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Sam Gleason lives in a town where high school football is the backbone of the community. When she accuses a member of the team of committing heinous acts against her on a night she can't eve... Read allSam Gleason lives in a town where high school football is the backbone of the community. When she accuses a member of the team of committing heinous acts against her on a night she can't even remember, will anyone believe her?Sam Gleason lives in a town where high school football is the backbone of the community. When she accuses a member of the team of committing heinous acts against her on a night she can't even remember, will anyone believe her?
Christopher Knight Roberts
- Christopher Burch
- (as Cristopher Knight Roberts)
Andria Blackman
- Anne
- (uncredited)
Chuck Case III
- Criminal
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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A cheerleader at a high school in Eastern America reports that she was raped while partying with some football players at the school. Was it a case of kids just being kids while drinking or was a crime committed? And, if so, can it be proven?
"The Assault" (2014) is a Lifetime production inspired by The Steubenville High School rape of 2012 by the Ohio River in eastern Ohio. It mixes "Are You in the House Alone?" (1978) with the theme of football players taking advantage of cheerleaders observed in "The Swinging Cheerleaders" (1974), which is a worthwhile 'B' flick despite the exploitive title.
The milieu is the same as "The Rage: Carrie 2" (1999), just minus the telekinesis. The horror here is more mundane, which makes it more horrifying in a way. Remember, this was based on a real-life story.
The 'Stockman' sequence needed the kinks worked out and there are some contrivances, which compels me to detract points. But, otherwise, this is a well-done high school drama on a TV budget.
The film runs 1 hour, 33 minutes, and was shot in Worcester, Massachusetts, which is a half-hour drive west of Boston. The school is actually Clinton High School in Clinton, which is 10 miles NE of Worcester. There are several nice aerial shots of the area.
GRADE: B-/C+
"The Assault" (2014) is a Lifetime production inspired by The Steubenville High School rape of 2012 by the Ohio River in eastern Ohio. It mixes "Are You in the House Alone?" (1978) with the theme of football players taking advantage of cheerleaders observed in "The Swinging Cheerleaders" (1974), which is a worthwhile 'B' flick despite the exploitive title.
The milieu is the same as "The Rage: Carrie 2" (1999), just minus the telekinesis. The horror here is more mundane, which makes it more horrifying in a way. Remember, this was based on a real-life story.
The 'Stockman' sequence needed the kinks worked out and there are some contrivances, which compels me to detract points. But, otherwise, this is a well-done high school drama on a TV budget.
The film runs 1 hour, 33 minutes, and was shot in Worcester, Massachusetts, which is a half-hour drive west of Boston. The school is actually Clinton High School in Clinton, which is 10 miles NE of Worcester. There are several nice aerial shots of the area.
GRADE: B-/C+
Although I generally do not sympathize with those who get too drunk to remember events, "The Assault" greatly succeeds in driving home the all-too-realistic point that there are individuals who take very unfair advantage of such vulnerabilities, use it for personal gain while going way out of line, and then scapegoat-make to deflect blame.
In a perfect world, no one would get so drunk. On the other hand, society has its share of menaces and extremely bad influences regardless of states of intoxication involved. This portrayal is frighteningly accurate.
With a decent actress portraying the main character, a convincing policewoman determined to bring the wrong-doers to justice, and a no-nonsense father rightfully willing to stick up for his daughter, "The Assault" is genuinely interesting, suspenseful, and cautiously entertaining from start to finish.
In a perfect world, no one would get so drunk. On the other hand, society has its share of menaces and extremely bad influences regardless of states of intoxication involved. This portrayal is frighteningly accurate.
With a decent actress portraying the main character, a convincing policewoman determined to bring the wrong-doers to justice, and a no-nonsense father rightfully willing to stick up for his daughter, "The Assault" is genuinely interesting, suspenseful, and cautiously entertaining from start to finish.
Lifetime Movie inspired by the 2012 Steubenville High School rape case. Cheerleader Vega attempts suicide by self-immolation, setting into motion events that could make the community's beloved football team accountable for a very serious crime. Very dramatic for the better. Still, way too cookie-cutter in terms of structure, and the story unravels more like a mystery/thriller than a drama with something important to say. There's also the need to explain too much, indicating an underestimation of the viewer. Khandi Alexander is memorable as Detective Jodi Miller. Buckner's first role in seven years. Good if you have nothing better to do.
**½ (out of four)
**½ (out of four)
The Assault is a gut-wrenching drama that forces its audience to confront one of the most harrowing realities imaginable. It is not an easy film to watch, and nor should it be. Based on true events, it tells the story of a teenage girl who is sexually assaulted and then made to suffer further humiliation at the hands of her peers, her community, and even the very institutions that should have protected her.
What makes the film especially devastating is not only the crime itself, but the way the victim is treated afterward. From the very beginning, the attacker admits to what he did, but insists that it was consensual. That single word-"consensual"-becomes the shield behind which he hides, while the school, the football team, and even much of the town rally behind him instead of the girl. Because she was a cheerleader, because she had a reputation for dating football players, her trauma is dismissed, and she is mocked, harassed, and ridiculed as though she brought it upon herself. A video of the assault, edited and spliced to make it look like she wanted it, spreads through the school and cements her isolation.
The director captures the emotional devastation with unflinching clarity. Every frame lingers on the pain in the victim's eyes-the mixture of shame, confusion, and despair that makes her struggle feel brutally real. The contrast is striking against the cold indifference of those around her, particularly the teammates who treat the crime as if it were nothing. Equally compelling is the subplot of the detective, determined to pursue justice and protect the girl, even while facing immense pressure. The moral conflict deepens when we learn that the coach of the football team-one of the figures shielding the players-is her own younger brother, placing loyalty and justice on a collision course.
While the writing isn't flawless-there are moments where the dialogue leans toward melodrama-the story itself is strong enough to carry the film. Its greatest strength lies in the raw honesty with which it portrays how communities often idolize sports teams, elevating young athletes to near-untouchable status. That cultural pedestal allows predators to hide in plain sight while victims are discredited, silenced, and retraumatized.
In the end, The Assault isn't just a film-it's a sobering reminder of how easily justice can be twisted when power and popularity take precedence over truth. It's one of those movies that doesn't just entertain; it shakes you, angers you, and demands to be remembered.
What makes the film especially devastating is not only the crime itself, but the way the victim is treated afterward. From the very beginning, the attacker admits to what he did, but insists that it was consensual. That single word-"consensual"-becomes the shield behind which he hides, while the school, the football team, and even much of the town rally behind him instead of the girl. Because she was a cheerleader, because she had a reputation for dating football players, her trauma is dismissed, and she is mocked, harassed, and ridiculed as though she brought it upon herself. A video of the assault, edited and spliced to make it look like she wanted it, spreads through the school and cements her isolation.
The director captures the emotional devastation with unflinching clarity. Every frame lingers on the pain in the victim's eyes-the mixture of shame, confusion, and despair that makes her struggle feel brutally real. The contrast is striking against the cold indifference of those around her, particularly the teammates who treat the crime as if it were nothing. Equally compelling is the subplot of the detective, determined to pursue justice and protect the girl, even while facing immense pressure. The moral conflict deepens when we learn that the coach of the football team-one of the figures shielding the players-is her own younger brother, placing loyalty and justice on a collision course.
While the writing isn't flawless-there are moments where the dialogue leans toward melodrama-the story itself is strong enough to carry the film. Its greatest strength lies in the raw honesty with which it portrays how communities often idolize sports teams, elevating young athletes to near-untouchable status. That cultural pedestal allows predators to hide in plain sight while victims are discredited, silenced, and retraumatized.
In the end, The Assault isn't just a film-it's a sobering reminder of how easily justice can be twisted when power and popularity take precedence over truth. It's one of those movies that doesn't just entertain; it shakes you, angers you, and demands to be remembered.
Dressed as a cheerleader, an attractive young woman walks tearfully onto a high school football field and sets herself on fire. Fortunately, she survives with only minor arm burns, thanks to handsome football player Pierson Fode (as Reed Johnson). In the hospital, we discover more about our heroine - specifically, cute 17-year-old Makenzie Vega (as Samantha "Sam" Gleason) reports being sexually assaulted by a football player. Later, "The Assault" allegedly involves more players. Kind and exceptionally sympathetic police detective Khandi Alexander (as Jodi Miller) is assigned the case. She views Ms. Vega as a brave young accuser, but realistically notes a prosecution will be difficult as Vega was drunk and doesn't recall the incident...
If it were any more predictable, a video of the gang-rape would turn up and prove the victim's case; it's also possible a flashback could be employed. Writer Jennifer Maisel makes Vega more interesting with single father Gary Weeks (as Dan) and director Jason Winn adds hints that her childhood friend Amy Bruckner (as Frankie) may want a same-sex relationship - but neither really lifts the drama above ordinary. Malik Yoba (as Tim Miller) plays the conflicted coach and Christopher Foley aka Cristopher Knight Roberts (as Christopher "Chris" Burch) tackles the main villain role well; both have effective scenes with Ms. Alexander. Photographer Brian Crane favors intimate over-the-head-and-shoulder scenes and John Stimpson edits them nicely.
***** The Assault (9/20/14) Jason Winn ~ Makenzie Vega, Khandi Alexander, Gary Weeks, Christopher Foley
If it were any more predictable, a video of the gang-rape would turn up and prove the victim's case; it's also possible a flashback could be employed. Writer Jennifer Maisel makes Vega more interesting with single father Gary Weeks (as Dan) and director Jason Winn adds hints that her childhood friend Amy Bruckner (as Frankie) may want a same-sex relationship - but neither really lifts the drama above ordinary. Malik Yoba (as Tim Miller) plays the conflicted coach and Christopher Foley aka Cristopher Knight Roberts (as Christopher "Chris" Burch) tackles the main villain role well; both have effective scenes with Ms. Alexander. Photographer Brian Crane favors intimate over-the-head-and-shoulder scenes and John Stimpson edits them nicely.
***** The Assault (9/20/14) Jason Winn ~ Makenzie Vega, Khandi Alexander, Gary Weeks, Christopher Foley
Did you know
- TriviaAmy Bruckner's first acting role since Nancy Drew (2007)
- SoundtracksMorgan Storm
Written and Performed by Latterday Saints: Andreas Burgos, William Dickerson, Jason Fraina and Liam McKiernan
Details
- Runtime
- 1h 33m(93 min)
- Color
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