A small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother's death, the younger sister falls ill. Having ... Read allA small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother's death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister's disease, Ayia s... Read allA small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother's death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister's disease, Ayia seeks help from Father Herman, a parish priest and a close family friend. In his house she ... Read all
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Featured reviews
Wow - this looks damn fine! I spent the entire film trying to figure out where it was shot: Russian language, but turns out the urban scenes are in Marburg, and the camera work takes full advantage. Also the Russian landscapes are droolishly good.
Anyway, a mysterious story and I'm not sure it's a horror. Certainly light on gore, with the emphasis on mild del Toro style grotesques, and the story is stuffed to the gills with oblique hints that didn't completely help me figure out whether or not I was in an allegorical world. At one stage I thought it was really about cancer or depression, but by the end something more literal was going on. The subtitles often seemed over-egged, and I guess I missed many points of significance. But it's beautiful to watch - as another reviewer noted, this feels like a low budget, grimy version of The Cell. And maybe the title can be explained by the three trips into ... not sure what you'd call it, purgatory? I could be totally wrong, but the scene with Mirra's half-buried dopplegangers reminded me of my sole viewing of the brilliant Russian war film Come And See.
Acting is good, effects are good, but way too much dialogue as characters give us exposition on their own motives - odd flaw in a highly visual production. There's a cartoon montage in the middle, as Ayia flicks through the shaman book - imaginative, but a strangely hammy effect.
Apart from the camera work, the outstanding element is the score by some entity called Moonbeam, with everything thrown in to create an eerie and ethereal atmosphere, with sharp elevations in tension.
Overall, I dunno. One of those movies that on a second viewing might reveal more, or confirm the suspicion of style over substance. As for horror, 'tis a mild one.
The style is in the same mould of such psychophysiology films ("The Cell" & "Horsehead") dealing with a journey into the subconscious mind. What transpires is rather sobering and haunting, but how the journey plays out is uniquely puzzling. The natural performances of Piling Davidova and Luibov Ignatushko do share a touching bond as the two sisters caught up in a sickness infecting their small village.
Perhaps it was a hat too big for the producers, the director, but they surely enough prepared for the movie. The effects, tho lovely, are rare and short, and I think they could have stayed for a little longer. The soundtrack is beyond believable, you'll have to check it out for yourself in order to believe so.
The story, is good, but the execution feels rushed, like they really wanted to get somewhere, and they decided to do it while holding their breath. Still it was an awesome experience, I do recommend this little gem, try something different, you won't be disappointed.
Cheers!
Spiritual and different, this will either be a tease that tastes like something you like or will appall you. It won't be for the masses (obviously), but I do think that those who "get it" (even if it's repeated viewing that takes them there), will love it with all their heart
Details
- Runtime
- 1h 20m(80 min)
- Color