Mustang

Five sisters play in the sand, sunlight, sea and a grove of apple trees. Because boys are present the innocent play is easily twisted, by an envious conservative busy-body, into something sinister. The orphan girls are reported as "whores." Their caretakers, an uncle and grandmother, are much less concerned about the truth than what the neighbors might say. The girls are confined to their house and relegated to shapeless brown dresses, cooking lessons and virginity tests. Banned items include phones, internet and any item capable of outside communication. Their once beautiful and happy playground on the Black Sea is transformed into a "wife-factory" with bars on the windows. Each girl deals with the physical and emotional imprisonment in different ways, sometimes hopeful and often not. The non-professional actors do really well. The girls are especially good because they gel so well together. On the other hand, some of the scenes and actors seem forced and unrealistic. As usual, this independent and worthy film might have benefited from better support. The film as a whole pulls some punches and risks becoming the Walt Disney of Turkey for its glossy portrayals of serious stuff. Then again, that might be the only way the film could be released widely? The moral here, for the girls' caretakers, is that you are likely to get burned if you fight fire with fire. "Evil must be your only happiness," when you see evil everywhere.

Undeniably amongst the most powerful, provocative & pragmatic narratives to surface on the silver screen in recent years, Mustang is a beautifully balanced blend of skillful direction, sensible writing & terrific performances that takes a much-needed dig at patriarchy & conservatism and also works as a joyful celebration of sisterhood.

Set in a small Turkish village, the story of Mustang follows five young orphaned sisters whose lives are changed completely when they are caught innocently playing with some boys on a beach, after which their conservative family bars them from going to school anymore and begins marrying them off one by one without their consent.

Co-written & directed by Deniz Gamze Ergüven in what is actually her feature film debut, Mustang takes only a few minutes to establish the strong bond between the siblings before stepping into the realm of absurd social & cultural restraints that snatches away their freedom in the blink of an eye and every restriction imposed upon them turns out to be both nonsensical & unnerving.

The screenplay is no slouch either for it packs in an engaging storyline that smoothly unfolds over the course of its runtime and is filled with meaty characters whose arcs are well-defined plus they exhibit surprising depths. Ergüven's never goes in-your-face with her critical stance on orthodox mentality but simply exposes the challenges women face when growing up in such communities.

The technical aspects are thoroughly refined and work in harmony to further uplift the film's tone & ambiance to its desired level. Camera is expertly utilised, always keeping its focus on the relevant characters, while the bright colour palette reflects the strength & joy the sisters find in each other's company even in the bleakest of circumstances. And editing is immaculately carried out as well for every sequence plays a vital role in the story.

Coming to the performances, Mustang features a relatively inexperienced cast but the contribution from the five girls who play siblings in this feature is a highlight in itself. The scripted characters do have some flesh on them, thus providing a solid platform for the actors to built their performances upon but they further up the ante by delivering wonderfully layered & highly convincing inputs that makes all the relevant characters in the film stand out.

The story is told from the perspective of Lale, the youngest of the five siblings, and it's through her eyes that we witness the injustice she & her sisters are subjected to yet what keeps them together is their common passion for freedom & constant pursuit of ways to bypass the restrictions imposed upon them by the elders. And it is this rebellious nature that slowly accumulates as plot progresses & finally concludes with an act of self-preservation that finishes the tale on a hopeful note.

On an overall scale, Mustang is an ingeniously crafted, meticulously layered & deftly measured cinema that's engaging, entertaining & enlightening on more levels than one and for a first time filmmaker, it's an incredibly polished effort. Ergüven's direction exudes both confidence & composure and the story as a whole manages to make its voice heard loud & clear. A fearless celebration of womanhood & a heartfelt rendition of the indomitable will of human spirit, Mustang is a timely & welcome coming- of-age story and is essential viewing in every sense of the word. Don't miss it!

I am Turkish. I know how people behave in rural parts of Turkey. This movie is so ridiculously bad I would not waste another sentence for it if it wasn't for the minimal review length requirement of IMDb. So here it is, 10 lines... Actors do not even come close to give an authentic depiction of how people living in a village in İnebolu act and behave. The story is a disaster. The general attitude of the movie is tastelessly didactic. Don't you ever think that you get a somewhat accurate representation of anything regarding Turkish society from this excuse of a movie. The director/writer does obviously not know how things work in rural parts of Turkey. One of the writers is not even Turkish. So, go figure... The fuss around this movie (oscar nomination etc.) is a textbook case of westerners appreciating narratives about the rest of the world which justify their ideological preconceptions.

According to Wikipedia, "The English word mustang is derived from the Spanish word mestengo (variant of mesteño), defined as 'wild, stray, ownerless'." The image and idea of a wild, ownerless horse has inspired imaginations throughout the western world and led to the word mustang representing sports cars, airplanes, ships, cities, sports teams and even used by artists, musicians, businesses and by some politicians who consider themselves rogue agents of change. 2015 added to the word's long list of uses the French-Turkish drama "Mustang" (PG-13, 1:37), which became France's submission for the 88th Annual Academy Awards and was nominated for (and was a strong contender for) the Best Foreign Language Film Oscar. Given its subject matter and quality, "Mustang" is a great name for a great film.

The movie explores the relationships and lives of five adolescent sisters living in the seaside village of Inebolu in north-central Turkey. Inebolu is known for, among other things, the spirited (and successful) defense it mounted when attacked during the Turkish War for Independence. Fittingly, these five girls (played by Güneş Şensoy, Doğa Doğuşlu, Elit İşcan, Tuğba Sunguroğlu and İlayda Akdoğan) are also very spirited. You might even call them wild (in a strongly independent sense), they are kind of ownerless – as orphans living with their grandmother (Nihal Koldaş) and uncle (Ayberk Pekcan) – and they are quite prone to stray from the strict expectations of their strongly conservative society – as much as they can.

When the girls are caught innocently frolicking in the sea with some of their (gasp) male classmates one day after school, their lives change suddenly and dramatically. After much yelling and some beatings from their caregivers, the girls are confined to the house and lose almost all contact with the outside world, except for the people that their uncle and grandmother bring to the house. Telephones and computers are locked in a closet, bars are placed over the windows, clothing the girls chose for themselves are replaced by drab, formless dresses and daily life becomes an endless series of home economics classes in which female relatives come by to teach the girls how to be proper Turkish wives.

Also coming by the house is a parade of single young men with whom grandma begins arranging marriages for the girls. She's starting with the oldest and plans on working her way down the line. The girls, however, have other ideas. Without revealing too much about the rest of the movie, I'll just say that what grandma intends to be a succession of five cookie-cutter weddings doesn't work out exactly the way she and the girls' uncle plan. In spite of instances of abuse and the increasingly severe limitations on their personal freedom, the girls still fight to be themselves, spread their wings, meet boys on their own, keep supporting each other and enjoy each other's company as long as possible.

"Mustang" represents the best in foreign film. Besides co-writing the script, this is French-Turkish filmmaker Deniz Gamze Ergüven's directorial debut and she gives us a film which displays consistently expert tone and pacing. Some of the plot points feel overly dramatic, but this story takes an important look at extremely conservative southwestern Asia societies. Most westerners won't be able to readily relate to the lives of these girls, but the interesting story and very natural performances draw in the audience for an entertaining experience while helping them understand the world in which they live. "Mustang" is also largely a celebration of sisterhood and feminine empowerment, but it's hard to imagine anyone not being touched by this very personal and dramatic story. "A-"

Even though i assume not many people will read this i'm going to put a disclaimer first. I honestly don't mind if this is a 100% real representation of Turkish culture or not, and it doesn't need to be, no live action film does, this isn't a documentary. Simply put, if it successfully tells a good story then the film did its job and i'm happy with it. Also, i heard many people online hated the movie only because it had some direct feminist themes, the hate is highly undeserved,not only because that isn't a valid enough reason, but because the film doesn't bang you over the head with its messages, and there are many more universal themes weaved in the narrative structure of the film. Now that thats out of the way lets get into the review.

The film tells the tale about five young free spirited sisters living in a conservative Turkish household, and the friction regarding the relationship between them and their uncle and grandmother. it's a touching story about the generational gap that exists between them, and the need for the sisters to find their place in life that isn't determined by their family. Technical aspects of the film are quite superb, to my eye the editing was professional, and the cinematography beautiful, the sombre soundtrack goes hand in hand with the story of the film, and the acting was at least as far ass i could tell very good, although i cant be sure since i don't speak Turkish. One of the first things i noticed when i watched the film is that the family relations depicted in the film bear a striking resemblance to an old conservative Serbian family, which doesn't come as a big surprise since the Turks practically ruled our lands for five centuries, and that is one of the main reasons i would recommend this to anyone who was raised in a Balkan country which was occupied by the Turks, because i think they will find some interesting parallels.

What bothered me the most about the film was the fact that certain characters weren't very developed, specifically the teacher, and the driver that frequently helps the younger sister, i simply wished that the script devoted more time to explaining their motivation. Also the ending seamed very unexpected, and not in a good way, it simply wasn't foreshadowed enough for it to be satisfying.

All in all i think this is a worthy contender for the academy award, and it made me very interested in the future career of Deniz Gamze Ergüven, the director of the film, she is a talented woman with a bright future regarding the world of cinema, i wish her the best of luck.