The Unraveling

Zack Gold is excellent as the drug-addicted Michael, a junkie unable to quit his addiction despite the adoration of Jess (Cooper Harris), the stomach caressing girlfriend who has little to do except pout smugly for the duration. Her role is to be blissfully pregnant, and that's it: perhaps a waste of Harris's talents.

Michael and his daft friends embark on what appears to be a very unwise caper - jeopardising his job and travelling to an isolated forest to get drunk and argue.

I think what impresses me most about 'The Unraveling' is the acting - everyone plays their part well. The location is also very effective and well photographed. As for the story, well, ultimately it seems less than the sum of its parts and doesn't really succeed as a horror, despite a few lightly creepy moments. As a means of kicking an addiction, it doesn't survive any scrutiny, but it is an interesting premise. My score is 6 out of 10.

......unless you have experienced this horror or love someone who has you might not think this film is any good. Although predicable, and a somewhat weak ending, this film does an ok job of showing what a monster addiction can be. If you really want an artistic and cringe worthy film that also deals with this theme watch Requiem For A Dream. Those characters needed an exorcism not intervention.

It's a rare thing when I give anything labeled horror more than a passing glance. The genre has become so completely oversaturated by teen slasher flicks, soulless gorefests and inferior remakes. Having said that I'd say this film doesn't quite fit any of those labels. Of course there have been enough horrors over the years for a pretty well defined list of tropes to be a known part of the movie-going consciousness, but at least this film attempts something different though it doesn't quite succeed in the end.

I was expecting guys in masks doing some scary killer stuff but what I got was some guy off his nut tripping out the entire film.

I am a ten plus year super fan of John Carpenter's The Thing (1982). As such, this review and my opinion of the movie each reflect that fact. As fellow fans of The Thing know, any time you see the words isolated, paranoia and horror, you get a little bit excited by the potential. The best part of the movie is in its buildup. It takes its good time presenting the story and building the tension and suspense, and it keeps patient viewers wondering, but with enough subtle hints so as not to be a snooze fest. The premise is solid, the location is solid, the pacing is solid and there are no stupid character decisions, no forced plot points and no movie-ruining political statements, but the ending is what really falls short and leaves me with mixed feelings about this movie.