Childhood's End

Now that the Syfy Channel has released Arthur C. Clarke's "Childhood's End" as a six hour miniseries, it is fair to compare it to the classic novel, but it should be judged on its own merits. I am pleased to say that all but one half hour is quite exciting and suspenseful. That half hour, which is near the end, suffers from bad editing.

The story combines science fiction with what could be called elements of supernaturalism, depending up on how you interpret it. Regardless, the story is captivating. With every revelation, there are even greater mysteries to be revealed--something that is unusual in fiction.

I don't want to reveal much of the story and rob anyone of the powerful surprises in "Childhood's End" and the thrill of living the story through the characters, but the story starts with occurrences that affect the lives of everyone on Earth. The narrative follows the lives of a small number of people, showing how their lives are changed and the challenges they face. Clarke's story is rife with religious imagery and symbolism. While he was an atheist, his earlier stories are filled with supernatural elements. "Childhood's End" includes some that are reminiscent of "2001: A Space Odyssey"--the work he is best known for.

How does one grade a work that is 85% awesome? That's a matter of opinion. But I hope the show gets plenty of viewers, because it is provocative--even sixty years after it was written. And it might encourage some to read about Clarke's notable career as a writer.

Science fiction meets religion meets the universe in an unlikely tale that is Childhoods End.

Based on the work of science fiction writer Arthur C Clarke this mini series melds notions of science and religion in a clever apocalyptic tale of human evolution.

Irrespective of whether you like Clarke's work (I personally find him a little too abstract at times) or not, this is a polished series. The premise is well established and the narrative, for the most part faithfully follows Clarke's imaginings.

I personally found this series oddly touching. It taps into the essence of what it means to be human. To be loved, to be remembered, to exist. The choice of cast is spot on. There are some very good actors who commit their talents to this series.

Is there a downside? This is one of those instances where it really depends who much you like or dislike Clarke's work. Unlike 2001 A Space Odyssey, which bored me to tears, this series kept my attention and held it. Its a very human drama as much as its science fiction.

I give this series an eight out of ten. You can make up your own mind.

I just watched the first episode, and, all I can say is 'Wow'.

First of all, the story is sixty years old. Many of the 'tropes' came from this story, so accusing it of being a blatant ripoff of x, y and z isn't going to work.

Second of all, Syfy made this. I had to double check. Seriously. This combined with "The Expanse" hopefully marks a shift towards good... no, great, content in Syfy's future.

As for the story? Epic, heartwarming, goosebump raising. Think back fifty years to a time of optimism for the future. Put yourself in that mindset, leave your jaded selves at the door and enjoy yourself for a short time.

I loved the book back then when I first read it, and still remember how impressed I was. So was looking forward to watching the series.

My overall impression is - it should have been a movie. The first episode works, next two seem a bit dragged out.

Whoever wrote the plot didn't make a good job out of it because everything is patchy and I think for those who are not familiar with the book it may be hard to follow what is going on. Main negative is unnecessary romantic lines that are done just to fill time. And the message the book tries to send get lost somewhere in the process...

At the plus side, cast is great, visual effects are OK, there are many wonderful moments, 'Imagine' sequence is wonderfully done, and soundtrack is good all around. It's obvious filmmakers put a lot of thought in it and it shows.

So overall I recommend to watch it, but probably read the book first. It's better anyway.

I will try very hard not to spoil anyone's enjoyment of the first episode. (Incidentally, the introduction in the Kindle version of Childhood's end -- and probably the latest print edition as well -- includes a major spoiler, which is a criminal act. Should you buy the book, skip the introduction until AFTER you've read the book and/or seen the series.) As other people have said, the premise revolves around some apparently benevolent aliens who invade, declaring an end of war, hunger, climate change, hatred, and the other banes of 21st century society. Most people love the idea, but pockets of opposition rise up from people who feel threatened in one way or another.

The twists and turns in the plot are complex, complicated, and often subtle. The surprise is that the series manages them very well.

The script was quite remarkable, adapting the 60-year-old novel and weaving its complexities more deftly than I had expected. The romantic aspects were largely invented for the series. Like most of Clarke's science fiction contemporaries, 20-something "boys" in the science fiction world were geeks (we called them nerds) who had little understanding and less experience with "girls". Simple ignorance explains why they had so few strong women characters. The film version brings the story into the present and at least attempts to restore the balance.

Many factors worked against this film. The film is visual to some degree, but it is mostly dialog and atmosphere. For some of us, it was an amazing novel that raised some provocative questions and didn't answer them. For me, when I heard that someone was turning the long-loved book into a movie, I reacted with skepticism, uttering my mantra over such things. It would be good or it would be terrible. It was unlikely to fall anywhere in between.

I suspect it was a difficult film to sell to advertisers -- the lifeblood of the industry. There was a lot of mystery and adventure, but little or no pyrotechnics. It might not draw a sufficient audience to justify such ambitious projects. I noticed a large number of house ads and station promos in the breaks instead of paying commercials. To the credit of the producers, writers, and director, they didn't compromise the material to draw a bigger audience. As a result, the story takes time to unfold, and some audience members might not be patient enough to stick it out. But if you want to see a genuine attempt to put a seminal and unconventional novel on the home screen, give this a try. It isn't perfect, but it was well worth the effort -- and it's well worth your time.