IMDb RATING
7.9/10
1.4K
YOUR RATING
Set in the crumbling environs of Calcutta, Labour of Love is a lyrical unfolding of two ordinary lives suspended in the duress of a spiralling recession.Set in the crumbling environs of Calcutta, Labour of Love is a lyrical unfolding of two ordinary lives suspended in the duress of a spiralling recession.Set in the crumbling environs of Calcutta, Labour of Love is a lyrical unfolding of two ordinary lives suspended in the duress of a spiralling recession.
- Director
- Writer
- Stars
- Awards
- 3 wins & 7 nominations total
Basabdatta Chatterjee
- Woman
- (as 'Basabdutta Chatterjee')
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Awesome Camera work with marvelous background score..uff that sehnai!
The movie is pretty brilliantly directed, the first half of the movie actually sets the stage for the second half. It highlights the life of a common man in the suburbs of Kolkata, though the movie doesn't have any dialogues but it speaks thousands of words. Both the male and the female protagonist act exemplarily well.
"Asha Jawar Majhe" or "Labour of Love" is as much an ode to a recession hit Calcutta as much it is an eulogy of the rigors in a lower middle class couple's struggle for existence,yet united by love for few treasured moments in a day. The film is exclusively a silent film, yet more eloquent than any of its recent contemporaries. The brilliance and scale of the film can only be matched in recent times by a "Ship of Theseus" and rightfully it has won accolades over the International Festivals.
The viewer who goes in search of a story will be thoroughly disappointed as this is just a portrayal of a day in the life of this struggling couple essayed beautifully by Ritwick and Basabdutta, both working in alternate shifts to make their ends meet. But they are not love-lost, as they wait with honed self control and relentless patience for the early morning hours of union,when he returns from work and she is about to set out to. The "labour of love" is thus not fruitless, but is the strong bond that ties this couple,estranged for most of the day,owing to a debilitating economy.
It is totally a Director's film,executed brilliantly by the helmsman Aditya Vikram Sengupta, as his camera pans the North Calcutta suburbs, reminiscent of erstwhile opulence,yet now symbolic of a moribund state,through a poet's eye. Kudos to him for handling the plot with such sensitivity , as even the director had to undergo a Labour of Film Making to make his first film. The use of light and shadow reminds of Ray's "Aporajito" and the sound arrangement is nothing short of brilliant. But there are certain unexplained jump cuts and long stills too, flaws which doesn't remain with the viewer after the wonderful ending of the film. Ritwick has indeed become the "Irrfan Khan" of Tollywood in recent times and no one could play this role more convincingly.The vacant stare, the unhurried way he carries out his daily mundane routine, and yet the wait for the Golden moments of the day underplaying in his eyes is brilliant. He shows that one can portray despair without a sigh. Basabdutta complements him on all grounds. A final word for the sound arrangement as the film would have been incomplete without its brilliant execution,specially when there's no dialogue. It is a must watch for cine enthusiasts,poets and others who have an ebbing poet in them amidst the harsh realities of life. Looking forward to more such classics from the director in future.
The viewer who goes in search of a story will be thoroughly disappointed as this is just a portrayal of a day in the life of this struggling couple essayed beautifully by Ritwick and Basabdutta, both working in alternate shifts to make their ends meet. But they are not love-lost, as they wait with honed self control and relentless patience for the early morning hours of union,when he returns from work and she is about to set out to. The "labour of love" is thus not fruitless, but is the strong bond that ties this couple,estranged for most of the day,owing to a debilitating economy.
It is totally a Director's film,executed brilliantly by the helmsman Aditya Vikram Sengupta, as his camera pans the North Calcutta suburbs, reminiscent of erstwhile opulence,yet now symbolic of a moribund state,through a poet's eye. Kudos to him for handling the plot with such sensitivity , as even the director had to undergo a Labour of Film Making to make his first film. The use of light and shadow reminds of Ray's "Aporajito" and the sound arrangement is nothing short of brilliant. But there are certain unexplained jump cuts and long stills too, flaws which doesn't remain with the viewer after the wonderful ending of the film. Ritwick has indeed become the "Irrfan Khan" of Tollywood in recent times and no one could play this role more convincingly.The vacant stare, the unhurried way he carries out his daily mundane routine, and yet the wait for the Golden moments of the day underplaying in his eyes is brilliant. He shows that one can portray despair without a sigh. Basabdutta complements him on all grounds. A final word for the sound arrangement as the film would have been incomplete without its brilliant execution,specially when there's no dialogue. It is a must watch for cine enthusiasts,poets and others who have an ebbing poet in them amidst the harsh realities of life. Looking forward to more such classics from the director in future.
The movie tests your patience a lot, and at times you wonder whether anything is going to happen at all, and perhaps that is the exact reaction the director wants to evoke from his audience. The pacing is slow, there are no dialogues , the story is told through background noise and unbelievably accurate shots of two people doing monotonous household chores. The camera-work is intriguing, unusual and beautiful in general- the camera often zooms in and lingers for a while on seemingly mundane things that are generally not highlighted on the big screen - soap bubbles in a bucket, a rooftop antenna , the clothesline .. And all this obsession with detail, the slow pacing , the impassive faces suddenly make sense in the last 5 minutes. The entire movie is a buildup for the ending, which is beautiful . It makes you want to watch the movie all over again.
In this dialogue less movie, Aditya Sengupta depicts grim condition and awkward work shifts of a married couple. In this 74 minutes film everything is visually narrated with precision from the beautiful yet crowded back lanes of Kolkata to their struggle. "There is an internal beauty in silence": Asha Jaoar Majhe definitely symbolizes that. Asha Jaoar Majhe won two national awards in 2014. The film is available on Prime Video. Also watch Aditya's another minimal gem "Jonaki" on Netflix.
Did you know
- TriviaThere are no words spoken by the characters in the film.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Labor of Love
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 2.35 : 1
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