Janis: Little Girl Blue

This documentary really brought me back to the 60s and 70s. It never ceases to amaze me how tough it is to be a creative artist, just think Brian Wilson or Amy Winehouse. We are introduced to Janis's early life and the many struggles she had to go through growing up. She leaves for California and finds her roots and her tribe with Big Brother and the Holding Company. The live performances really show the incredible rapport she had with her audience during a concert. Coming down from such a high must have been an insupportable task. Janis finds a true love during her time in Brazil which for her was very important. Her letters to her family and friends were filled with hope and optimism right up to her tragic death. Interviews with her various friends and colleagues all painted a picture of a very unique and spontaneous person. The world was truly inspired by a pure spirit.

Of course I know who Janis Joplin was, who doesn't, but I was never a huge fan of her work, so I did not know anything about her life story.

And what a great story it was, told by those who knew Janis the most, the Documentary was loaded with interviews from the people closet to her who were there for the ride that was her life. Mixed in with a lot of archive footage of Joplin as well as a touching voice over of letters Joplin wrote to her family back home being read during the film.

But most importantly, lots of music was played. I've seen docs and other movies about major rock icons where the music was not center stage simple because of legal rights. Does not feel like Little Girl Blue had that problem, and I'm thankful, cause as much as her life was interesting, it's all about the music.

It was funny, entertaining, and centered on the rock and roll as they told the story of one of the greatest icons in music history.

Viewed at 2015 Venice Film Festival., "Janis, Little Girl Blue" by Amy Berg, With Alex Gibney, himself an outstanding documentarian acting as producer, is a Great Doc about a great American singer, Janis Joplin, who died too young on the verge of salvation.

Interviews with parents, sister, brother, surviving members of The Grateful Dead, Kris Kristofferson, and most surprising, Dick Cavett (1970). In a year of many good documentaries, this was the best of all -- a marvelous reconstruction of a tragic young life. Janis sang the blues with such conviction and such black feeling that even afro-Americans though she was black -- She died on October 4, 1970 in a Hollywood motel of an accidental heroin overdose at age 27 -- only two weeks after another rock legend, Jimi Hendrix, also at age 27. The film traces her life from humble origins in the nondescript north Texas town of Port Arthur, constant humiliation by her schoolmates because of her extreme nonconformity and relatively plain looks, up through her rise to prominence as the lead singer of the acid/rock band Big Brother and the Holding Company --one of the leading San Francisco rock groups of the mid sixties -- reaching the pinnacle when recognized as the top white blues singer of the age, her difficulties dealing with fame, her loneliness in the midst of adoring crowds, her battle with drug addiction, and finally her tragic early death on the verge of even wider fame and general acceptance by the serious music world.

Needless to say, the film is liberally spiced with clips from her amazing stage appearances, which is an added enrichment, but this is far from a mere excuse to present her songs -- far more a penetrating probe into the life of an extremely complex personality ---a true artist who became the victim of her own profound talent. Myself more or less a product of the psychedelic sixties, I left the vast Venice theater thoroughly emotionally drained and realizing I had just witnessed a remarkable film about a most remarkable life. Alex, Budapest

Amy Berg's documentary charting the course that blues and rock singer Janis Joplin took from her childhood hometown of Port Arthur, Texas to San Francisco and then Los Angeles in the 1960s is filled with great clips and fantastic music (particularly the performance of the lesser-known "Little Girl Blue" shown at the conclusion). However, there's nothing here--not even the reading of letters Janis wrote home to her family--that will surprise anyone who has followed Joplin's career since her untimely demise in October 1970. Although she lived a wild, scattered but full-blooded life in her 27 years, Joplin's recording career was extremely brief (two albums, one with her first band, Big Brother and the Holding Company, followed by a solo album, released posthumously). Janis as a human being was anything but predictable, and yet the myriad of documentaries chronicling her life and stardom all seem to cover the same territory, the sex-drugs-and-rock and roll high-life. Berg insulates Joplin here, as Joplin was insulated by the yes-men in her life who were trying to steer her career. We do not hear about the books Janis read (she was a huge F. Scott Fitzgerald fan), the movies she saw, how she felt about the war in Vietnam or the hippie movement or her second-rate (for her) performance at Woodstock. She is, of course, a tragic figure in popular music, but fleshing out that figure--giving us some surprising, intimate insights into her quirky personality--has yet to be achieved. **1/2 from ****

Maybe it's just me, but I can't seem to get enough Janis. I have read a biography on her and watched other films, as well as attended the stage play "Love, Janis" and I'm always wanting for more.

I rated this a nine because a near perfect documentary about Janis would be at least four hours, imho. There could have been more interviews with her sister and brother and others who knew her intimately. It focused on her person and her heart more than other things I've seen. I was only ten years old when she died and my family was as straight laced as Janis' and Port Arthur, so I don't remember any fan fare regarding her. I didn't fully experience her music until I was eighteen and I fell hard as a Janis fan.

Interesting point to younger generations is that the media always focuses on the San Francisco scene when it talks about the 60's and the hippy era, when most of the rest of the world at the time was really closer to Port Arthur.

Strongly recommend this gem for any Janis fan. You won't be bored and you will find another little piece of her heart you may not have known about before. I imagined that she had a big heart for people in general, and this documentary solidified that belief.

A comment in the film about the level of emotion she reached in her singing was at a high price and that was a prefect summation of the art that was Janis Joplin.