Inside Men

The story is simple yet riveting, the acting superb and the overall flow is so smooth you don't feel the hours pass. The balance between thriller ingredients and elements of dark humor makes the experience very pleasant. It's a must watch if you like Korean movies!

When this movie first came out, the majority of viewers criticized it for being over-the-top, hyperbolized. They assessed: politics has its ugly side, but this is too "B," too Tarantino-ish. Well years later, it turns out the movie was PG and reality was much, much worse. This movie became a weird criteria for Koreans to pit reality against and therein lies its merit.

It's true what some of the reviewers said. The subtitles don't do the script justice and some background knowledge about Korean culture helps. And honestly, if you like simple stories... go watch something else?

Is it possible to bring those to justice that are as corrupt and evil as we imagine some to be? I'm not talking any conspiracy theories here, no I'm talking those who are corrupt because ... well you know money! And how to prove their guilt ... in the real world that is quite something to achieve and even if you do that, they mostly have so much power, they walk away with almost nothing to fear.

But this is a movie, so we can expect that at least there is a ... fighting chance of that happening one way or the other. No pun intended. And if you watch a movie about that, why not make it this Korean effort. When it comes to action and intriguing story, South Korea has quite the output. I can really highly recommend quite a lot of their movies. And since they won best movie at least years Oscars the awareness of their industry has been raised (finally). Not for the faint hearted and maybe predictable for quite a lot of people, this still can entertain quite a lot to say the least!

Excellent film with two of SK's finest actors in the leads, having a great time spinning this crime tour de force. It has some rough scenes, but in the nature of the corrupt world being exposed: ultimately very satisfying closure.

Political thrillers have gone out of fashion in the US - and even in Europe - but fortunately South Korea and Japan still know how to make them. It's a very specific genre. Modern audiences - and this didn't start with Gen Z, but with my generation, the Millennials - have become disinterested in politics and consequently in the genre. The problem with thinking little about politics and losing interest in the subject is that... politics is the society we live in. Politics is the world we live in, and if we don't want to know what's happening there, there's more room for us to be controlled, dominated, and mocked by those at the top.

Inside Men is a fantastic film that shows this lack of scruples to achieve one's goals. It doesn't do anything particularly new. Cinematically, many would say the genre can only give us what we expect without major innovations possible. In part, I can agree, although it presents excellent cinematography, well-choreographed action scenes, and a very well-achieved sound. Nonetheless, not all good cinema has to be visually disruptive. Personally, I love a good political thriller, well-written, with good characters (played by great actors), with moral dilemmas mixed in, showing us the rot of a corrupt system that is nothing more than a reflection of what we all are. Politics, journalism, and gangsters go hand in hand in a dirty, cruel, and unscrupulous world, and for everything to remain as it is, people only need to look the other way.

As for the magnificent performances, I don't even know where to start. Lee Byung-hun is at his best, with layers I didn't expect from this character. Cho Seung-woo is flawless, and Yun-shik Baek is perfect, leaving us with goosebumps from the repugnant way he moves in these corridors of power without his image being tarnished. If Min-ho Woo continues with this style (he also gave us the excellent The Man Standing Next), he may never have the admiration of the younger generations, but I will always be eager for his next project. The world still needs these films. Perhaps - now that the younger ones care little about them - more than ever.