Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly inte... Read allAlex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
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This movie is horrendous. Just 90 minutes of unfunny, uncomfortably lame little d*** jokes. None of the characters are particularly likeable and the whole plot will make you want to jam an ice pick into your eyes. Actually, that sounds way more enjoyable than rewatching this movie.
As a comedy and as a gradually unfolding mystery, the film simply works. Mainly because all involved make it seem somehow plausible. A well crafted film that for me was quite surprising, as I had no idea what to expect going into it. It's not really the kind of story that I'm interested in exactly, but at the same time it's difficult to say that the film isn't worth watching. It is entertaining for the most part, and it definitely is somewhat original in my estimation, and even a little thought provoking.
6.5/10.
6.5/10.
Short and sweet, Patrick Brice's foursome mumblecore The Overnight is disguised as a more accessible comedy, headlined by Adam Scott and Jason Schwartzman along with Taylor Schilling. Thriving on awkward humour at the expense of new age lifestyles and anxieties, it treads a fine line of endearingly goofy, unexpectedly incisive and plain weird. However, in its brief runtime, it spends sequences on the mundane, highlighting a couple relatable aspects such as Scott's believable inability to make real friends. Its theme of sexual desires outside of monogamy brings to light a harsh truth that many would quietly acknowledge and it's sparked by the idea of that freedom, though it's an energy that's swiftly interrupted. It's not very visually inspired, including two very dangly and infamous props, but Taylor Schilling is a bright spark of the cast while Adam Scott holds his own in a feature film. Meanwhile Schwartzman is less of a person than a caricature but that is surely the intention behind the pair to bring out the humanity in Schilling and Scott. The Overnight earns a few chuckles and a few insights but it's mostly held back by its brevity but it has a sincerity through all the slight wackiness that makes it work, if just a little bit.
7/10
7/10
This is one of those films where the less you know, the better. As an overall film it is incredibly difficult to judge in terms of its merits. The film is really its own creation and it beats to its own rhythm. The cast is very strong, and the film is surely entertaining throughout. Because it's so unpredictable, there's a certain joy to get from just wondering where it'll all go. For that reason, it's more of a film that will be a lot stronger on first viewing. I don't know how it'll really hold up on rewatches, but I suspect it'll lose a lot. I had a great time watching it, but I also don't know if to recommend it because I feel like many people (and I say that with emphasis on many) will hate the film and what it eventually becomes.
I didn't want to read any reviews before watching the movie so it would not spoil the story. I just saw the scores that were mixed, so I was wondering which side I would be on. And I have to admit I did enjoy the movie. It was quirky, sometimes a little provocative, but I had a couple good laughs. And I am absolutely not a fan of Adam Scott. I don't know why, there is just something that bugs me about him. But in this movie he was okay, not great, just okay. Jason Schwartzman though he makes me laugh. It's not a movie that will make you laugh all the time, but there are some situations that definitely will give you a smile on your face. I can get that some people won't like it, because nobody has the same sense of humor. But for me it was worth a watch.
Did you know
- TriviaFilmed at comedian Adam Carolla's home.
- Crazy creditsVersions of Kurt's "portal" paintings are shown and animated during a portion of the credits.
- SoundtracksTryouts For The Human Race
Written by Giorgio Moroder, Ron Mael (as Ronald Mael) and Russell Mael
Performed by Sparks
Courtesy of Republic Moon
- How long is The Overnight?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,110,522
- Opening weekend US & Canada
- $53,022
- Jun 21, 2015
- Gross worldwide
- $1,110,522
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.85 : 1
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