acting to date.
Visually, "The Red Woman" looks amazing, as one would expect for 'Game of Thrones'. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "The Red Woman" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
The writing is thought-provoking and there are no embarrassing lines this time (certainly not on the same level as that Sand Snake line in "Mother's Mercy". The storytelling mostly is passionate and sensitive, underwhelming only in Dorne.
Overall, promising and very good. 8/10 Bethany Cox
Although it is a long way from being the best, or one of the best, season openers for 'Game of Thrones', Season 6 starts off very promisingly. It is easy to see why it has been positively reviewed by critics but also why it is divisive among fans and book fans. It does depart from the source material, especially in its treatment of Doran, even though somebody who always judges adaptations on their own terms not doing anything further with such an interesting character in the source material with more to give was a missed opportunity. There are certainly far better episodes in the season and of 'Game of Thrones' in general, but to me "The Red Woman" was very good, though with a couple of reservations.
"The Red Woman" is at its weakest with the Dorne storyline. It was one of the biggest problems with the previous season and there is not much improvement. It is not particularly interesting and some of it is even cartoonish. Even more disappointing was its cheap treatment of Doran, one that was very rushed and abrupt and he deserved better.
With such a lot going on in terms of story and character interaction, "The Red Woman" definitely would have benefitted from either being longer as an episode or having the events spread out as a two parter or something. Parts did feel hasty and it would perhaps have made the Dorne storyline better.
A huge amount works here however. Character interaction-wise, faring best are Jaime and Cersei and in particular Sansa and Brienne, both intense and poignant. Loved what was done with Daenerys, even though brief, and felt sorry too for Arya. Davos shining more than he has been in a while was a plus as well. Another standout is the shock Melisandre reveal, that was harrowing.
It is an episode that isn't action-heavy and doesn't advance existing storylines, with the main question on everyone's lips from "Mother's Mercy" being answered early on, but it sets up what is to follow well.
'Game of Thrones' has not faltered in the acting stakes and there is not a single bad performance. Standout performances are Lena Headey, Nikolaj Coster-Waldau, Emilia Clarke and Maisie Williams, while Carice Van Houten gives her best acting to date.
Visually, "The Red Woman" looks amazing, as one would expect for 'Game of Thrones'. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "The Red Woman" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
The writing is thought-provoking and there are no embarrassing lines this time (certainly not on the same level as that Sand Snake line in "Mother's Mercy". The storytelling mostly is passionate and sensitive, underwhelming only in Dorne.
Overall, promising and very good. 8/10 Bethany Cox
Last night, I saw the season premiere of Game of Thrones and from what I've got, it's really good. There are two problems I do have with this episode. I'm not going to spoil anything to those who haven't seen it, so I'm just going to point out the flaws and positive aspects.
The plot progression does get very slow and didn't advance some of the story lines left by the fifth season. Also, some of the characters were given little to do and weren't fleshed out enough. Maybe things will get better throughout the sixth season, but only time will tell. For now, everything else turned out fine.
The performances are still good, especially Lena Headey who shines with her emotional performance, the script is fine for the most part, the directing is very solid, the scenery is still gorgeous, the sets and costumes are still lavish to look at, and the music score from Ramin Djawadi is very beautiful. So, overall, not great, but a good start to Season 6. :)
The plot progression does get very slow and didn't advance some of the story lines left by the fifth season. Also, some of the characters were given little to do and weren't fleshed out enough. Maybe things will get better throughout the sixth season, but only time will tell. For now, everything else turned out fine.
The performances are still good, especially Lena Headey who shines with her emotional performance, the script is fine for the most part, the directing is very solid, the scenery is still gorgeous, the sets and costumes are still lavish to look at, and the music score from Ramin Djawadi is very beautiful. So, overall, not great, but a good start to Season 6. :)
While the plot did not progress much in this episode, mostly setting up what is to come, the episode was still eventfull with a couple og memorable moments!
The episode picks up right where we left off in the shocking finale of season five! From there we get emotional moments as well as some thrilling scenes!
I really enjoyed Cerseis scene when she reacts to Myrcellas death! Its her showing vulnerability and actual emotions as she reflects on herself!
Brienne also got great treatment, and the same goes for Danearys who even in chains shows no sign of fear!
Though i always love how the "Sand Snake" comes to qn abrupt end cause nobody liked them in season five!
The last scene gave me "The Shining" vibes.
Overall it leaves you excited for more!
The episode picks up right where we left off in the shocking finale of season five! From there we get emotional moments as well as some thrilling scenes!
I really enjoyed Cerseis scene when she reacts to Myrcellas death! Its her showing vulnerability and actual emotions as she reflects on herself!
Brienne also got great treatment, and the same goes for Danearys who even in chains shows no sign of fear!
Though i always love how the "Sand Snake" comes to qn abrupt end cause nobody liked them in season five!
The last scene gave me "The Shining" vibes.
Overall it leaves you excited for more!
Usually Game of Thrones start in first gear and usually pick up speed. But in season 6, they directly started in fourth gear. They started with all guns blazing bang bang. The episode touched upon almost all the sub-plots.
The best moment for was when Cersei broke down in front of Jamie (not in a sadistic manner). In that moment a character as strong as Cersei started believing in prophecies. This showed her humane side. Because like all of us she also start believing in prophecies, Gods and monsters in our darkest times. Couldn't have asked for a better start of the show!!
The best moment for was when Cersei broke down in front of Jamie (not in a sadistic manner). In that moment a character as strong as Cersei started believing in prophecies. This showed her humane side. Because like all of us she also start believing in prophecies, Gods and monsters in our darkest times. Couldn't have asked for a better start of the show!!
While still way above other TV shows in quality, GoT is slowly drifting from the epic GRRM storytelling to the eternal Deus Ex Machina for TV Shows.
The season premiere is predictable, pretty much uneventful (except for the closing scene) and is desperately trying to make us care for characters that simply have not had a good construction arc since their introduction. Tyrion and Varys steal the show for me though, I love 'em power couple.
Defined in four words: your average GoT episode... and for a work inspired in ASOIF, I think that is not OK.
The season premiere is predictable, pretty much uneventful (except for the closing scene) and is desperately trying to make us care for characters that simply have not had a good construction arc since their introduction. Tyrion and Varys steal the show for me though, I love 'em power couple.
Defined in four words: your average GoT episode... and for a work inspired in ASOIF, I think that is not OK.
Did you know
- TriviaIn order to play Arya as blind, actress Maisie Williams wore large 16 millimeter contacts that she could not see through for the stationary, dialogue-heavy scenes. For the fight scenes, she wore contacts with small pinprick holes in them, so she could see at least something, in order to not accidentally wound herself or others.
- GoofsIn the former episode Mother's Mercy (2015), Obara and Nymeria did not go on the ship with Myrcella, Trystane and Jaime - they were shown waiting on the shore as the ship departed. No explanation is given to their presence at the ship.
- Quotes
Jaime Lannister: Fuck prophecy. Fuck fate. Fuck everyone who isn't us.
Details
- Runtime
- 50m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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