All the Way

I can say without doubt that Cranston is as close to the real thing as I have seen. Close, but not complete. I grew up in Dallas during the assassination and remember Johnson very well from that time. This movie shows a lot more about the man then ever was shown during his presidency. Johnson was not known for his popularity and was not an icon like Kennedy. But I believe he did more for the nation than most Presidents before and after. One thing he was and that was a true Texan and touted that persona throughout his life. And as one Texan to another Johnson always showed his colors even though the rest of the nation did not understand it. I give him that. As for the only critique of Cranston I would say look at the real Johnson on past videos and then Cranston. Johnson was a little more quiet and subdued in front of cameras and the public eye. It was his back room political demeanor that made this man who he really was.

All the Way

An impressive cast, centered around the LBJ actor Bryan Cranston, keeps the historical facts alive and relevant.

We often forget Johnson the president between Kennedy and Nixon. He was the most responsible for Vietnam, but also for a huge range of social programs that really make him the ultimate big government guy since Roosevelt. But important programs like Medicare and social legislation like the Civil Rights Act and the Voting Act. Seeing him struggle to make it happen is a kind of poker game, and he does it with famously Johnson candor and humor.

There's no getting around the fact that these are facts. There are no dramatic surprises here (so it's like seeing a movie the second time). But it's a good movie—one that you can see a second time and get a lot from it. There are weak points (some miscast figures like, unfortunately, Martin Luther King Jr. who is played by Anthony Mackie), but overall the drama of the events is kept intense and pertinent.

And Cranston is sublime. If you know him from "Breaking Bad" you will surprised by his depth here. See him, at least. And Johnson, too.

all seems be a splendid embroidery. the atmosphere, LBJ proposed by Bryan Cranston, Melissa Leo as lady Bird Johnson, Frank Langella in the generous role of senator Russell, Anthony Mackie in the skin, far to be comfortable, of dr. Martin Luther King. the events are known but that is the virtue of film - to recreate the roots of essential decisions, to show debates and errors, to give the map of a struggle who change America. a film who becomes documentary in many scenes. and one of the most inspired portraits of an U.S. president. a film who presents the way of an year. and a man across a storm. and that does All the way more than a good work. but an useful support for reflection. about politics and about courage. about contemporary elections and about isles from old manner to understand the things. and, sure, about the admirable performance of Bryan Cranston.

This portrayal of the 1963/1964 Johnson presidency is not only excellent but BRILLIANT. The acting was flawless about an era I knew well. The acting was so good I forgot about who was portraying whom. Bryan Cranston cannot be lauded enough.

Our nation is on the precipice of returning to those noxious racist-filled days as we are poised to elect a wingnut demagogue to office supported by many racist whites even of the KKK and white nationalist supremacist variety. Have we learned NOTHING from our tragic racist past? Is Vietnam but a memory and the race relations of Jim Crow tucked away neatly in the crevices of our national mind? I surely hope not but suspect they are.

Each and every American would do well to see this film and relive the 1964 shame-filled era of our nation and the legacy of its Civil War. Ultimately the war, though Union won, is still being fought and not only in the battlefield of the south but in the fields of the entire nation.

While Lyndon Johnson's presidency was marred by his disastrous Vietnam policy, he was one of our most significant and important presidents in terms of social justice, passing laws that fought racism and pushed against poverty.

In All the Way's eagerness to show the good of Johnson, it sometimes pushes a little too far. Johnson is portrayed here as a sort of crude angel. Sure, he holds meetings from the toilet, but he single-handedly pushes through a civil rights bill!

I don't know much about the history of the civil rights bill, but I do know that politics is a vast, messy business that involves a lot of people and that even the noblest of politicians are still consumed with deal making and positioning and power. For me, this makes the LBJ portrayed in the movie a too simplistic. I am more interested with flawed humans whose angels sometimes beat down their demons to earthly saints.

In spite of my objections, though, this is a very entertaining, involving movie. Its main selling point is Bryan Cranston's amazing portrayal of LBJ. Cranston's LBJ is shrewd, calculating, noble, and briefly angsty. Cranston creates as much complexity as is possible within a role written with a lack of nuance.

The other performances are also quite solid, particularly Melissa Leo as the sweet but steel-spined Ladybird and Frank Langella as LBJ's mentor and occasional foe. Anthony Mackie plays a thoughtful MLK, but there is a slightness, both physical and oratorical, that is disappointing.

While I would have liked more complexity, this is a very entertaining movie that is well worth watching.